The View From The End Of The Road

This is the life story of a family branch rooted in America in 1636 represented by a man who graduated from Colgate University, New York Medical College during World War II and Harvard with a post graduate degree who learned the practice of medicine in a small coal mining town with a young family doing medical procedures that would be impossible today. He, with the support of his wife, spent an innovative problem solving Air Force career that included many incredible situations, Vietnam War combat, hospital construction, medical quality control, Physician Assistant and Nurse Practitioner training. This was followed by cost effective public sector practice and administration as well as corporate medical practice and administration followed by retirement and active resident participation in a continuing care retirement community with a structured approach to resident participation.

A heartwarming read about the unexpected joys inside an old house

End of the Road is a novel drawing from an unpublished manuscript by a 110-year-old man in the year 2050 about his trip around the country in a $200-car in 1995. A group of graduate students in 2050 interview him in his assisted-living apartment for their video oral-history thesis project. The story shifts back and forth between the trip in 1995 and the interviews in 2050. The old man's quaint philosophies and his connection with the past intrigue the students. As the theis project progresses, the old man becomes more than a mere interview subject. As the young people gain a perspective on their past, the old man reconnects with the present. Readers may additionally find looking back at our turn-of-the-century road and automobile culture from a viewpoint of young people living in the year 2050 a delightful experience in itself.

WINNER OF THE PULITZER PRIZE • NATIONAL BESTSELLER • A searing, post-apocalyptic novel about a father and son's fight to survive, this "tale of survival and the miracle of goodness only adds to McCarthy's stature as a living master. It's gripping, frightening and, ultimately, beautiful" (San Francisco Chronicle). • From the bestselling author of The Passenger A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food—and each other. The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, "each the other's world entire," are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.

Homespun humor about the way we live, from the pleasant futility of salmon fishing and the joys of Halloween, to quiet afternoons with soap opera families and endless nights in pursuit of trivia Tom Bodett, humorist, radio star, and pitchman for Motel 6, lives and writes in Homer, Alaska, the little town in the blue Northwest where America stops, carwise. "If you got into your car in New York," he says, "and wanted to take a nice long drive, I mean the longest drive you could without turning around or running into a foreign language, this is where you'd wind up." It's a place of moose and salmon and spectacular sunsets, but, Bodett insists, it's also small-town America, a place not all that different from the Michigan town of his youth. That's why he's made it his home: it perfectly suits his contrary appetites for the extreme and the everyday, for the rigors of the outdoor life and the mundane joys of the family circle. As Far As You Can Go Without a Passport, Bodett's first collection of casual essays, contains pieces on everything from trapping, tree cutting, and halibut fishing, to soap operas, lost socks, and sleeping in. It's guaranteed to please both the renegade and the homebody in every reader.

The Floating Opera and The End Of The Road are John Barth's first two novels. Their relationship to each other is evident not only in their ribald subject matter but in the eccentric characters and bitterly humorous tone of the narratives. Both concern strange, consuming love triangles and the destructive effect of an overactive intellect on the emotions. Separately they give two very different views of a universal human drama. Together they illustrate the beginnings of an illustrious career.

The Alaskan author's radio show is the basis for his observations of the characters who live in the place where the land ends and the sea begins.

#1 NEW YORK TIMES BESTSELLER More than ONE MILLION copies sold A TODAY Show Read with Jenna Book Club Pick A New York Times Notable Book, and Chosen by Oprah Daily, Time, NPR, The Washington Post, Bill Gates and Barack Obama as a Best Book of the Year “Wise and wildly entertaining . . . permeated with light, wit, youth.” —The New York Times Book Review “A classic that we will read for years to come.” —Jenna Bush Hager, Read with Jenna book club “Fantastic. Set in 1954, Towles uses the story of two brothers to show that our personal journeys are never as linear or predictable as we might hope.” —Bill Gates “A real joyride . . . elegantly constructed and compulsively readable.” —NPR The bestselling author of A Gentleman in Moscow and Rules of Civility and master of absorbing, sophisticated fiction returns with a stylish and propulsive novel set in 1950s America In June, 1954, eighteen-year-old Emmett Watson is driven home to Nebraska by the warden of the juvenile work farm where he has just served fifteen months for involuntary manslaughter. His mother long gone, his father recently deceased, and the family farm foreclosed upon by the bank, Emmett's intention is to pick up his eight-year-old brother, Billy, and head to California where they can start their lives anew. But when the warden drives away, Emmett discovers that two friends from the work farm have hidden themselves in the trunk of the warden's car. Together, they have hatched an altogether different plan for Emmett's future, one that will take them all on a fateful journey in the opposite direction—to the City of New York. Spanning just ten days and told from multiple points of view, Towles's third novel will satisfy fans of his multi-layered literary styling while providing them an array of new and richly imagined settings, characters, and themes. “Once again, I was wowed by Towles’s writing—especially because The Lincoln Highway is so different from A Gentleman in Moscow in terms of setting, plot, and themes. Towles is not a one-trick pony. Like all the best storytellers, he has range. He takes inspiration from famous hero’s journeys, including The Iliad, The Odyssey, Hamlet, Huckleberry Finn, and Of Mice and Men. He seems to be saying that our personal journeys are never as linear or predictable as an interstate highway. But, he suggests, when something (or someone) tries to steer us off course, it is possible to take the wheel.” – Bill Gates