The Whore Of Akron

After 52 long years, the city of Cleveland finally has a new championship team, thanks to LeBron James and his Cavaliers. Scott Raab—Cleveland super-fan—has suffered for every one of those five decades of drought. In the tradition of Frederick Exley’s cult-classic sports book A Fan’s Notes, The Whore of Akron is Raab’s hilarious and unhinged plea for deliverance from all those years of pain. Traveling from Cleveland to Miami and back again, Raab heads out on an obsessive quest to uncover the soul of one of today’s greatest basketball players: LeBron James, the man who finally brought Cleveland out of sporting exile.

This fictional memoir, the first of an autobiographical trilogy, traces a self professed failure's nightmarish decent into the underside of American life and his resurrection to the wisdom that emerges from despair.

"If I had a chance to return to Cleveland, and those fans welcomed me back, that’d be a great story." —LeBron James in 2010, days after "The Decision" You're Welcome, Cleveland is Scott Raab's big-hearted companion to his darkly comic "sports-jeremiad-slash-memoir" The Whore of Akron and follows the first two years of LeBron James’s return to Cleveland. Everybody just loves a good story of forgiveness—especially when you fulfill your promise and bring home an NBA Championship, the first major title for a Cleveland team since 1964. In 2010, when LeBron James announced to the world that he was leaving for Miami, he broke the collective heart of his native city and destroyed the hopes of an entire tortured generation. As LeBron headed south, unofficial spokesman Scott Raab sent him off with a middle-finger salute of his own—a deliciously obscene aria of sports fandom, Jewishness, and weight gain that became infamous as The Whore of Akron. Four years—and two NBA championships later—LeBron came home to the Rust Belt faithful who had vilified him mercilessly, none more so than Raab. You’re Welcome, Cleveland is the story of both LeBron’s and Scott’s redemption as they pursue the one thing they crave more than anything in life—an NBA title for the city that made them men. LeBron is back. So is Scott Raab. It’s a great story. You’re Welcome, Cleveland.

In late 2014, One World Trade Center-- or the Freedom Tower-- opened for business. It had taken nearly ten years, cost roughly four billion dollars, and had suffered setbacks that would have most likely scuttled any other project. Today it serves as a reminder of what America is capable of when we put aside our differences and pull together for a common cause. Raab's articles appeared in the pages of Esquire between 2005 and 2015, and here are accompanied by many never-before-seen photos. -- adapted from back cover.

One man's odyssey into the brutal hive of the National Football League As an unsigned free agent who rose through the practice squad to the starting lineup of the Denver Broncos, Nate Jackson took the path of thousands of unknowns before him to carve out a professional football career twice as long as the average player. Through his story recounted here—from scouting combines to preseason cuts to byzantine film studies to glorious touchdown catches—even knowledgeable football fans will glean a new, starkly humanized understanding of the NFL's workweek. Fast-paced, lyrical, dirty, and hilariously unvarnished, Slow Getting Up is an unforgettable look at the real lives of America's best athletes putting their bodies and minds through hell.

Award-winning author and journalist David Giffels explores the meaning of identity and place, hamburgers, hard work, and basketball in this collection of wry, irreverent essays reflecting on the many aspects of Midwestern culture and life from an insider’s perspective. In The Hard Way on Purpose, David Giffels takes us on an insider’s journey through the wreckage and resurgence of America’s Rust Belt. A native who never knew the good times, yet never abandoned his hometown of Akron, Giffels plumbs the touchstones and idiosyncrasies of a region where industry has fallen, bowling is a legitimate profession, bizarre weather is the norm, rock ’n’ roll is desperate, thrift store culture thrives, and sports is heartbreak. Intelligent, humorous, and warm, Giffels’s linked essays are about coming of age in the Midwest and about the stubborn, optimistic, and resourceful people who prevail there.

The most anticipated story in the blockbuster Dark-Hunter series. The never-before-revealed story of the Dark-Hunter leader, Acheron. He was made human in order to escape death, but in death he was reborn a god. . . Eleven thousand years ago a god was born. Cursed into the body of a human, Acheron spent a lifetime of shame. However, his human death unleashed an unspeakable horror that almost destroyed the earth. Then, brought back against his will, Acheron became the sole defender of mankind. Only it was never that simple. For centuries, he has fought for our survival and hidden a past he'll do anything to keep concealed. Until a lone woman who refuses to be intimidated by him threatens his very existence. Now his survival, and ours, hinges on hers and old enemies reawaken and unite to kill them both. War has never been more deadly... or more fun.

One-of-a-kind cultural critic and New York Times bestselling author Chuck Klosterman “offers up great facts, interesting cultural insights, and thought-provoking moral calculations in this look at our love affair with the anti-hero” (New York magazine). Chuck Klosterman, “The Ethicist” for The New York Times Magazine, has walked into the darkness. In I Wear the Black Hat, he questions the modern understanding of villainy. When we classify someone as a bad person, what are we really saying, and why are we so obsessed with saying it? How does the culture of malevolence operate? What was so Machiavellian about Machiavelli? Why don’t we see Bernhard Goetz the same way we see Batman? Who is more worthy of our vitriol—Bill Clinton or Don Henley? What was O.J. Simpson’s second-worst decision? And why is Klosterman still haunted by some kid he knew for one week in 1985? Masterfully blending cultural analysis with self-interrogation and imaginative hypotheticals, I Wear the Black Hat delivers perceptive observations on the complexity of the antihero (seemingly the only kind of hero America still creates). As the Los Angeles Times notes: “By underscoring the contradictory, often knee-jerk ways we encounter the heroes and villains of our culture, Klosterman illustrates the passionate but incomplete computations that have come to define American culture—and maybe even American morality.” I Wear the Black Hat is a rare example of serious criticism that’s instantly accessible and really, really funny.