The Truth About Unspeakable Things

Emma Marshall is haunted by the trauma of her past. The night she ended her engagement to cheating fiancé, Beaux, was meant to be the night she took back control, but it was only the beginning of his true hold over her. Nine months after suffering an intimate assault by the man who pledged his life to her, Emma is doing - okay. At least, that's what everyone thinks. No one knows the unspeakable truth of what happened between her and Beaux. It's a secret Emma plans to carry to the grave, until Julian Cole moves in next door and opens Emma's mind and heart to the possibility of love after betrayal. As the reporter and music executive grow closer in the music-filled city of New Orleans, Emma must risk everything to protect her newfound happiness from the man threatening to destroy her. As Emma embarks on a dangerous journey to bring her ex to justice, she soon learns the sins and secrets surrounding her are far more wicked than she ever could've imagined. Will Emma overcome her trauma and have her second chance at love? Or will the unspeakable destroy her and everyone she holds dear?

Shortlisted for The Green Carnation Prize 2014 'This is not a fairytale. This is a story about how sex and money and power police our dreams.' Clear-eyed, witty and irreverent, Laurie Penny is as ruthless in her dissection of modern feminism and class politics as she is in discussing her own experiences in journalism, activism and underground culture. This is a book about poverty and prejudice, online dating and eating disorders, riots in the streets and lies on the television. The backlash is on against sexual freedom for men and women and social justice – and feminism needs to get braver. Penny speaks for a new feminism that takes no prisoners, a feminism that is about justice and equality, but also about freedom for all. It's about the freedom to be who we are, to love who we choose, to invent new gender roles, and to speak out fiercely against those who would deny us those rights. It is a book that gives the silenced a voice – a voice that speaks of unspeakable things.

Eight-year-old Maria bears witness to her family's peculiar comings and goings in early 1940s New York City and at bedtime listens to the haunting, exhilarating stories of husbands lost to the front and of a strange pact made in desperation between an exotic Hungarian countess known as the Rat and the mystic faith healer Grigori Rasputin. From award-winning poet Kathleen Spivack comes a spellbinding and surreal debut novel about a tangled web of European emigres—including the Rat’s second cousin Herbert, a former Austrian civil servant now powerful in New York’s social scene, the Tolstoi String Quartet, who escaped to New York with their money sewn into the silk linings of their instrument cases, a German pediatrician dabbling in genetic engineering—and the strange and intoxicating secrets that bind them to each other.

'Compassionate' Guardian 'Extremely affecting' Scotsman As a teenager, Harriet Shawcross stopped speaking at school for almost a year. As an adult, she became fascinated by the limits of language. From the inexpressible trauma of trench warfare and the aftermath of natural disaster to the taboo of coming out, Harriet examines all the ways in which words scare us. She studies wartime poet George Oppen, interviews the author of The Vagina Monologues, meets Nepalese earthquake-survivors and the founders of the Samaritans and asks what makes us silent?

"Daum is her generation's Joan Didion." —Nylon Nearly fifteen years after her debut collection, My Misspent Youth, captured the ambitions and anxieties of a generation, Meghan Daum returns to the personal essay with The Unspeakable, a masterful collection of ten new works. Her old encounters with overdrawn bank accounts and oversized ambitions in the big city have given way to a new set of challenges. The first essay, "Matricide," opens without flinching: People who weren't there like to say that my mother died at home surrounded by loving family. This is technically true, though it was just my brother and me and he was looking at Facebook and I was reading a profile of Hillary Clinton in the December 2009 issue of Vogue. Elsewhere, she carefully weighs the decision to have children—"I simply felt no calling to be a parent. As a role, as my role, it felt inauthentic and inorganic"—and finds a more fulfilling path as a court-appointed advocate for foster children. In other essays, she skewers the marriage-industrial complex and recounts a harrowing near-death experience following a sudden illness. Throughout, Daum pushes back against the false sentimentality and shrink-wrapped platitudes that surround so much of contemporary American experience and considers the unspeakable thoughts many of us harbor—that we might not love our parents enough, that "life's pleasures" sometimes feel more like chores, that life's ultimate lesson may be that we often learn nothing. But Daum also operates in a comic register. With perfect precision, she reveals the absurdities of the New Age search for the "Best Possible Experience," champions the merits of cream-of mushroom-soup casserole, and gleefully recounts a quintessential "only-in-L.A." story of playing charades at a famous person's home. Combining the piercing insight of Joan Didion with humor reminiscent of Nora Ephron's, Daum dissects our culture's most dangerous illusions, blind spots, and sentimentalities while retaining her own joy and compassion. Through it all, she dramatizes the search for an authentic self in a world where achieving an identity is never simple and never complete.

Megan doesn't speak. She hasn't spoken in months. Pushing away the people she cares about is just a small price to pay. Because there are things locked inside Megan's head - things that are screaming to be heard - that she cannot, must not, let out. Then Jasmine starts at school: bubbly, beautiful, talkative Jasmine. And for reasons Megan can't quite understand, life starts to look a bit brighter. Megan would love to speak again, and it seems like Jasmine might be the answer. But if she finds her voice, will she lose everything else?

In an emotional, thought-provoking journey filled with secrets and regret, a young woman has a second chance at love after abuse. Emma Marshall is haunted by the trauma of her past. The night she ended her engagement to cheating fiancé, Beaux, was meant to be the night she took back control, but it was only the beginning of his true hold over her. Nine months after suffering an intimate assault by the man who pledged his life to her, Emma is doing - okay. At least, that's what everyone thinks. No one knows the unspeakable truth of what happened between her and Beaux. It's a secret Emma plans to carry to the grave, until Julian Cole moves in next door and opens Emma's mind and heart to the possibility of love after betrayal. As the reporter and music executive grow closer in the music-filled city of New Orleans, Emma must risk everything to protect her newfound happiness. As Emma embarks on a dangerous journey to bring her ex to justice, the bounds of forgiveness are tested as more unspeakable truths come to light. Will Emma overcome her trauma and have her second chance at love? Or, will her past destroy her and everyone she holds dear? Trigger Warnings: sexual assault/ rape (depicted), self-harm (referenced), abortion (discussed)

The War That Saved My Life meets Coraline in this “deliciously creepy” (Publishers Weekly, starred review) middle grade historical novel following an anxious young girl learning to face her fears—and her ghosts—against the backdrop of the typhoid epidemic. Essie O’Neill is afraid of everything. She’s afraid of cats and electric lights. She’s afraid of the silver sick bell, a family heirloom that brings up frightening memories. Most of all, she’s afraid of the red door in her nightmares. But soon Essie discovers so much more to fear. Her mother has remarried, and they must move from their dilapidated tenement in the Bronx to North Brother Island, a dreary place in the East River. That’s where Essie’s new stepfather runs a quarantine hospital for the incurable sick, including the infamous Typhoid Mary. Essie knows the island is plagued with tragedy. Years ago, she watched in horror as the ship General Slocum caught fire and sank near its shores, plummeting one thousand women and children to their deaths. Now, something on the island is haunting Essie. And the red door from her dreams has become a reality, just down the hall from her bedroom in her terrifying new house. Convinced her stepfather is up to no good, Essie investigates. Yet to uncover the truth, she will have to face her own painful history—and what lies behind the red door.