This Is Not A Grass Skirt

This study focuses on fibre skirts (liku) and associated tattooing (veiqia) worn by indigenous Fijian women in the nineteenth century, highlighting the link between clothing and the adorned human body and the ongoing relevance of museum collections and archives.

This book seeks to understand the coexistence of bodily regimes and the politics that emerge from the clash between them: Presents a novel conceptual model for understanding the relationship between bodies and affects Reworks Rancière's notions of the distribution of the sensible and the aesthetic unconscious Establishes a dynamic and multiple understanding of the repressive, distributive and communicative unconscious by rethinking Freudian psychoanalysis Utilizes a variety of empirical materials, from Hollywood movies to Freud's case studies Sets its argument about politics within the context of significant social events to ensure its conceptual and empirical material is relevant to the contemporary political moment

This volume deals with the children’s socialization on the Trobriands. After a survey of ethnographic studies on childhood, the book zooms in on indigenous ideas of conception and birth-giving, the children’s early development, their integration into playgroups, their games and their education within their `own little community’ until they reach the age of seven years. During this time children enjoy much autonomy and independence. Attempts of parental education are confined to a minimum. However, parents use subtle means to raise their children. Educational ideologies are manifest in narratives and in speeches addressed to children. They provide guidelines for their integration into the Trobrianders’ “balanced society” which is characterized by cooperation and competition. It does not allow individual accumulation of wealth – surplus property gained has to be redistributed – but it values the fame acquired by individuals in competitive rituals. Fame is not regarded as threatening the balance of their society.

This book is the first comprehensive description of the Manambu language of Papua New Guinea and is based entirely on the author's immersion fieldwork. Manambu belongs to the Ndu language family, and is spoken by about 2,500 people in five villages: Avatip, Yawabak, Malu, Apa:n, and Yambon (Yuanab) in East Sepik Province, Ambunti district. Manambu can be considered an endangered language. The Manambu language has many unusual properties. Every noun is considered masculine or feminine. Feminine gender - which is unmarked - is associated with small size and round shape, and masculine gender with elongated shape, large size, and importance. The Manambu culture is centered on ownership of personal names, and is similar to that of the Iatmul, described by Gregory Bateson. After an introductory account of the language and its speakers, Professor Aikhenvald devotes chapters to phonology, grammatical relations, word classes, gender, semantics, number, case, possession, derivation and compounding, pronouns, morphohology, verbs, mood and modality, negation, clause structure, pragmatics, discourse, semantics, the lexicon, current directions of change, and genetic relationship to other languages. The description is presented in a clear style in a framework that will be comprehensible to all linguists and linguistically oriented anthropologists.

Tales of the South Pacific is the iconic, Pulitzer Prize–winning masterpiece that inspired a Broadway classic and launched the career of James A. Michener, one of America’s most beloved storytellers. This thrilling work invites the reader to enter the exotic world of the South Pacific and luxuriate in the endless ocean, the coconut palms, the waves breaking into spray against the reefs, the full moon rising behind the volcanoes. And yet here also are the men and women caught up in the heady drama of World War II: the young Marine who falls for a beautiful Tonkinese girl; the Navy nurse whose prejudices are challenged by a French aristocrat; and all the soldiers and sailors preparing for war against the seemingly peaceful backdrop of a tropical paradise. Praise for James A. Michener and Tales of the South Pacific “Truly one of the most remarkable books to come out of [World War II] . . . Michener is a born storyteller.”—The New York Times “Riveting and emotional . . . Ever since James Michener wrote Tales of the South Pacific, the dreamers among us have been searching for our own Bali Ha’i.”—The Washington Post “Atmospheric . . . [Tales of the South Pacific marks] the beginning of Michener’s long exploration of what happens when cultures connect, or fail to.”—Los Angeles Times “Few writers changed the face of American fiction as profoundly as did James Michener.”—San Francisco Chronicle

This collection of nine original articles deals with the expression of possession at various levels of grammar, morphological, phrasal, and syntactic, and from a typologically diverse range of languages (including Germanic, Oceanic, Meso-American, and Australian Aboriginal). There are two main aims. The first is to reveal something of the range of constructions employed cross-linguistically in the expression of possession, and second, to present an understanding of the possessive relation itself as a cognitive and linguistic phenomenon. A guiding principle in the selection of contributors has been to invite linguists whose research, while not necessarily directly dealing with possession, touches on it, and indicates that they are likely to provide fresh perspectives on this well-trodden field. Key features: William McGregor is a well known expert in this fíeld of research Possession is a paradigm for studies on typology, ethnology etc., because a multitude of linguistic and cultural varieties are reflected in this field new series textbook

Busilmin. If you can imagine the end of the world, Busilmin is it. Busilmin brings the definition of isolated to life. It is this isolation, this remoteness, that defines existence in the depths of the rainforest. Death is life. Life is death. Survival is the bridge. It is into the heart of this seclusion that Mission Aviation Fellowship chooses to fly; into depths of this need that we conveyed our very young family. Out of this beautiful land that we departed with our much older family, and a lifetime of near-unbelievable memories. This is not about planes. The aircraft are only the scenery for the tale. These are the stories of our years in Papua New Guinea. All families have stories. The backdrop for our narrative is the end of the world, and that brings a unique flavour to these accounts. The Sibilanga pig. The bullet at Aiyura. Crocodiles. Rainbows. Strange food. Places with stranger names. All with one thing in common: unpredictable, unforeseen, unanticipated, unexpected.