The Zengineer Scrolls

This series has been derived from the mind of a master recording and mixing engineer and his experiences through learning and application of the recording arts. The title, “Zengineer Scrolls” could have easily been replaced with the name, The Philosophy of Recording”, because it not only provides factual information to guide the reader in recording techniques but also serves as a means to providing a light to the path of how to be a master at the craft. When one begins reading these materials they will almost immediately realize they are looking through the eyes of a master so as to become that master. Instead of being a collection of memorization tools it is a visualization of invaluable experience where every word counts as a step in the “Zen” direction of being. One will not even want to bypass the introduction as the key to this reservoir of knowledge begins there and pours tons of information into the readers view. So the series, beginning with the first collection of four scrolls, is not about “how to” but “how to be” instead. Yet there’s a journey and not a series of tasks. Prepare to dive into an ocean of knowledge between these covers and when you reach the bottom discover the mother of pearl within yourself. Arise as an engineer master; Zengineer!

This series has been derived from the mind of a master recording and mixing engineer and his experiences through learning and application of the recording arts. The title, "Zengineer Scrolls" could have easily been replaced with the name, The Philosophy of Recording", because it not only provides factual information to guide the reader in recording techniques but also serves as a means to providing a light to the path of how to be a master at the craft. When one begins reading these materials they will almost immediately realize they are looking through the eyes of a master so as to become that master. Instead of being a collection of memorization tools it is a visualization of invaluable experience where every word counts as a step in the "Zen" direction of being. One will not even want to bypass the introduction as the key to this reservoir of knowledge begins there and pours tons of information into the readers view. So the series, beginning with the first collection of four scrolls, is not about "how to" but "how to be" instead. Yet there's a journey and not a series of tasks. Prepare to dive into an ocean of knowledge between these covers and when you reach the bottom discover the mother of pearl within yourself. Arise as an engineer master; Zengineer!

In this Mature-rated manga series by the creator of Cat in a Hot Girls’ Dorm, journey to the fictional “Ero” period of Japanese history, where sexy ninja battles await! In the bustling city of Ero, danger and excitement lurk around every corner. Arakusa, a young woman in ninja school, hasn't even completed her training when she is called upon to serve the shogunate—doing everything from fetching his favorite erotica manga to facing off against an orgiastic church of Western invaders!

Natural monopolies exist in those markets in which demand can be satisfied at lowest cost by the output of only one rather than several competing firms. Under such conditions, conventional wisdom suggests that government regulation must substitute for competition to discipline the behavior of firms. Thirty years ago a young professor named Richard Posner asked the provocative question of whether the existence of natural monopoly provides adequate justification for government intervention. His even more provocative answer was no. The evils of natural monopoly are exaggerated, the effectiveness of regulation in controlling them is highly questionable, and regulation costs a great deal. "The resources and energies of government should be directed to problems we know are substantial, that we think are traceable to government action, and that cannot be left to the private sector to work out. There are plenty of those problems, and it is doubtful that natural monopoly is among them." Thirty years after its initial publication, read the original insights of Richard Posner about the regulation of natural monopoly as well as a new preface in which Posner reflects on the deregulation of industries that has occurred since 1969 and the possibilities for more deregulation in the future."

For better or worse, museums are changing from forbidding bastions of rare art into audience-friendly institutions that often specialize in “blockbuster” exhibitions designed to draw crowds. But in the midst of this sea change, one largely unanswered question stands out: “What makes a great exhibition?” Some of the world’s leading curators and art historians try to answer this question here, as they examine the elements of a museum exhibition from every angle. What Makes a Great Exhibition? investigates the challenges facing American and European contemporary art in particular, exploring such issues as group exhibitions, video and craft, and the ways that architecture influences the nature of the exhibitions under its roof. The distinguished contributors address diverse topics, including Studio Museum in Harlem director Thelma Golden’s examination of ethnically-focused exhibitions; and Robert Storr, director of the 2007 Venice Biennale and formerly of the Museum of Modern Art, on the meaning of “exhibition and “exhibitionmaker.” A thought-provoking volume on the practice of curatorial work and the mission of modern museums, What Makes A Great Exhibition? will be indispensable reading for all art professionals and scholars working today.

Movie buffs and film scholars alike often overlook the importance of makeup artists, hair stylists, and costumers. With precious few but notable exceptions, creative workers in these fields have received little public recognition, even when their artistry goes on to inspire worldwide fashion trends. From the acclaimed Behind the Silver Screen series, Costume, Makeup, and Hair charts the development of these three crafts in the American film industry from the 1890s to the present. Each chapter examines a different era in film history, revealing how the arts of cinematic costume, makeup, and hair, have continually adapted to new conditions, making the transitions from stage to screen, from monochrome to color, and from analog to digital. Together, the book’s contributors give us a remarkable glimpse into how these crafts foster creative collaboration and improvisation, often fashioning striking looks and ingenious effects out of limited materials. Costume, Makeup, and Hair not only considers these crafts in relation to a wide range of film genres, from sci-fi spectacles to period dramas, but also examines the role they have played in the larger marketplace for fashion and beauty products. Drawing on rare archival materials and lavish color illustrations, this volume provides readers with both a groundbreaking history of film industry labor and an appreciation of cinematic costume, makeup, and hairstyling as distinct art forms.

A Mature-rated glimpse into the secret, sexy life of an all-girls’ dorm—told from the POV of a mischievous cat! (From the creator of Ero Ninja Scrolls.) One day, a little gray cat is abandoned at the entrance of a girls’ dormitory. One of the girls, Himari, takes him in and gives him the name "Tama-san" or "Balls," owing to his rather prominent testicles. Thus begins a sexy new chapter in his life, from the streets to the sheets!

This book is an indispensable "cutting edge" book for students and researchers of journalism studies seeking a text that illustrates and applies a range of linguistic and discourse-analytic approaches to the analysis of journalism. While the form, function and politics of the language of journalism have attracted scholars from a wide range of academic disciplines, too often this analysis has reduced the work of journalists to text-characteristics alone. In contrast, this collection is united by the principle that journalistic discourse is always socially situated and the result of a series of processes – produced by journalists in accordance with particular production techniques and in specific institutional settings – and as such, analysis requires more than the methods offered by linguists. The contributors to this book draw on a range of the most prominent theoretical and methodological approaches to media discourse – including Conversation Analysis, Critical Discourse Analysis, the APPRAISAL framework, Multi-modal Analysis and Rhetoric – in making sense of the language of newspapers (national, local and minority press), television and online journalism. Written in an engaging style by distinguished academic authorities, this book provides a state-of-the-art review of the subject. This book was published as a special issue of Journalism Studies.