The Unexpected Universe Of Doris Lessing

In this first study of Doris Lessing's science fiction, Fishburn devotes a chapter to each of Lessing's seven novels. Her major argument is that Lessing uses these novels to change our perception of reality by describing worlds that are simultaneously similar to and different from our own. Of particular importance is the fact that each narrator, by functioning as an intermediary or guide-leader, helps skeptical readers to experience the alien worlds of Lessing's imagination. As she traces the development of these seven narrators, Fishburn shows how they eventually fulfill the role of the idealized author Lessing described in The Small Personal Voice. In examining how these texts challenge us to change, Fishburn discusses the influence of Marxist and Sufi thought on Lessing and also points out the striking similarity betwen Lessing's philosophy of wholeness and the discoveries of modern physics.

Essays of critical interpretation portray views of Doris Lessing's work, including The Golden Notebook, Marriages, and The Grass is Singing..

Through close readings of Doris Lessing's novels from The Grass is Singing to The Fifth Child, Margaret Moan Rowe maps many of the literary and cultural negotiations that make Doris Lessing both a maverick and a mainstream novelist. Examining the pull of paternal and maternal biographical and literary identification in Lessing, Rowe relates them to the tensions between the ordinary and the visionary in her fiction.

An original and compelling appraisal of this important international literary figure

The death of Nobel Prize-winning Doris Lessing sparked a range of commemorations that cemented her place as one of the major figures of twentieth- and twenty-first-century world literature. This volume views Lessing's writing as a whole and in retrospect, focusing on her innovative attempts to rework literary form to engage with the challenges thrown up by the sweeping historical changes through which she lived. The 12 original chapters provide new readings of Lessing's work via contexts ranging from post-war youth politics and radical women's writing to European cinema, analyse her experiments with genres from realism to autobiography and science-fiction, and draw on previously unstudied archive material. The volume also explores how Lessing's writing can provide insight into some of the issues now shaping twenty-first century scholarship - including trauma, ecocriticism, the post-human, and world literature - as they emerge as defining challenges to our own present moment in history.

The purpose of this study is to examine the rationale of Doris Lessing's development from Classical Realism to mysticism and forms of science fiction and to consider the unifying motifs that appear throughout her novels in her consistent search for Sufi Equilibrium. The four novels selected in this study represent significant stages in Lessing's work. Chapter one focuses on The Grass is Singing, which represents the author's early traditionally realistic writing, to show how far the preoccupations of Lessing's later novels find expression in this early work. Chapter two studies The Golden Notebook, which marks a turning point in formal structure in Lessing's canon and is selected as evidence of her interest in Sufism at that early stage. Chapter three concentrates on the study of The Memoirs of a Survivor, which has elicited a comparatively limited amount of criticism but which proves to be a major achievement when brought into line with Sufi methods of writing. Chapter four considers Lessing's science fiction series, 'Canopus in Argos', tracing sources from Oriental literature - a key which unlocks many areas of obscurity.

Doris Lessing (1919–2013), a prolific contemporary author, was awarded the Nobel Prize in Literature in 2007 for her life work. Examining five decades of Lessing's unique life, narrative strategies, and the literary traditions that she drew upon and improvised, this book highlights her extraordinary significance as a writer of our times and for our times. Lessing's fiction and non-fiction provide a seminal understanding of the key issues that shaped the twentieth century. Autodidactic and keenly interested in the world around her, Lessing flagged the problems of racism in Africa; the inequity of class in modern England; the limitations of white, middle-class women's movements that overlooked the rights of women across race and class; the marginalisation of individuals; the horror of nuclear war and the need for disarmament; and the hazardous global expansion in the face of unrelenting technological progress. Further, she raised the concern of the atomisation of modern families, violence and the urgent need for alternate modes of viewing, voicing anxieties decades ahead of other contemporary writers. Making futuristic projections through innumerable genres of writing, such as realistic narratives, memoirs, diaries and science fiction, Lessing examines myth, psychoanalysis and Marxist perspectives, engaging with a gamut of experiences that have defined modernity, and sets up feminist blueprints that challenge atrophying patriarchal hegemonies.