The Woman Who Made A Pact With The Devil

She hadn't expected to like him. And yet Abby Rainveil -- a writer assigned to interview the strange man everyone calls Kumulous -- finds herself deeply drawn to his relaxed disposition, his erudition, the way he listens to her every word, his strength. Thus, increasingly mesmerized by the charged mystery of a man described by her boss as "Mephistophelean," she accepts his invitation to come with him back to his home. Shortly after that, the enigmas begin. This book contains four scenes of strong sexual content.

"People want me in max so my life will be hard but it really isn't. There are absolutely no responsibilities here. Everything is provided. We can spend the day sleeping, sun-tanning or doing whatever we want all day every day." --Karla Homolka in a letter to author Stephen Williams "Well, they say 'Never say never' and they're right," Karla wrote in her startling first letter to Stephen Williams. "Never in a million years did I think I would ever write a letter to someone from the media, let alone you who has condemned me so harshly." Thus began one of the most controversial correspondences in Canadian history. Karla picks up where Williams's first book on the case, Invisible Darkness, left her, painting her nails in her cell in solitary confinement in the gothic tower of Kingston's Prison for Women. After testifying against her ex-husband in 1995, Karla's life in prison was soon going to take a very different, dramatic turn. With a thriller's pace, Karla: A Pact with the Devil charts the inner life of the world's most notorious female prisoner. In Karla, Williams lets Karla and the other key players speak for themselves. And what they have to say will surprise, horrify and enlighten.

THE STORY: Jabez Stone, young farmer, has just been married, and the guests are dancing at his wedding. But Jabez carries a burden, for he knows that, having sold his soul to the Devil, he must, on the stroke of midnight, deliver it up to him. Shortly before twelve Mr. Scratch, lawyer, enters and the company is thunderstruck. Jabez bids his guests begone; he has made his bargain and will pay the price. His bride, however, stands by him, and so will Daniel Webster, who has come for the festivities. Webster takes the case. But Scratch is a lawyer himself and out-argues the statesman. Webster demands a jury of real Americans, living or dead. Very well, agrees the Devil, he shall have them, and ghosts appear. Webster thunders, but to no avail, and at last realizing Scratch can better him on technical grounds, he changes his tactics and appeals to the ghostly jury, men who have retained some love of country. Rising to the height of his powers, Webster performs the miracle of winning a verdict of Not Guilty.

Contemporary misogyny and antisemitism have their roots in the demonization of women and Jews in medieval Christendom. In church art and mass preaching, the construct of the devil as an outcast from heaven and the source of all evil was linked both to the conception of women as sensual and malicious figures betraying man's soul on its arduous journey to salvation and to the notion of Jews as treacherous dissidents in the Christian landscape. These stereotypes, widely disseminated for over three hundred years, persist today. The exemplum, or cautionary story incorporated into preachers' manuals and popular homilies, was an important mode of religious teaching for clerical and lay folk alike. Sermon narratives drawn from Hindu mythology, Arab storytelling, and secular folktales entertained all classes of medieval society while dispensing theological and cultural instruction. In Devils, Women, and Jews, the vital genre of the medieval sermon story is, for the first time, made accessible to specialists and nonspecialists alike. Rendered in modern English, the tales provide an invaluable primary resource for medievalists, anthropologists, psychologists, folklorists, and students of women's studies and Judaica. Critical introductions and explanatory headnotes contextualize the tales, and comprehensive endnotes and a bibliography allow readers to follow up analogue and subject studies in their own areas of interest.

Develop equity, excellence, and well-being across the whole system! The world is troubled! We need to combine a moral imperative and a system transformation to survive for the better. Education is crucial to our future but needs to play a more direct role in shaping our future. The Devil is in the Details shows how we can re-think the education system and its three levels of leadership—local, middle, and top—so that each level can contribute to dramatic turnaround for education and society. The focus is on examining details to ensure effective actions are taken, rather than assuming large pronouncements and policies will drive change. Readers will find: • Details and analysis about successful systems in California, Ontario, and Australia • Ideas for how leaders at all levels can take steps to begin • Vignettes, actions and strategies that illustrate how to address equity, excellence and well-being With the goal of transforming the culture of learning to develop greater equity, excellence, and student wellbeing, this book will help you liberate the system and maintain focus.

Renowned German social historian Heide Wunder refers to the cosmic image contained in the 1578 Book of Marital Discipline that characterizes the relationship between husband and wife. Today, "He is the sun, she is the moon" might be interpreted as a hierarchy of dominance and subordination. At the time it was used, however, sun and moon reflected the different but equal status of husband and wife. Wunder shows how the history of women and the history of gender relations can provide crucial insights into how societies organize themselves and provide resources for political action. She observes actual circumstances as well as the normative rules that were supposed to guide women's lives. We learn what skills were necessary to take charge of households, what people ate, how they furnished their homes, what birth control measures were available, what role women played in peasant protest. Wunder finds that, in addition to the history of losses and setbacks for women observed by so many current interpreters, there is a history of gains as well. The regency of noble women was normal, as was the shared responsibility of wife and husband in a peasant household, an artisan's workshop, or a merchant's business. Using sources as diverse as memoirs, wedding and funeral sermons, novels, and chronicles, and including a wealth of demographic information, Wunder reveals a surprising new image of early modern women and provides a richer interpretation of early modern Europe.

A seminal work of the eco-feminist movement, connecting patriarchal society’s mistreatment of women with its disregard for the Earth’s ecological well-being Woman and Nature draws from a vast and enthralling array of literary, scientific, and philosophical texts in order to explore the relationship between the denigration of women and the disregard for the Earth. In this singular work of love, passion, rage, and beauty, Susan Griffin ingeniously blends history, feminist philosophy, and environmental concerns, employing her acclaimed poetic sensibilities to question the mores of Western society. Griffin touches upon subjects as diverse as witch hunts, strip mining, Freudian psychology, and the suppression of sexuality to decry a long-standing history of misogyny and environmental abuse. A sometimes aggravating, often inspiring, and always insightful literary collage, this remarkable volume offers sanity, poetry, intelligence, and illumination.

Women have engaged in healing from the beginning of history, often within the context of the home. This book studies the role, contributions and challenges faced by women healers in France, Spain, Italy and England, including medical practice among women in the Jewish and Muslim communities, from the later Middle Ages to approximately 1800.