The Untruth Of Reality

The common feature of many present-day “new realisms” is a general diagnosis according to which, with Kant, Western philosophy lost any contact with the outside world. In The Untruth of Reality, Jure Simoniti, in contrast, points out the necessary realist side of modern philosophy, arguing that the possibility of realism has always been there. The epistemological self-inauguration of the subject goes hand in hand with his anthropological dethronement, the god-like centrality of the “ego” is constantly counterbalanced with his creatural marginality, the activity of the constitutive subject is juxtaposed with the growing indifference of the world, and the linguistic appropriation of the world simultaneously performs operations of the de-symbolization of reality. However, with these precarious equilibria, the conditions of possibility of realism have become more complex and intricate. It is therefore the goal of this book to demonstrate how the paradigms of consciousness and language are not necessarily incompatible with realism, but rather open new and broader possibilities for the world behind and beyond consciousness and language to disclose itself. This book will be of interest to graduate students and scholars in the fields of German idealism, continental philosophy, philosophy of language, and philosophy of science.

The Poetics of Naming is a fascinating blend of postmodern philosophy and mysticism that challenges our conventional view of language. It begins with the narrator’s discussion of a multi-faceted identity based on his name(s). Because this identity is multi-lingual and multi-national, its layering of the self leads to a confrontation with language. The narrator asks what is the relationship between language and truth? The formative power of language is great, but what happens when we become "languageless?" The book becomes an expression of a mystical experience the narrator calls "poesis" in which he stepped outside of language. Expressing this experience of languagelessness through language is the paradox at the core of the book. To achieve a simulation of languageless reality, the author uses a variety of linguistic techniques that uproot meanings, break-up words, and reconstruct terms in novel ways. Through deconstruction the metaphoric structure of language is revealed. This metaphoric structure is itself approached metaphorically so that the reader begins to sense the trap of a linguistic universe from which there is no escape. The book is a literary exercise that simulates the author’s poesis experience for the reader. Eventually the flood of words on the page begins to go out of focus and dissolve as the reader approaches languagelessness. The Poetics of Naming is not for the faint of heart. It challenges its readers to move away from the comfortable universe of ordinary language and its meanings and enter a world where the boundaries crumble like digital illusions and limitlessness appears on the horizon of consciousness. Poesis is frightening, frustrating and liberating.

This book asks how we may undertake to represent representation.

As an epoch of "censorship terror" drew to a close with the death of Nicholas I and the end of the Crimean War, Russian intellectuals had begun expressing their desires for political, philosophical, and religious reform through passionate debates over literature and esthetics. Charles Moser re-creates the leading controversies over literature and art during a crucial period that saw the work of such authors as Turgenev, Dostoevsky, and Tolstoy. Emphasizing particularly the years from 1862 to 1870, Moser presents the doctrines of lesser known and major figures from both liberal and conservative camps, which influenced the development of Socialist Realism and Russian Formalism. The debates presented begin with a discussion of an essay by Nikolay Chernyshevsky, "Esthetic Relations of Art to Reality," which set the stage for the entire period. Among the many topics examined by the author are the doctrines of the radical critic Dmitry Pisarev and the writings of his opponents, such as Nikolay Solovev and Evgeny Edelson. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Being-in-time to the music from the ground up is a work in phenomenology, where this term is broadly defined, comprehending Plato, Heidegger, Hegel, and Marx. The most direct referent is Hegel, together with the theoretical revolution that he initiated with Phenomenology of Mind. This text’s more general purpose is to set the tone for a 21st communism based upon the idea of dancing with death, assuming full responsibility for one’s mortality, and abandoning the self to love as the meaning of existence. This dance is choreographed through my conversations with the above mentioned writers. In conversing with them I aim to displace (if not usurp) them from the throne of honour which is nothing more than the authority borrowed from me. By this I do not intend to deny completely their ‘other to me’ character. However, they exist or even ‘figure’ for me, both in the sense of of ‘count,’ having importance, as those that I read, and by which I read myself. They have borrowed my authority, namely, my own potential to be an author. So ‘reading them is to re-assume that borrowed authority. The life of the reader, to paraphrase Barthes, begins with the death of the author.

New package for a cult classic. First published in 2003, The Book of Lies was hailed as a 21st grimoire and instantly became a cult classic. Now reformatted for the next generation of magicians and all counterculture devotees, it gathers an unprecedented cabal of occultists, esoteric scholars, and forward thinkers, all curated by Disinformation's former "wicked warlock" Richard Metzger. This compendium of the occult includes entries on topics as diverse and dangerous as Aleister Crowley, Secret Societies, Psychedelics, and Magick in theory and practice. The result is an alchemical formula that may well rip a hole in the fabric of your reality: Terence McKenna asks if we contact "aliens" with the smokable drug DMT Daniel Pinchbeck recounts his psychedelic and magical experiences Techgnosis author Eric Davis writes about H.P. Lovecraft Robert Anton Wilson writes about the similarities between Aleister Crowley and Timothy Leary Donald Tyson's "The Enochian Apocalypse Working" ask if the seeds of the end of the world sown in the Elizabethan era. Other contributors or subjects written about include Brian Barritt, Vere Chappell, Ida Craddock, Joe Coleman, Nevill Drury, Stephen Edred Flowers, T. Allen Greenfield, Gary Lachman, Anton Lavey, Peter Levenda, Grant Morrison, Michael Moynihan, Rosaleen Norton, Jack Parsons, Austin Osman Spare, and Tracy Twyman. It's all here and more!

"Published Essays, 1966-1985 includes some of the most trenchant and compelling of Eric Voegelin's work and is an indispensable companion to his Anamnesis and to the fourth and fifth volumes of Order and History, which were prepared for publication during the same period, the last two decades of the author's life. These essays are quintessential Voegelin.Voegelin was an essayist at heart, and the pieces gathered here bear on almost every aspect of his philosophy. They range in subject matter and tone from a scalding critique of the German intellectual establishment during the Hitler period and a satire upon contemporary vulgarian culture to magisterial analyses of immortality, reason, and consciousness. The essays also embrace Voegelin's elaboration of the theory of equivalent experiences and symbolizations over human history and his meditation upon the lure of extremes in the rebellion of magic against reason in various modernist attacks on culture. The scope of Voegelin's work is magnified by the collection's final essay, a touching and profound deathbed reflection on God". --