The Voices Of Birds And Other Plays

This is a book of five plays by Josef Topol translated into English, only two of which have been produced in the USA. Josef Topol and Vaclav Havel are considered the best Czech living playwrights. The five plays chosen for this volume are representative of Topols chamber plays, dealing with such universal themes as youth, love and parting, life and death in language that is very contemporary and often incredibly poetic. The title of the book The Voices of Birds was chosen because it is the last play Josef Topol has written and indicates that the playwrights newer works are included.

This is a book of five plays by Josef Topol translated into English, only two of which have been produced in the USA. Josef Topol and Vaclav Havel are considered the best Czech living playwrights. The five plays chosen for this volume are representative of Topol's "chamber plays", dealing with such universal themes as youth, love and parting, life and death in language that is very contemporary and often incredibly poetic. The title of the book The Voices of Birds was chosen because it is the last play Josef Topol has written and indicates that the playwright's newer works are included.

Aristophanes is the only surviving representative of Greek Old Comedy, the exuberant, satirical form of festival drama which flourished during the heyday of classical Athenian culture in the fifth century BC. His plays are characterized by extraordinary combinations of fantasy and satire,sophistication and vulgarity, formality and freedom. Birds is an escapist fantasy in which two dissatisfied Athenians, in defiance of men and gods, bring about a city of birds, the eponymous Cloudcuckooland. In Lysistrata the heroine of the play organizes a sex-strike and the wives of Athens occupythe Akropolis in an attempt to restore peace to the city. The main source of comedy in the Assembly-Women is a similar usurpation of male power as the women attempt to reform Athenian society along utopian-communist lines. Finally, Wealth is Aristophanes' last surviving comedy, in which Ploutos, thegod of wealth is cured of his blindness and the remarkable social consequences of his new discrimination are exemplified. This is the first complete verse translation of Aristophanes' comedies to appear for more than twenty-five years and makes freshly available one of the most remarkable comic playwrights in the entire Western tradition, complete with an illuminating introduction including play by play analysis anddetailed notes.

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Books for All Kinds of Readers. ReadHowYouWant offers the widest selection of on-demand, accessible format editions on the market today. Each edition has been optimized for maximum readability, using our patent-pending conversion technology. We are partnering with leading publishers around the globe to create accessible editions of their titles. Our goal is to have accessible editions simultaneously released with publishers new books so that all readers can have access to the books they want to read - today. To find more books in your format visit www.readhowyouwant.com

The plays of Leopold Szor focus on the effects of the Holocaust on those who lived through it. In his words, "survival confers no automatic nobility" and his fascination with the randomness of survival is prevalent throughout his work. Leo's plays, set both in wartime Poland and post-war Europe and America, explore the ways in which both oppressors and oppressed managed to survive the nightmare of war and the effect it had on their psyches. His characters live in a world of constant conflict: romance and pragmatism, fear and greed, ruthlessness and altruism, and the ghosts haunting those who made it out alive. In his forward, Szor says survival "bestows an obligation to speak out until the last breath" and it is in the spirit of this obligation that these plays were written. Leopold Szor was born in 1921 in Lwow, Poland. He spent his boyhood years in Cracow and then moved to Warsaw to attend university, but was interrupted on the first day of classes by the German invasion of Poland and forced to flee eastward. He returned to Lwow and attended art school during the Russian Occupation. After the Nazis invaded Leo was sent to the notorious Janowska concentration camp. He miraculously escaped, and after a daring flight into Russia he participated in the liberation of Poland as part of the re-formed Polish army. After the war Leo immigrated to the United States, where he has lived for the past 60 years. He has a son, Daniel, who lives in London and three grandchildren: Henry, Alex and Emily. Leo lives in New York City with his long-time companion Tove.

This book explores how humans in the Renaissance lived with, attended to, and considered the minds, feelings, and sociality of other creatures. It examines how Renaissance literature and natural history display an unequal creaturely world: all creatures were categorized hierarchically. However, post-Cartesian readings of Shakespeare and other Renaissance literature have misunderstood Renaissance hierarchical creaturely relations, including human relations. Using critical animal studies work and new materialist theory, Bach argues that attending closely to creatures and objects in texts by Shakespeare and other writers exposes this unequal world and the use and abuse of creatures, including people. The book also adds significantly to animal studies by showing how central bird sociality and voices were to Renaissance human culture, with many believing that birds were superior to some humans in song, caregiving, and companionship. Bach shows how Descartes, a central figure in the transition to modern ideas about creatures, lived isolated from humans and other creatures and denied ancient knowledge about other creatures’ minds, especially bird minds. As significantly, Bach shows how and why Descartes’ ideas appealed to human grandiosity. Asking how Renaissance categorizations of creatures differ so much from modern classifications, and why those modern classifications have shaped so much animal studies work, this book offers significant new readings of Shakespeare’s and other Renaissance texts. It will contribute to a range of fields, including Renaissance literature, history, animal studies, new materialism, and the environmental humanities.

"A delightful board book introducing 12 of the most common woodland birds complete with high-quality sound bar, which conforms to regional safety standards. There are general introductions to the birds plus data profiles, fascinating facts and beautiful photographs. Its sturdy board book format makes it suitable for children aged 3 and upwards but it is actually something for the whole family to treasure and enjoy."--