Thirty Years Of Psychical Research

Reprint of the original, first published in 1923.

An in-depth history of psychical research and spiritualism, accompanied by period illustrations. Is spiritualism a religion or a racket? How does it differ from psychical research? What went on in the world of séances, mediums, and the scientists who investigated them in the early decades of the twentieth century? This fascinating account, first published in the 1930s, brings to life an era when spiritualists gripped the public imagination and researchers fought to determine what was and wasn’t real. Fifty Years of Psychical Research is part of The Paranormal, a series that resurrects rare titles, classic publications, and out-of-print texts, as well as publishes new supernatural and otherworldly ebooks for the digital age. The series includes a range of paranormal subjects from angels, fairies, and UFOs to near-death experiences, vampires, ghosts, and witchcraft.

The paranormal has long been a hotly contested topic, especially in academia. Most people are entertained by the paranormal or casually read a few books they come across on the topic, perhaps assuming that these topics are nothing more than campfire fodder. Of course, there’s nothing wrong with being entertained by the paranormal, but how many people know that there is a long history of academic, scientific, and credible research into topics such as extrasensory perception, hauntings, poltergeists, cryptozoological sightings, near-death experiences, and more? In Researching the Paranormal, Courtney M. Block provides an overview of paranormal research and introduces readers to an assortment of resources that seriously examine various paranormal topics. She shows readers how to think critically about paranormal sources and how to apply the components of credibility when conducting their own paranormal investigations. Highlighting the long history of serious, academic inquiry into various paranormal topics, Block provides citations to primary source documents, journal articles, helpful databases, encyclopedias, dictionaries, and books. In addition, she provides a historical overview of various paranormal phenomena such as parapsychology, cryptozoology, ufology, divination, ghosts, hauntings, and more.

This book reveals how, when, where, and why vitalism and its relationship to new scientific theories, philosophies and concepts of energy became seminal from the fin de siècle until the Second World War for such Modernists as Sophie Taeuber-Arp, Hugo Ball, Juliette Bisson, Eva Carrière, Salvador Dalì, Robert Delaunay, Marcel Duchamp, Edvard Munch, Picasso, Yves Tanguy, Gino Severini and John Cage. For them, Vitalism entailed the conception of life as a constant process of metamorphosis impelled by the free flow of energies, imaginings, intuition and memories, unconstrained by mechanistic materialism and chronometric imperatives, to generate what the philosopher Henri Bergson aptly called Creative Evolution. Following the three main dimensions of Vitalist Modernism, the first part of this book reveals how biovitalism at the fin de siècle entailed the pursuit of corporeal regeneration through absorption in raw nature, wholesome environments, aquatic therapies, electromagnetism, heliotherapy, modern sports, particularly rugby, water sports, the Olympic Games and physical culture to energize the human body and vitalize its life force. This is illuminated by artists as geoculturally diverse as Gustave Caillebotte, Thomas Eakins, Munch and Albert Gleizes. The second part illuminates how simultaneously Vitalism became aligned with anthroposophy, esotericism, magnetism, occultism, parapsychology, spiritism, theosophy and what Bergson called "psychic states", alongside such new sciences as electromagnetism, radiology and the Fourth Dimension, as captured by such artists as Juliette Bisson, Giacomo Balla, Albert Besnard, Umberto Boccioni, Eva Carrière, John Gerrard Keulemans, László Moholy-Nagy, James Tissot, Albert von Schrenck Notzing and Picasso. During and after the devastation of the First World War, the third part explores how Vitalism, particularly Bergson’s theory of becoming, became associated with Dadaist, Neo-Dadaist and Surrealist notions of amorality, atemporality, dysfunctionality, entropy, irrationality, inversion, negation and the nonsensical captured by Hans Arp, Charlie Chaplin, Theo Van Doesburg, Kazimir Malevich, Kurt Schwitters and Vladimir Tatlin alongside Cage’s concept of Nothing. After investigating the widespread engagement with Bergson’s philosophies and Vitalism and art by Anarchists, Marxists and Communists during and after the First World War, it concludes with the official rejection of Bergson and any form of Vitalism in the Soviet Union under Stalin. This book will be of vital interest to gallery, exhibition and museum curators and visitors, plus readers and scholars working in art history, art theory, cultural studies, modernist studies, occult studies, European art and literature, health, histories of science, philosophy, psychology, sociology, sport studies, heritage studies, museum studies and curatorship.

The more than 50 articles, essays, and reviews collected here for the first time were published by James over a span of some 25 years. The record of a sustained interest in phenomena of a highly controversial nature, they make it amply clear that James's work in psychical research was not an eccentric hobby but a serious and sympathetic concern.

“Superbly organized and researched, this book by Block provides a comprehensive presentation about parapsychology." -Library Journal, Starred Review The Encyclopedia of Parapsychology covers the history of parapsychology, key international figures, and a decade-by-decade annotated bibliography of research. It includes find information on early psychical researchers from around the globe and how the work of those psychical researchers inspired the creation of the modern field of parapsychology. Alongside biographical entries about key figures are sketches of those at the center of psychical inquiry, like mediums and others who seemingly have the ability to manifest strange phenomena. The Encyclopedia covers the Spiritualism era which influenced early psychical inquiry and how it influenced psychical thought around the globe. More contemporary coverage includes biographical entries for current international researchers who continue to investigate the depths of psi phenomena. In order to provide comprehensive coverage of historical and modern research into psi phenomena, the Encyclopedia features a decade-by-decade bibliography of resources that highlight the shifting theories and experiments of the field, starting from the 1870s and going through the 2020s. This section includes a wide variety of research into topics such as psychokinesis, hauntings, poltergeists (also known as recurrent spontaneous psychokinesis), near-death experiences, extrasensory perception, remote viewing, and much more. Appendices provide information on international parapsychological research organizations and a quick start research guide. With information on key figures and research on an international scale, The Encyclopedia of Parapsychology provides an approachable yet comprehensive compendium of information.