The White Angel Of Death

Plagues have bedeviled mankind for centuries. Because of the suffering they cause, much effort goes into curing them. But what if there was a terminal disease that didn't cause suffering? One that in fact made the inflicted person feel better? How would this person respond? Or the government? Religious institutions? The medical profession?

Vancouver is in an uproar over the death by gunshot of a Scottish nanny, Janet Stewart. An almost deliberately ham-handed police investigation has Constable Hook suspecting a cover-up. The powerful United Council of Scottish Societies is demanding an inquiry. The killing has become a political issue with an election not far away. The city is buzzing with rumours. Miss Stewart's fellow nannies have accused the Chinese houseboy of murder, capitalizing on a wave of anti-Chinese propaganda led by the Asian Exclusion League and enthusiastically supported by the sensational press--not to mention the Ku Klux Klan, which has taken up residence in upperclass Shaughnessy. The White Angel is a work of fiction inspired by the cold case of Janet Smith, who, on July 26, 1924, was found dead in her employer's posh Shaughnessy Heights mansion. A dubious investigation led to the even more dubious conclusion that Smith died by suicide. After a public outcry, the case was re-examined and it was decided that Smith was in fact murdered; but no one was ever convicted, though suspects abounded--from an infatuated Chinese houseboy to a drug-smuggling ring, devil-worshippers from the United States, or perhaps even the Prince of Wales. For Vancouver, the killing created a situation analogous to lifting a large flat rock to expose the creatures hiding underneath. An exploration of true crime through a literary lens, The White Angel draws an artful portrait of Vancouver in 1924 in all its opium-hazed, smog-choked, rain-soaked glory--accurate, insightful and darkly droll.

"Half poems, half prose, 'Dear Angel of Death' braids intimate and public thinking about forms of togetherness. Is one woman a mother, a person in an artworld, a "black"? What imaginary and real spirits are her guides? The title essay proposes disinvestment in the idea of the Music as the highest form of what blackness "is" and includes many forms: philosophical divergence on the problem of folds for black life, a close reading of Nathaniel Mackey's neverending novel 'From a broken bottle traces of perfume still emanate', and an impassioned defense-cum-dismissal of contemporary hip hop's convergence with capitalism."

They call themselves "January 30", after the date of a British massacre in Belfast. They are allied with no one, killing American diplomats and KGB agents, Arabs and Israelis, IRA gunmen and Loyalist soldiers. But they are definitely the enemies of peace--and they are plotting an assassination that will shatter an uneasy truce that reigns in Ireland. Former IRA enforcer Sean Dillon must hunt down January 30 before they kill again. Before they spark another war. Before Dillon himself falls prey to the ultimate assassin--the Angel of Death...

La Santa Muerte, Most Holy Death, Angel of Death, Bony Lady, Archangel of Light, Holy Death, la Flaquita, la Niña Blanca, Our Holy Lady, The Most Beautiful Girl, Mother Death, White Rose. Many people can easily see the growing popularity of la Santa Muerte. The number of Her images is amazing - a skeleton dressed in feminine robes holding a scythe in one hand and the globe in the other, covered with white makeup, the face of a beautiful hooded women or veiled skull appear on T-shirts, tattoos, graffiti, movies, figurines, stickers, jewelry, drinks and even sweets. Along with the increase of Her popularity in pop culture, the figure of the Holy Death is better and better recognized all over the world. There are few materials about la Santa Muerte in Poland. The book contains basic informations about la Santa Muerte, which can be helpful to people who want to get to know Her. I present who la Santa Muerte is and the cult of the Angel of Death according to Catholic tradition, as I was taught and how I first met la Nuestra Señora worship through my Mexican friends and associates in Tarragona, Spain. Book is an introduction to la Santa Muerte’s path of devotion, the basis for working with Our Lady, and contains informations which everyone can develop to strengthen their bond with la Niña Hermosa, the Most Beautiful Girl.

The men she recruited to run her Amazon empire of drugs and death called her the White Angel. The ultrasecret US agency known as the Committee called her the most dangerous woman in the world. The blonde had skin of peaches and cream, cornflower-blue eyes, and legs that went all the way to heaven. She looked like an angel, but no man or woman ever killed more ruthlessly-or enjoyed it more. Killing her was Sam Borne's next assignment. To succeed he'd have to use every fighting skill he learned as a commando in Vietnam ... and as a ninja assassin. But even his superb training might not be enough to save his life when he is face-to-face with a woman so beautiful that he wants her love just as much as he wants her dead.

A "gripping…sober and meticulous" (David Margolick, Wall Street Journal) biography of the infamous Nazi doctor, from a former Justice Department official tasked with uncovering his fate. Perhaps the most notorious war criminal of all time, Josef Mengele was the embodiment of bloodless efficiency and passionate devotion to a grotesque worldview. Aided by the role he has assumed in works of popular culture, Mengele has come to symbolize the Holocaust itself as well as the failure of justice that allowed countless Nazi murderers and their accomplices to escape justice. Whether as the demonic doctor who directed mass killings or the elusive fugitive who escaped capture, Mengele has loomed so large that even with conclusive proof, many refused to believe that he had died. As chief of investigative research at the Justice Department’s Office of Special Investigations in the 1980s, David G. Marwell worked on the Mengele case, interviewing his victims, visiting the scenes of his crimes, and ultimately holding his bones in his hands. Drawing on his own experience as well as new scholarship and sources, Marwell examines in scrupulous detail Mengele’s life and career. He chronicles Mengele’s university studies, which led to two PhDs and a promising career as a scientist; his wartime service both in frontline combat and at Auschwitz, where his “selections” sent innumerable innocents to their deaths and his “scientific” pursuits—including his studies of twins and eye color—traumatized or killed countless more; and his postwar flight from Europe and refuge in South America. Mengele describes the international search for the Nazi doctor in 1985 that ended in a cemetery in Sao Paulo, Brazil, and the dogged forensic investigation that produced overwhelming evidence that Mengele had died—but failed to convince those who, arguably, most wanted him dead. This is the riveting story of science without limits, escape without freedom, and resolution without justice.