Theatre Symposium Vol 9
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Theatre and Politics in the Twentieth Century
Author | : Southeastern Theatre Conference (U.S.),James Fisher |
Publsiher | : Unknown |
Total Pages | : 131 |
Release | : 2001 |
Genre | : Drama |
ISBN | : 0817386947 |
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Theatre Symposium Vol 9
Author | : Anonim |
Publsiher | : University of Alabama Press |
Total Pages | : 131 |
Release | : 2001-07-02 |
Genre | : Music |
ISBN | : 9780817311117 |
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This collection of essays explores how drama can teach political principles and entertain at the same time. Political commentary is possible through "variety" theatre, this volume contends. Compiled from the April 2000 Theatre Symposium held on the campus of the University of Tennessee-Knoxville, this collection of essays presents a compelling mix of theoretical and practical viewpoints from a broad diversity of scholars from around the country. What remains to be learned about the political objectives of Brecht's Lehrstriucke? What political power is resident in the satirical humor of Dario Fo's drama? What can we learn from Mordecai Gorelik's political/artistic philosophy that might inform contemporary practice? What was the impact of political theatre on Broadway between the wars? Is Thornton Wilder's Our Town the play we've always imagined it to be, or does it challenge the politics of its time? What is the role of theatre activism in raising consciousness about gender politics? These are only some of the questions addressed by this lively, informative discussion.
Theatre Symposium Vol 30
Author | : Chase Bringardner |
Publsiher | : University of Alabama Press |
Total Pages | : 128 |
Release | : 2023-05-09 |
Genre | : Performing Arts |
ISBN | : 9780817370176 |
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Illustrates how theatre's engagement with politics changes over time
Theatre Symposium Vol 20
Author | : Edward Bert Wallace |
Publsiher | : University of Alabama Press |
Total Pages | : 128 |
Release | : 2012-09-17 |
Genre | : Performing Arts |
ISBN | : 9780817370077 |
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The audience is an integral part of performance and is in fact what separates a rehearsal from a performance. The relationship, however, between performers and the audience has evolved over time, which is one of the subjects addressed, along with the changing disposition of the audience itself and a number of other topics, in Gods and Groundlings, volume 20 of the annual journal Theatre Symposium. The essays in this volume discuss spectatorship in historical context, the role of the audience in the digital age, the early modern English transvestite theatre, Annie Oakley and the disruption of Victorian audiences, and historical attempts to create ideal audiences. Edited by E. Bert Wallace, this latest publication from the largest regional theatre organization in the United States collects the most current scholarship on theatre history and theory. Contributors To Volume 20 Susan Bennett / Jane Barnette / Becky Becker / Lisa Bernd / Evan Bridenstine / Michael Jaros / Robert I. Lublin / Paulette Marty
Theatre symposium a journal of the Southeastern Theatre Conference
Author | : [Anonymus AC02238415] |
Publsiher | : Unknown |
Total Pages | : 135 |
Release | : 1995 |
Genre | : Electronic Book |
ISBN | : 9994401297 |
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Theatre Symposium Vol 28
Author | : Andrew Gibb |
Publsiher | : University Alabama Press |
Total Pages | : 126 |
Release | : 2020-11-10 |
Genre | : Performing Arts |
ISBN | : 9780817370152 |
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Peer-reviewed journal of theater history and scholarship published annually by the Southeastern Theatre Conference (SETC)
Theatre Symposium Vol 29
Author | : Andrew Gibb |
Publsiher | : University of Alabama Press |
Total Pages | : 175 |
Release | : 2022-04-05 |
Genre | : Performing Arts |
ISBN | : 9780817370169 |
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Papers solicited from the presenters for the cancelled 2020 Southeastern Theatre Conference.
Theatre Symposium Vol 18
Author | : J K Curry |
Publsiher | : University of Alabama Press |
Total Pages | : 152 |
Release | : 2010-10-15 |
Genre | : Performing Arts |
ISBN | : 9780817370053 |
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Stage properties are an often-ignored aspect of theatrical productions, in part because their usage is meant to be seamlessly integrated into the performance instead of a focal point for the audience. The contributors illuminate many aspects of this largely ignored yet crucial part of the theatre.