Theater S And Public Sphere In A Global And Digital Society Volume 1

Volume 1 of Theaters and Public Sphere in a Global and Digital Society inquires theatre, in all of its accepted meanings, in its relationship with society, institutions, cultural and local norms, and the collective imagination which these reveal.

Volume 2 of Theaters and Public Sphere in a Global and Digital Society presents several qualitative and quantitative researches on the social roles of the theatre and performance, as organized institutions or social groups, in contemporary society.

Volume 1 of Theaters and Public Sphere in a Global and Digital Society inquires theatre, in all of its accepted meanings, in its relationship with society, institutions, cultural and local norms, and the collective imagination which these reveal.

Volume 2 of Theaters and Public Sphere in a Global and Digital Society presents several qualitative and quantitative researches on the social roles of the theatre and performance, as organized institutions or social groups, in contemporary society.

Using examples from the US, Europe and Asia,this collection presentsempirical studies of print, recorded music, movies, radio, television and the Internetto reveal both how media structure public spheresand how people use media to participate in the public sphere.

Global Youth in Digital Trajectories explores the most recent developments regarding youth and media in a global perspective. Representing an innovative contribution to virtual research methods, this book presents research carried out in areas as diverse as Greece, the Netherlands, Germany, Brazil, Russia, and India. The volume examines which new anthropological, and cultural-historical conditions and changes arise in connection with the widespread presence of digital media in the lives of the networked teens. Indeed, it is highlighted that the differentiation between an offline world and an online world is inapplicable to the lives of most young people. Exploring youth’s imaginary productions, personal sense-making processes and cross-media dialogues in today’s multimedia worlds, Global Youth in Digital Trajectories will be of particular interest to undergraduates and postgraduates in the fields of sociology, anthropology, education studies, media research and cultural studies. It may also appeal to practitioners in social work and schools. URL for circulation: www.routledge.com/9781138236035

Over the last several years, YouTube™ has become a public forum for creative, informative, and political endeavors around the globe. As the website’s influence and appeal continues to grow, questions regarding the legal usage of material, as well as potential governance issues regarding surveillance and political sway, are becoming more relevant. Power, Surveillance, and Culture in YouTube™’s Digital Sphere examines the imaginative, socioeconomic, and innovative features of the video sharing community of YouTube™ and how these areas traverse the digital world. Highlighting theoretical concepts and empirical research, as well as in-depth discussions on cultural studies, participatory experience, and media theory, this publication will appeal to professionals, practitioners, researchers, and students interested in the use of video sharing as a means of surveillance, communication, or personal promotion.

A ground-breaking study of political transformations in non-Western societies, this book applies anthropological, sociological and political concepts to the recent history of Iran to explore the role played by a ritual theatrical performance (Ta’ziyeh) and its symbols on the construction of public mobilisations. With particular attention to three formative phases – the 1978–79 Islamic Revolution, the 1980–88 Iran–Iraq War, and the 2009 Green Movement – the author concentrates on the relations between symbols of the ritual performance and the public sphere to shed light on the ways in which the symbols of Ta’ziyeh were used to claim political legitimacy. Thus, the book elucidates how symbols and images of a ritual performance can be utilised by ‘tricksters’, such as political actors and fanatical religious leaders, to take advantage of the prolongation of a state of transition within a society, and so manipulate the public in order to mobilise crowds and movements to fulfil their own interests and concerns. An insightful analysis of political mobilisation explained in terms of a set of interrelated master concepts such as ‘liminality’, ‘trickster’ and ‘schismogenesis’, Power, Legitimacy and the Public Sphere integrates theoretical, empirical and ‘diagnostic’ perspectives in order to investigate and illustrate links between the public sphere and religious and cultural rituals. As such, it will appeal to scholars of sociology, politics and anthropology with interests in social theory, public mobilisations and political transformation.