This Is Our Home

The cultural memory of plantations in the Old South has long been clouded by myth. A recent reckoning with the centrality of slavery to the US national story, however, has shifted the meaning of these sites. Plantations are no longer simply seen as places of beauty and grandiose hospitality; their reality as spaces of enslavement, exploitation, and violence is increasingly at the forefront of our scholarly and public narratives. Yet even this reckoning obscures what these sites meant to so many forced to live and labor on them: plantations were Black homes as much as white. Insightfully reading the built environment of plantations, considering artifact fragments found in excavations of slave dwellings, and drawing on legal records and plantation owners' papers, Whitney Nell Stewart illuminates how enslaved people struggled to make home amid innumerable constraints and obstacles imposed by white southerners. By exploring the material remnants of the past, Stewart demonstrates how homemaking was a crucial part of the battle over slavery and freedom, a fight that continues today in consequential confrontations over who has the right to call this nation home.

Drawing from his own childhood experiences, Jonathan Bean takes the autobiographically inspired family he introduced in Building Our House through the special rhythms and routines of a homeschooling day. For young Jonathan and his sisters, Mom is the teacher and a whole lot more, and Dad is the best substitute any kid could want. From math, science, and field trips to recess, show-and-tell, and art, a school day with this intrepid, inventive family will seem both completely familiar and totally unique. Includes a selection of family snapshots and a note from the author.

In a neighbourhood facing massive redevelopment, racialized residents speak about stigma, social mixing, and what the island community means to them. Based on rich interviews, photographs, and archival research, Julie Chamberlain rejects the usual silence in German urban studies around racialization and examines how constructing some groups as »not belonging« has shaped Hamburg-Wilhelmsburg's past and present. For racialized long-time residents, it is Heimat, a space of belonging in the context of exclusion. As social mix policy threatens that belonging, residents explore their hopes and their fears for the future of an urban space where gentrification looms.

This collection of revealing jou al entries and biographical sketches describes some of the island�s most colourful inhabitants. Interspersed with line drawings, it reflects the land�s rugged grandeur and the people's enduring strength.

This book demonstrates that Mary Midgley's philosophy of evolution points the way towards considering the earth as our only true home, since we are products of this planet and its evolving and complex life along with every other organism. From the knowledge of ourselves as knowing animals with a biological as well as a cultural history, Midgley proposes the elaboration of an evolutionary epistemology that situates us firmly on the earth together with other creatures, while at the same time helping us to build knowledge of the world from the complexity of the human experience. I like to call this approach by a known theological analogy, a view "from below," that is, from the underside of the world, from the realms of nature and history. Such an approach does not begin by assuming conceptions of design or order in nature, a view that we term "from above," although it does not rule out the possibility of teleological or metaphysical constructions of reality in the long run. This "down-to-earth" approach I consider essential for any philosophy or theology that wants to take evolutionary theory seriously while committed to a proper and non-dismissive assessment of religious views.

Since the early 1970s southern fiction has been increasingly attentive to social issues, including the continuing struggles for racial justice and gender equality, the loss of a sense of social community, and the decline of a coherent regional identity. The essays in The World Is Our Home focus on writers who have explicitly addressed social and cultural issues in their fiction and drama, including Dorothy Allison, Horton Foote, Ernest J. Gaines, Jill McCorkle, Walker Percy, Lee Smith, William Styron, Alice Walker, and many others. The contributors provide valuable insights into the transformation of southern culture over the past thirty years and probe the social and cultural divisions that persist. The collection makes an important case for the centrality of social critique in contemporary southern fiction.

'Memory is Our Home' is a powerful biographical memoir based on the diaries of Roma Talasiewicz-Eibuszyc, who grew up in Warsaw before and during World War I and who, after escaping the atrocities of World War II, was able to survive in the vast territories of Soviet Russia and Uzbekistan.Translated by her own daughter, interweaving her own recollections as her family made a new life in the shadows of the Holocaust in Communist Poland after the war and into the late 1960s, this book is a rich, living document, a riveting account of a vibrant young woman's courage and endurance.A forty-year recollection of love and loss, of hopes and dreams for a better world, it provides richly-textured accounts of the physical and emotional lives of Jews in Warsaw and of survival during World War II throughout Russia. This book, narrated in a compelling, unique voice through two generations, is the proverbial candle needed to keep memory alive.

George says the cardboard house is his and no one else can play with it. But when some of George's friends give him a taste of his own medicine and claim the house as theirs, he has to agree that it should be for everyone to play with.