The World Of James Bond

The most current and insightful look at the politics and culture of the Bond world as the last Daniel Craig movie hits theaters. This book presents an insightful and thoroughly entertaining exploration of the political context of the Bond books and films. Jeremy Black offers a historian’s interpretation from the perspective of 2020 and the latest Bond film, assessing James Bond in terms of the greatly changing world order of the Bond years—a lifetime that stretches from 1953, when the first novel appeared, to the present. Black argues that the Bond novels—the Fleming books as well as the often-neglected novels authored by others after Fleming died in 1964—and films drew on current fears in order to reduce the implausibility of the villains and their villainy. The novels and films also presented potent images of national character, explored the rapidly changing relationship between a declining Britain and an ascendant United States, charted the course of the Cold War and the subsequent post-1990 world, and offered an evolving but always potent demonology. Bond was, and still is, an important aspect of post–World War II popular culture throughout the Western world. This was particularly so after Hollywood launched the filmic Bond, thus making him not only a character designed for the American film market but also a world product and a figure of globalization. Class, place, gender, violence, sex, race—all are themes that Black scrutinizes through the ongoing shifts in characterization and plot. His well-informed and well-argued analysis provides a fascinating history of the enduring and evolving appeal of James Bond. This updated edition explores new developments in the Daniel Craig years, looks to the post-Craig years, and considers the cultural significance of Bond in the modern world.

This revised edition of one of the bestselling guides to the world's best-known superspy contains all the latest information about the thrilling world of Bond.

The most memorable dialogue and witty one-liners from all 25 official James Bond films, quoting 007, M, Q, Moneypenny, Bond villains and more! “Bond. James Bond.” The iconic line from James Bond’s first big-screen scene has been endlessly quoted and imitated since, and the memorable dialogue and witty one-liners stand alongside the glamorous locations, breath-taking stunts and creative gadgets as one of the many reasons the films are so beloved the world over. The Wit & Wisdom of James Bond includes the very best quotes, quips and pearls of wisdom from all 25 films. From “Shocking. Positively shocking,” to “Choose your next witticism carefully, Mr Bond. It may be your last,” (Goldfinger) this official book collects the greatest killer one-liners from the world’s most famous “licensed troubleshooter”, as well as M, Q, Moneypenny, Bond villains and more.

James Bond in World and Popular Culture: The Films are Not Enough provides the most comprehensive study of the James Bond phenomena ever published. The 40 original essays provide new insights, scholarship, and understanding to the world of James Bond. Topics include the Bond girl, Bond related video games, Ian Flemings relationship with the notorious Aleister Crowley and CIA director Alan Dulles. Other articles include Fleming as a character in modern fiction, Bond Jr. comics, the post Fleming novels of John Gardner and Raymond Benson, Bond as an American Superhero, and studies on the music, dance, fashion, and architecture in Bond films. Woody Allen and Peter Sellers as James Bond are also considered, as are Japanese imitation films from the 1960s, the Britishness of Bond, comparisons of Bond to Christian ideals, movie posters and much more. Scholars from a wide variety of disciplines have contributed a unique collection of perspectives on the world of James Bond and its history. Despite the diversity of viewpoints, the unifying factor is the James Bond mythos. James Bond in World and Popular Culture: The Films are Not Enough is a much needed contribution to Bond studies and shows how this cultural icon has changed the world. James Bond in World and Popular Culture: The Films are Not Enough features articles by noted scholars like Professor James Chapman, John Shelton Lawrence, Cynthia J. Miller, Dr. Wesley Britton, Dirk Fowler, Kristen Hunt, Kathrin Dodds, Tom L. McNeely, Claire Hines, Richard B. Spence, Cynthia Walker, Lisa M. Dresner, Andrea Siegel, and David Hopkins among many others.

Award-winning author Simon Winder takes us through the legacy of one of Britain's most influential and enduring cultural figures, James Bond. 'An entertaining romp through the literary and cinematic heartland of James Bond country' – Sunday Times 'A hilarious blend of cultural history, biography and memoir' – Guardian After victory in World War II, Britain was a relieved but also a profoundly traumatized country. Simon Winder, born into this nation of uncertain identity, fell in love (as many before and since) with the man created as the antidote, a quintessentially British figure of great cultural significance: James Bond. Written with passion, wit and a great deal of personal insight and affection, this book is his wildly amusing attempt to get to grips with Bond’s legacy and the difficult decades in which it really mattered. 'Read-aloud funny' – Independent on Sunday 'Superb' – Wall Street Journal

In this detailed field guide, Mulder and Kloosterboer use 30 travel stories to explain exactly where even the smallest James Bond film scene was shot.

For over half a century, the Bond novels have entertained millions around the world. 007 has been a cultural phenomenon since the first publication of Casino Royale in 1953. But no book has celebrated Fleming's literary Bond in his own right. This is an authoritative and entertaining journey through the world of the original James Bond, from Moscow to Mayfair, the bedroom to the war-room, the casino to the villain's lair. Ian Fleming's archive has released never-before seen documents and material to create this book. Sources include research notes and diaries to annotated manuscripts and ephemera from Fleming's files. Illustrated with classy, contemporary images, the book is a visual feast, but it is also engaging, with a rigorous and satisfying text. It recaptures the glamour of an age, and offers a new insight into the twentieth century's most thrilling literary hero.