The University Of Illinois

The University of Illinois, Urbana-Champaign campus offers vistas rich with memories and splendor. This collection of over thirty classic images gives YOU, the Coloring Illini, a chance to conjure multihued masterworks from one hundred and fifty years of school history. The whole UIUC experience is here. The Union. The Quad. The Idea Garden. Whether you like brush pens or color pencils, the high quality paper will hold the whole Pantone spectrum of colors. Whether you seek fun or inspiration, the pictures will stoke your creative fires. Orange, Blue, and U is the perfect invitation for students, alums, and the worldwide university community to see UIUC as its canvas.

Why does the University of Illinois campus at Urbana-Champaign look as it does today? Drawing on a wealth of research and featuring more than one hundred color photographs, An Illini Place provides an engrossing and beautiful answer to that question. Lex Tate and John Franch trace the story of the university's evolution through its buildings. Oral histories, official reports, dedication programs, and developmental plans both practical and quixotic inform the story. The authors also provide special chapters on campus icons and on the buildings, arenas and other spaces made possible by donors and friends of the university. Adding to the experience is a web companion that includes profiles of the planners, architects, and presidents instrumental in the campus's growth, plus an illustrated inventory of current and former campus plans and buildings.

The founding of the university in 1867 created a unique community in what had been a prairie. Within a few years, this creative mix of teachers and scholars produced innovations in agriculture, engineering and the arts that challenged old ideas and stimulated dynamic new industries. Projects ranging from the Mosaic web browser to the discovery of Archaea and pioneering triumphs in women's education and wheelchair accessibility have helped shape the university's mission into a double helix of innovation and real-world change. These essays explore the university's celebrated accomplishments and historic legacy, candidly assessing both its successes and its setbacks. Experts and students tell the eye-opening stories of campus legends and overlooked game-changers, of astonishing technical and social invention, of incubators of progress as diverse as the Beckman Institute and Ebertfest. Contributors: James R. Barrett, George O. Batzli, Claire Benjamin, Jeffrey D. Brawn, Jimena Canales, Stephanie A. Dick, Poshek Fu, Marcelo H. Garcia, Lillian Hoddeson, Harry Liebersohn, Claudia Lutz, Kathleen Mapes, Vicki McKinney, Elisa Miller, Robert Michael Morrissey, Bryan E. Norwood, Elizabeth H. Pleck, Leslie J. Reagan, Susan M. Rigdon, David Rosenboom, Katherine Skwarczek, Winton U. Solberg, Carol Spindel, William F. Tracy, and Joy Ann Williamson-Lott.

Labor's End traces the discourse around automation from its origins in the factory to its wide-ranging implications in political and social life. As Jason Resnikoff shows, the term automation expressed the conviction that industrial progress meant the inevitable abolition of manual labor from industry. But the real substance of the term reflected industry's desire to hide an intensification of human work--and labor's loss of power and protection--behind magnificent machinery and a starry-eyed faith in technological revolution. The rhetorical power of the automation ideology revealed and perpetuated a belief that the idea of freedom was incompatible with the activity of work. From there, political actors ruled out the workplace as a site of politics while some of labor's staunchest allies dismissed sped-up tasks, expanded workloads, and incipient deindustrialization in the name of technological progress. A forceful intellectual history, Labor's End challenges entrenched assumptions about automation's transformation of the American workplace.

Soul food has played a critical role in preserving Black history, community, and culinary genius. It is also a response to--and marker of--centuries of food injustice. Given the harm that our food production system inflicts upon Black people, what should soul food look like today? Christopher Carter's answer to that question merges a history of Black American foodways with a Christian ethical response to food injustice. Carter reveals how racism and colonialism have long steered the development of US food policy. The very food we grow, distribute, and eat disproportionately harms Black people specifically and people of color among the global poor in general. Carter reflects on how people of color can eat in a way that reflects their cultural identities while remaining true to the principles of compassion, love, justice, and solidarity with the marginalized. Both a timely mediation and a call to action, The Spirit of Soul Food places today's Black foodways at the crossroads of food justice and Christian practice.

Acclaimed Prairiescapes photographer Larry Kanfer presents his alma mater in his newest book as only he can. Through the eyes of an artist attuned to the details of place and space, Kanfer reveals the familiar vistas and landmarks that make the University of Illinois a special place for tens of thousands of students and alumni each year. A proud graduate of the University of Illinois himself, Kanfer shows the Urbana-Champaign campus from the North Quad to the South Farms, capturing campus events, iconic buildings, and architectural details from inside and outside. Crowds roar as they cheer on the Fighting Illini in Memorial Stadium and Assembly Hall, and undergrads share a quiet moment between classes at the Illini Union. Kanfer's images convey the character of the school throughout the seasons, from the bloom of spring to winter's blanketing snows. The images illustrate the splendor of the university's academic buildings and the grandeur of its libraries, its intimate corners and vaulted lecture halls, its museums and residence halls. Accompanying text by Alaina Kanfer guides readers through the campus scenes, providing the history and lore of landmarks such as Lorado Taft's Alma Mater sculpture, the venerable Morrow Plots, the Altgeld Hall bell tower, and more than a century's worth of class gifts that embellish the campus landscape. The Kanfers also commemorate notable people in the university's history, highlight newer additions to the campus such as the Siebel Center for Computer Science and the ACES Library, and celebrate long-standing traditions including Homecoming, Illini sports, graduation, and Quad Day. A must-have for students, graduates, parents, and fans, Illini Loyalty memorably conveys the University of Illinois' spirit of education, innovation, and pride, and every page is infused with Larry Kanfer's fierce devotion to the Urbana-Champaign campus.

Joy Ann Williamson charts the evolution of black consciousness on predominately white American campuses during the critical period between the mid-1960s and mid-1970s, with the Black student movement at the University of Illinois at Urbana-Champaign serving as an illuminating microcosm of similar movements across the country. Drawing on student publications of the late 1960s and early 1970s, as well as interviews with student activists, former administrators, and faculty, Williamson discusses the emergence of Black Power ideology, what constituted "blackness," and notions of self-advancement versus racial solidarity. Promoting an understanding of the role of black youth in protest movements, Black Power on Campus is an important contribution to the literature on African American liberation movements and the reform of American higher education.