There Was A Woman

The True Story of the 3 Little Pigs meets There Was an Old Lady Who Swallowed a Fly in this clever, irreverent update of our most beloved children's classics. The little old woman who lives in a book has lost her children! But instead of sitting around and waiting for them to show up, in a refreshingly empowering, feminist take on the classic tale, she departs on a mission to find her kids herself--even if it means popping into every other fairy tale and nursery rhyme in town! She'll enlist the help of Humpty Dumpty, Jack and his beanstalk, Princess Beauty, the Three Bears, and more familiar characters in her quest to rescue her kids. This silly, irreverent picture book is a clever jaunt through our most beloved children's stories--and it's sure to become the next modern day classic.

There Was An Old Woman by Hallie Ephron is a compelling novel of psychological suspense in which a young woman becomes entangled in a terrifying web of deception and madness involving an elderly neighbor. When Evie Ferrante learns that her mother has been hospitalized, she finds her mother’s house in chaos. Sorting through her mother’s belongings, Evie discovers objects that don’t quite belong there, and begins to raise questions. Evie renews a friendship with Mina, an elderly neighbor who might know more about her mother’s recent activities, but Mina is having her own set of problems: Her nephew Brian is trying to persuade her to move to a senior care community. As Evie investigates her mother’s actions, a darker story of deception and madness involving Mina emerges. In There Was an Old Woman, award-winning mystery author Hallie Ephron delivers another work of domestic noir with truly unforgettable characters that will keep you riveted.

"How is it that there are so many lloronas?" A haunting figure of Mexican oral and literary traditions, La Llorona permeates the consciousness of her folk community. From a ghost who haunts the riverbank to a murderous mother condemned to wander the earth after killing her own children in an act of revenge or grief, the Weeping Woman has evolved within Chican@ imaginations across centuries, yet no truly comprehensive examination of her impact existed until now. Tracing La Llorona from ancient oral tradition to her appearance in contemporary material culture, There Was a Woman delves into the intriguing transformations of this provocative icon. From La Llorona's roots in legend to the revisions of her story and her exaltation as a symbol of resistance, Domino Renee Perez illuminates her many permutations as seductress, hag, demon, or pitiful woman. Perez draws on more than two hundred artifacts to provide vivid representations of the ways in which these perceived identities are woven from abstract notions—such as morality or nationalism—and from concrete, often misunderstood concepts from advertising to television and literature. The result is a rich and intricate survey of a powerful figure who continues to be reconfigured.

“There was an old woman who lived in a shoe, and some days were just a big Hullabaloo!” Readers follow along as a woman and her household of high-spirited children and their pets reuse and recycle everyday items. The crew repair their broken furniture, find alternative modes of transportation when the car breaks down, and remake worn clothing with colorful patches.

A psychoanalytic and philosophical exploration of sublimation as a key term in Jacques Lacan's theories of ethics and feminine sexuality. Jacques Lacan claimed that his theory of feminine sexuality, including the infamous proposition, "the Woman does not exist," constituted a revision of his earlier work on "the ethics of psychoanalysis." In Imagine There's No Woman, Joan Copjec shows how Freud's ragtag, nearly incoherent notion of sublimation was refashioned by Lacan to become the key term in his ethics. To trace the link between feminine being and Lacan's ethics of sublimation, Copjec argues, one must take the negative proposition about the woman's existence not as just another nominalist denunciation of thought's illusions about the existence of universals, but as recognition of the power of thought, which posits and gives birth to the difference of objects from themselves. While the relativist position currently dominant insists on the difference between my views and another's, Lacan insists on this difference within the object I see. The popular position fuels the disaffection with which we regard a world in a state of decomposition, whereas the Lacanian alternative urges our investment in a world that awaits our invention. In the book's first part, Copjec explores positive acts of invention/sublimation: Antigone's burial of her brother, the silhouettes by the young black artist Kara Walker, Cindy Sherman's Untitled Film Stills, and Stella Dallas's final gesture toward her daughter in the well-known melodrama. In the second part, the focus shifts to sublimation's adversary, the cruelly uncreative superego, as Copjec analyzes Kant's concept of radical evil, envy's corruption of liberal demands for equality and justice, and the difference between sublimation and perversion. Maintaining her focus on artistic texts, she weaves her arguments through discussions of Pasolini's Salo, the film noir classic Laura, and the Zapruder film of the Kennedy assassination.

Traces the story of Tania Head, who falsely claimed to be a September 11 survivor, describing her interviews with the co-author and the discovery that she was not in America at the time of the attacks.

The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.