The Voice Of America

The Voice of America is the nation's largest publicly funded broadcasting network, reaching more than 90 million people worldwide in over forty languages. Since it first went on the air as a regional wartime enterprise in February 1942, VOA has undergo

An electrifying debut from a winner of the Caine Prize for African Writing E. C. Osondu is a fearless and passionate new writer, whose stories echo the joys and struggles of a cruel, beautiful world. His characters burst from the page—they fight, beg, love, grieve, but ultimately they are dreamers. Set in Nigeria and the United States, Voice of America moves from the fears and dreams of boys and girls in villages and refugee camps to the disillusionment and confusion of young married couples living in America, and then back to bustling Lagos. In "Waiting," two young refugees make their way through another day, fighting for meals and hoping for a miracle that will carry them out of the camp; in "A Simple Case," the boyfriend of a prostitute is rounded up by the local police and must charm his fellow prisoners for protection and survival; and in "Miracle Baby," the trials of pregnancy and mothers-in-law are laid bare in a woman’s return to her homeland. Each of the eighteen stories here possesses a voice at once striking and elegant, capturing the dramatic lives of an unforgettable cast of characters. Written with exhilarating energy and warmth, the stories of Voice of America are full of humor, pathos, and wisdom, marking the debut of an extraordinary new talent.

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Examines the troubled existence of the Voice of America (VOA), the US government's international shortwave radio agency, following WWII. Explains that the VOA's troubles, including slashed budgets, canceled projects, and neglect by its operating agency, were the results of rivalries that shaped American politics during these years, especially the Republican drive to roll back the New Deal, the ongoing contest between conservative members of Congress and the Truman administration, and disputes over the VOA's proper purposes. Krugler teaches history at the University of Wisconsin-Platteville. Annotation copyrighted by Book News Inc., Portland, OR

**WINNER, Sperber Prize 2018, for the best biography of a journalist** The first and definitive biography of an audacious adventurer—the most famous journalist of his time—who more than anyone invented contemporary journalism. Tom Brokaw says: "Lowell Thomas so deserves this lively account of his legendary life. He was a man for all seasons." “Mitchell Stephens’s The Voice of America is a first-rate and much-needed biography of the great Lowell Thomas. Nobody can properly understand broadcast journalism without reading Stephens’s riveting account of this larger-than-life globetrotting radio legend.” —Douglas Brinkley, Professor of History at Rice University and author of Cronkite Few Americans today recognize his name, but Lowell Thomas was as well known in his time as any American journalist ever has been. Raised in a Colorado gold-rush town, Thomas covered crimes and scandals for local then Chicago newspapers. He began lecturing on Alaska, after spending eight days in Alaska. Then he assigned himself to report on World War I and returned with an exclusive: the story of “Lawrence of Arabia.” In 1930, Lowell Thomas began delivering America’s initial radio newscast. His was the trusted voice that kept Americans abreast of world events in turbulent decades – his face familiar, too, as the narrator of the most popular newsreels. His contemporaries were also dazzled by his life. In a prime-time special after Thomas died in 1981, Walter Cronkite said that Thomas had “crammed a couple of centuries worth of living” into his eighty-nine years. Thomas delighted in entering “forbidden” countries—Tibet, for example, where he met the teenaged Dalai Lama. The Explorers Club has named its building, its awards, and its annual dinner after him. Journalists in the last decades of the twentieth century—including Cronkite and Tom Brokaw—acknowledged a profound debt to Thomas. Though they may not know it, journalists today too are following a path he blazed. In The Voice of America, Mitchell Stephens offers a hugely entertaining, sometimes critical portrait of this larger than life figure.