The Vietnam Veterans Memorial At Angel Fire

A great white angel spreading her wings across the Moreno Valley: this is how one visitor described the memorial standing atop a windswept prominence in the Sangre de Cristo Mountains near Taos, New Mexico. A de-facto national Vietnam veterans memorial, built by one family more than a decade before the Wall in Washington, DC, and without aid or recognition from the US government, the chapel at Angel Fire is a testament to one young American’s sacrifice—but also to the profound determination of his family to find meaning in their loss. In The Vietnam Veterans Memorial at Angel Fire, Steven Trout tells the story of Marine Lieutenant David Westphall, who was killed near Con Thien on May 22, 1968, and of the Westphall family’s subsequent struggle to create and maintain a one-of-a-kind memorial chapel dedicated to the memory of all Americans lost in the Vietnam War and to the cause of world peace. Focused primarily on a life lost amid our nation’s most controversial conflict and on the Westphalls’ desperate battle to keep their chapel open between 1971 and 1982, the book’s brisk and moving narrative traces the memorial’s evolution from a personal act of family remembrance to its emergence as an iconic pilgrimage destination for thousands of Vietnam veterans. Documenting the chapel’s shifting messages over time, which include a momentary (and controversial) recognition of the dead on both sides of the war, The Vietnam Veterans Memorial at Angel Fire spotlights one American soldier’s tragic story and the monument to hope and peace that it inspired.

At the height of the Civil War in 1863, the Union instated the first-ever federal draft. Patriotism By Proxy develops a new understanding of the connections between American literature and American lives by focusing on this historic moment when the military transformed both. Paired with the Emancipation Proclamation, the 1863 draft inaugurated new relationships between the nation and its citizens. A massive bureaucratic undertaking, it redefined the American people as a population, laying bare social divisions as wealthy draftees hired substitutes to serve in their stead. The draft is the context in which American politics met and also transformed into a new kind of biopolitics, and these substitutes reflect the transformation of how the state governed American life. Censorship and the suspension of habeas corpus prohibited free discussions over the draft's significance, making literary devices and genres the primary means for deliberating over the changing meanings of political representation and citizenship. Assembling an extensive textual and visual archive, Patriotism by Proxy examines the draft as a cultural formation that operated at the nexus of political abstraction and embodied specificity, where the definition of national subjectivity was negotiated in the interstices of what it means to be a citizen-soldier. It brings together novels, poems, letters, and newspaper editorials that show how Americans discussed the draft at a time of censorship, and how the federal draft changed the way that Americans related to the state and to each other.

This title presents a penetrating account of the cultural politics surrounding the memorialisation of the Vietnam War. It is a study of American attempts to come to terms with the legacy of the Vietnam War.

Geneviève de Galard was a flight nurse for the French Air Force who received the name of the "Angel of Dien Bien Phu" during the French war in Indochina. She volunteered for French Indochina and arrived there in May 1953, in the middle of the war between French forces and the Vietminh. Galard was stationed in Hanoi and flew on casualty evacuation flights from Pleiku. After January 1954 she was on the flights that evacuated casualties from the Battle of Dien Bien Phu. Her first patients were mainly soldiers who suffered from diseases but after mid-March most of them were battle casualties. Sometimes Red Cross planes had to land in the midst of Vietminh artillery barrages. On March 27, 1954, when a Red Cross C-47 with Galard aboard tried to land at night on the short runway of Dien Bien Phu, the landing overshot and the plane's left engine was seriously damaged. The mechanics could not repair the plane in the field, so the plane was stranded. At daylight Vietminh artillery destroyed the C-47 and damaged the runway beyond repair. Galard went to a field hospital under command of doctor Paul Grauwin and volunteered her services as a nurse. Although the men of the medical staff were initially apprehensive —she was the only woman in the base —they eventually made accommodations for her. They also arranged a semblance of uniform; camouflage overalls, trousers, basketball shoes, and a t-shirt. Galard did her best in very unsanitary conditions, comforting those about to die and trying to keep up morale in the face of the mounting casualties. Many of the men later complimented her efforts. On the 29th of April 1954 Genevièvee de Galard was awarded the Knight's Cross of the Légion d ́Honneur and the Croix de Guerre. It was presented to her by the commander of Dien Bien Phu, General de Castries. The following day, during the celebration of the French Foreign Legion's annual "Camerone", de Galard was made an honorary "Legionnaire de 1ère classe" alongside Lieutenant Colonel Marcel Bigeard, the commander of the 6th Colonial Parachute Battalion. French troops at Dien Bien Phu finally capitulated on May 7. However, the Vietminh allowed Galard and the medical staff continue to care for their wounded. Galard still refused any kind of cooperation. When some of the Vietminh begun to hoard medical supplies for their own use, she hid some of them under her stretcher bed. On May 24, Gènevieve de Galard was evacuated to French-held Hanoi, partially against her will. The American press gave her the name “Angel of Dien Bien Phu.” She was given a tickertape parade up Broadway, a standing ovation in Congress. On 29 July 1954 President Eisenhower awarded her the Presidential Medal of Freedom during a ceremony in the White House Rose Garden. She currently lives in Paris with her husband.

Military documents reveal decades of deceit about the Vietnam War and myths perpetuated by the mainstream media.

Covering many aspects of the Vietnam War that have not been addressed before, this book supplies new perspectives from academics as well as Vietnam veterans that explore how this key conflict of the 20th century has influenced everyday life and popular culture during the war as well as for the past 50 years. How did the experience of the Vietnam War change the United States, not just in the 1950s through the 1970s, but through to today? What role do popular music and movies play in how we think of the Vietnam War? How similar are the recent wars in Iraq and Afghanistan—and now Syria—to the Vietnam War in terms of duration, cost, success and failure rates, and veteran issues? This two-volume set addresses these questions and many more, examining how the Vietnam War has been represented in media, music, and film, and how American popular culture changed because of the war. Accessibly written and appropriate for students and general readers, this work documents how the war that occurred on the other side of the globe in the jungles of Vietnam impacted everyday life in the United States and influenced various entertainment modes. It not only covers the impact of the counterculture revolution, popular music about Vietnam recorded while the war was being fought (and after), and films made immediately following the end of the war in the 1970s, but also draws connections to more modern events and popular culture expressions, such as films made in the aftermath of September 11, 2001. Attention is paid to the impact of social movements like the environmental movement and the civil rights movement and their relationships to the Vietnam War. The set will also highlight how the experiences and events of the Vietnam War are still impacting current generations through television shows such as Mad Men.

From the beginning in the 1770s, singing was an important part of Shaker worship. In 1812-13 the Shakers published their first hymnal, 'Millennial Praises', which included texts without music. This scholarly edition of the hymnal joins the texts to original Shaker tunes. The CD includes historical recordings of six Shaker songs.

The sometimes-forgotten valor of the service wife during the Vietnam War years, told through four very different women who come together and find the support they need. The women grapple with what the Vietnam War meant to us as a country and to them personally.