These Letters End In Tears

Set in a country where being gay is punishable by law, These Letters End in Tears is the heart-wrenching forbidden love story of a Christian girl with a rebellious heart and a Muslim girl leading a double life Bessem notices Fatima for the first time on the soccer field—muscular and focused, she’s the only woman playing and seems completely at ease. When Fatima chases a rogue ball in her direction, Bessem freezes, mesmerized by the athlete’s charm and beauty. One playful wink from Fatima, and Bessem knows her life will never be the same. In Cameroon, a country where same-sex relationships are punishable by law, the odds are stacked against Bessem and Fatima from the start. And when Fatima’s older brother, a staunch Muslim, finds out about their affair, he intervenes by physically assaulting them, an incident that precedes a police raid at the only gay bar in town. After spending days in jail, Fatima goes missing without a trace, and Bessem is left with only rumors of her whereabouts. Has Fatima been sentenced to an unknown prison? Has she been banished from her community, or married off, as some have suggested? Or something even more sinister? Thirteen years later, Bessem is now a university professor leading a relatively quiet life, occasionally and secretly dating other women. However, she has never forgotten Fatima. After spotting a mutual friend for the first time in years—the last person who may have seen Fatima—Bessem embarks on a winding search for her lost love.

Maeve Brennan had a close friendship with Philip Larkin, as well as working with him for a number of years. In this book, she provides new insight into the poet's complex personality, overturning the perceived image of him as a misanthrope.

This is the story of the McCall Family and how they deal with life when their loved one Sgt. Randy Mc-Call is deployed to the MIDDLE EAST during a time of war. The Story centers around 7 year old Jason who misses and needs his father. He writes letters to Santa, the President of United States and even a letter to GOD asking for help in bringing his father home for Christmas. True Stories of war heroes and e-mails from Iraq will touch the heart of the reader. A poignant letter “TEARS ACROSS the OCEAN” is exchanged between father and son. Sometimes all we have is HOPE, PRAYER and LETTERS when families are torn apart by war. This book may make you laugh, make you cry but it should definitely make you “Think”. GOD BLESS YOU and all of America.

Lambda Literary Award for Lesbian Fiction — Shortlisted For Elinor Greystone, the only way forward is back into the past. At ninety years of age, Elinor, a Saskatchewan Cree artist, inveterate roll-your-own smoker, and talker to rivers and stuffed bison, sets out to find something that was stolen almost a lifetime ago. With what little time she has left, she is determined to find the child taken from her after she, only a child herself, was raped at a residential school. It is 1968, and a harsh winter and harsher attitudes await Elinor, her daughter, and her granddaughter as they set out on an odyssey to right past wrongs, enduring a present that tests their spirit and chips away at their aboriginal heritage. Confronting a history of trauma, racism, love, and cultural survival, Tears in the Grass is the story of an unflagging woman searching for the courage to open her heart to a world that tried to tear it out.

THE CRYING CELIBATE TEARS TRILOGY comprises 3 plays written by John Roman Baker between 1988 and 1991: Crying Celibate Tears; The Ice Pick; Freedom to Party. They provide a unique insight into the impact of HIV and AIDS on gay men at the height of the crisis. The plays won awards and acclaim when presented at the Brighton and Edinburgh Festivals.With uncompromising directness the plays lay bare the physical and emotional strengths and inadequacies of the characters as they struggle against a seemingly invincible enemy."Guaranteed to outrage the bigots!"- Derek Jarman, 1991 (The Ice Pick)"Takes the audience into uncharted emotional territory."- New Statesman & Society, 1991 (The Ice Pick)"A significant breakthrough in AIDS theatre!"- Plays & Players, 1989 (Crying Celibate Tears)

This historical novel is a cautionary tale intended to emphasize how history repeats in liberty’s battle against tyranny. It spans four dramatic timeframes of the French Revolution’s “reign of terror,” the American Civil War, the Prague Spring Uprising in the height of the cold war, and concludes in the desperate Iranian Revolution, which ushered in an age of terrorism and war on freedom. The saga chronicles the genealogy of a French family which escapes the guillotines of Paris to live in Prague, Bohemia, in the 1800s. From there, the story morphs into the struggle of one of this same family’s French/Czech descendants who immigrated to America, as he fought in the Battle of Shiloh. The storyline returns to the days in Prague, 1968, as an “Arab Spring” phenomenon occurred to overthrow their oppressive rule, only to be followed by a new “reign of terror.” The final segment of the book takes the reader to the streets of Tehran, Iran, as a repeat of the revolt against a monarchy, as in France, resulted in mayhem and violence. The book is a thus a cautionary tale for the days we live in. Finally, there is an emotional, personal study of survival despite oppression, which those persecuted under tyranny learned. The repeated character of Pierre, Pjeter, and Peter tells of this family’s eventual escape to freedom. Uniquely, the story is told by the Statue of Liberty herself, as she narrates the saga on the morning of September 11, 2001.

How does an extended family, bound by shared history, affection, and duty but divided by generation, gender, status, and personality, memorialize its dead? This fascinating study shows how members of the prominent Yu family passed down their personal and familial memories over five generations, through the traumatic transition from imperial to modern China and amidst the radical change and destruction of the nineteenth and twentieth centuries. Their memory writing is unusual and compelling for its quantity, variety, and resonance of themes across generations. It reflects a particular cultural moment and family, yet offers insight into universal practices of writing and remembrance. Ink and Tears begins and ends with the Yu family’s two most famous members: the late Qing writer Yu Yue and his great-great grandson Yu Pingbo, each among the most famous and prolific scholars of their respective generations. Over a span of one and a half centuries, they and their lesser-known female and male kin made use of an impressive diversity of genres—poetry, prefaces, biographies, diaries, correspondence, and strange tales—to preserve their family’s memories. During the times in which they wrote, the technologies of printing and the institutions of publication and book distribution were being transformed, and by the time of the great-grandchildren the language of education and governance, definitions of scholarship and literature, and the map of literary genres had all been remade. The Yus’ memory writing thus reveals not just how different family members remembered and mourned, but the changing tools they had with which to convey their loss. Drawing on a wealth of archival material, Rania Huntington focuses on questions of how memory was crafted, preserved, and transmitted as much as on what was remembered, tracing common tropes and shared strategies. Her beautifully observed study will interest scholars of late imperial and early Republican literature and history, as well as readers more broadly concerned with the family, women’s writing, themes of memory and bereavement, and the personal functions of literature.

A man lives among eunuchs for the sake of his family. A couple breaks the law to live a dream. A woman finds herself while helping others. Storylines - Telling Movies in Words is a collection of seven such thoughtful and soul-stirring tales that show how stories for films are actually born.