The Wise Woman Of Hoxton

First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.

#1 New York Times bestselling author Philippa Gregory weaves an unforgettable tale of a young woman’s sorcery and desire in Henry VIII’s England, where magic, lust, and power are forever intertwined. Growing up as an abandoned outcast on the moors, young Alys’ only company is her cruel foster mother, Morach, the local wise woman who is whispered to practice the dark arts. Alys joins a nunnery to escape the poverty and loneliness she has felt all her life, but all too soon her sanctuary is destroyed. King Henry VIII’s followers burn the holy place to the ground, and Alys only just manages to escape with her life, haunted by the screams of her sisters as they burned to death. She finds work in a castle not far from where she grew up as an old lord’s scribe, where she falls obsessively in love with his son Hugo. But Hugo is already married to a proud woman named Catherine. Driven to desperation by her desire, she summons the most dangerous powers Morach taught her, but quickly the passionate triangle of Alys, Hugo, and Catherine begins to explode, launching them into uncharted sexual waters. The magic Alys has conjured now has a life of its own—a life that is horrifyingly and disastrously out of control. Is she a witch? Since heresy means the stake, and witchcraft the rope, Alys is in mortal danger, treading a perilous path between her faith and her own power.

The Staging of Witchcraft and a "Spectacle of Strangeness": Witchcraft at Court and the Globe presents a new interest in Continental texts on witchcraft coincided with technological advances in the English stage, which made a variety of dramatic effects possible in the private playhouses, such as flying witches, and the appearance of spirits and deities in Elizabethan plays. This book also evaluates how the technology of the Blackfriars playhouse facilitated the appearance of spirits, devils, witches, magicians, deities and dragons on stage. The study investigates the visual spectacle of witchcraft scenes which intersect with the genre of the plays, and it also presents to what extent changing theatrical tastes affect the way that supernatural characters are shown on stage.

Escaping from an English convent, young Alys learns the arts of healing and magic from the "wise woman" who takes her in. Her struggle to find an independent life takes her among an array of characters, including a mediocre lover, a sickly old man still very much in control of the lives around him, and two challenging women: Marach and Mother Hildebrande. Gregory weaves a vivid tapestry of life in the 16th century, including plenty of sex, as the narrative strains toward a not-unexpected end.

Alys joins the nunnery to escape hardship and poverty but with Henry VIII's dissolution of the monasteries her sanctuary is destroyed. She falls in love with Hugo, the feudal lord and another woman's husband. She turns to witchcraft to try to defeat her rival but witchcraft is punishable by hanging.

An original study of the ways in which temporal concepts and gendered identities intersect in early modern theatre and culture.