The Vishnu Chronicles

BOOK DESCRIPTION Legend has it that Jaya and Vijaya, Lord Vishnu’s palace guards, were cursed by the enraged Manasputras who ordained them to abandon Vaikuntha. But not before they were provided with an alternative—an alternative that would mould their uncertain future...and that of the Delhi-based graduate, Mohan Sharma, who, while flipping through the lesser-known pages of mythology, becomes cognisant of a sinister presence lurking around. This is followed by a cryptic letter, revealing the existence of his grandfather of whom he has no recollection. Pandemonium strikes as Mohan unwittngly unravels a closely guarded secret that shall bring him face-to-face with an unspeakable horror, his adversary who is blessed with the boon of immortality by Lord Shiva. Accompanied by five men, each possessing a distinct ability, Mohan must find the weapon, long forgo en by mankind, that can spell doom for his nemesis—Lord Rama’s wondrous bow...the ‘Kodanda’! ABOUT THE AUTHOR Suhail Mathur is the author of the bestselling historical c on, The Bhairav Putras. An alumnus of Delhi Public School, Noida and National Law University, Delhi, he also advises international law firms on various issues. Awarded the Best Book Reviewer 2013 by Tales Pensieve, Suhail is currently working with various production houses as a story, screenplay and dialogue writer. He has done English cricket commentary for Star Sports and Airtel’s mobile application. A lit fest regular, he has been listed as one of India’s ‘Top 51 Indian Authors to Follow’. He is also one of the country’s most prominent literary agents.

India's ancient scriptures, particularly in the south of the country, have always echoed with whispers regarding a vast lost continent that existed deep within the Indian Ocean at about the same time as Atlantis existed on the other side of the planet.Thousand year old scriptures written in the South Indian state of Tamil Nadu mention katalkol, or seizure by the ocean as the reason for the continents' disappearance. During the Nineteenth Century, European writers began referring to this mythical continent as Lemuria. Like Atlantis, legends grew up about its advanced technologies and advanced civilization. Perhaps these stories about flying craft and super weapons have filtered down through the ages, to appear in later Hindu religious texts such as the epic Mahabharata. I speculate that Kumari Kandam may have been the proto-civilization of India, its survivors having brought their knowledge to India as refugees.Perhaps one day the truth of Kumari Kandam will be uncovered, and the truth is often stranger than fiction. Let me know what you think on my Facebook page. Well, I'd better get back to writing the second book. After all, Arul's adventure isn't over quite yet. One last word about the power of representation. When you read about someone who looks like you, perhaps sounds like you, it says that you have a right to exist in this world. The story of this world should not be told through the lens of only one culture. Children of colour the world over need more heroes and heroes like them. Happy reading. R.K. Singh

‘’What exactly has been lost of the Sacred Vision in what was constructed in Auroville? The 24-metre diameter does not exist; the 15.20m measure of the Ray does not exist; the 15-step entry from below into the floor of the chamber facing north does not exist; Sri Aurobindo’s symbol in the Shalagrama does not ‘exist’; the translucent Globe does not exist; the stone Pedestal does not exist. Is there anything then of gnostic significance and value in the structure? And even if only one or two items of the Vision have survived – such as the 12 columns – the fundamental feature proper to all great sacred art is absent: its unity. In these matters it is all or nothing. Unfortunately, for disciples and devotees of Sri Aurobindo and the Mother, they are left with nothing. But the Vision itself lives on; its Knowledge has been revealed and preserved. This is the focus of these Chronicles.’’ (Thea, excerpt from Chronicles of the Inner Chamber, no. 9)