Throwing

Filled with anecdotes, plans, photographs, drawings and detailed descriptions of the workings and history of all the major types of catapults, these pages will help readers get started in this fascinating hobby of harnessing the power and energy of simple and ancient machines, then using them to hurl all sorts of silly things into the air just to watch them splat.

The inspiring story of the 2012 National League Cy Young Award Winner Adapted for young readers from his New York Times bestselling memoir Wherever I Wind Up, this is the inspiring story of how knuckleballer R. A. Dickey became one of the game’s best pitchers. He had humble beginnings, and as a child kept a terrible secret. But at a local prep school, coaches saw talent in him and fostered his skills as a player. Dickey went on to pitch in the Olympics while at the University of Tennessee, but his Major League hopes took a downturn when an X-ray revealed a major problem with his throwing arm. It would seem his future in baseball was over before it even began. But R.A. knew better. Through faith, hope, and determination, he achieved his dreams and made it into the major leagues. Now, he’s one of the most respected pitchers in the game, a Cy Young Award winner, and he's changed the way people view the knuckleball – and himself. An inspiring true story about beating the odds, R.A. is proof that with hard work and devotion, anyone can overcome whatever life throws at them.

Enter the fascinating world of throwing-sticks as Otis Tufton Mason unravels their significance and craftsmanship. Exploring the diverse regions where these implements were used, the National Museum presents a collection that showcases the cultural nuances and ingenuity of their creators. From the elongated spindles of Australia to the intricate designs of the Conibos and Purus in the Upper Amazon, discover the variations that reflect their environments and hunting traditions. With detailed illustrations and expert analysis, Mason unveils the intricate features of these throwing-sticks, from the handle to the finger-grooves, providing insight into their functional and ergonomic design.

This book is a search for the promises of public education and the places where these are broken by critics feeding at the academic and professional trough. This book is a venture in critical autoethnography. Exploring critique through this ethnographic technique has allowed me to bring stories to the reader that work to illuminate the personal nature of educational ethics. It works to fill the gap in education critique where selfexamination is missing. It is a cultural study of five different educational environments. Research in cultural studies attempts to account for cultural objects under conditions constrained by power and defined by contestation, conflict, and change. Cultural Studies grapples with the volatility of cultural happenings. Throwing Voices emphasizes selfreflexivity, an awareness that scholars and their scholarship are themselves caught up in the social currents and in the global circulation of meanings being studied. In taking up questions from this perspective, cultural studies both draws on and develops key strands of contemporary cultural theory: semiotics, deconstruction and poststructuralism, dialogics, subaltern and postcolonial studies. The field also draws on and develops a number of innovative methodologies: autoethnography, blurred genres of writing, and other new forms of critical research. I pay homage to satirist Lenny Bruce, and it has earned me a oneway ticket to scholarly palookaville. I had actually, not virtually transgressed, in a conference forum where virtual radicalism routinely trumps reality. I sold cars and write about the intersection of values in education and this pinnacle of American commerce. Here is also a chronicle of time spent as evaluator in a small Native American school, with an effort to draw attention to the world of socialclass, yet catalogue my own complicity in the evaluation game. And here I present my decisions as a state education department bureaucrat, set against the moral universe of the Chicago poetry slam. Finally, this is work to find the truth in a critical race theory, and hopes for solidarity in art, in jazz, and in the world of New Orleans music. I attempt to follow the breadcrumbs back through a career to find the source of compassion for working people and their children, and potential solidarity through a clearer more honest language than the language of higher education and administration.

For nearly five decades, Colombia has been embroiled in internal armed conflict among guerrilla groups, paramilitary militias, and the country’s own military. Civilians in Colombia have to make their lives despite the threat of torture, kidnapping, and large-scale massacres—and more than four million have had to flee their homes. The oral histories in Throwing Stones at the Moon describe the most widespread of Colombia’s human rights crises: forced displacement. Speakers recount life before displacement, the reasons for their flight, and their struggle to rebuild their lives. Among the narrators: JULIA, a hospital union leader whose fight against corruption led to a brutal attempt on her life. In 2009, assassins tracked her to her home and stabbed her seven times in the face and chest. Since the attack, Julia has undergone eight facial reconstructive surgeries, and continues to live in hiding. DANNY, who at eighteen joined a right-wing paramilitary’s enormous training camp in the Eastern Plains of Colombia. Initially lured by the promise of quick money, Danny soon realized his mistake and escaped to Ecuador. He describes his harrowing escape and his struggle to survive as a refugee with two young children to support.

Why doesn’t the explosive growth of companies like Facebook and Uber deliver more prosperity for everyone? What is the systemic problem that sets the rich against the poor and the technologists against everybody else? When protesters shattered the windows of a bus carrying Google employees to work, their anger may have been justifiable, but it was misdirected. The true conflict of our age isn’t between the unem­ployed and the digital elite, or even the 99 percent and the 1 percent. Rather, a tornado of technological improvements has spun our economic program out of control, and humanity as a whole—the protesters and the Google employees as well as the shareholders and the executives—are all trapped by the consequences. It’s time to optimize our economy for the human beings it’s supposed to be serving. In this groundbreaking book, acclaimed media scholar and author Douglas Rushkoff tells us how to combine the best of human nature with the best of modern technology. Tying together disparate threads—big data, the rise of robots and AI, the increasing participation of algorithms in stock market trading, the gig economy, the collapse of the eurozone—Rushkoff provides a critical vocabulary for our economic moment and a nuanced portrait of humans and commerce at a critical crossroads.

Throwing is an important skill for any potter to master, using only a few tools, the guidance of their hands, and the momentum of a wheel.Having spent his life making pots and teaching others to make them, Richard Phethean describes essential techniques for working on the wheel with an eye for the practical. He covers a range of forms, from simple domestic pots to more complex vessels, with the aim of building makers' confidence in throwing techniques. The book features clear instructions for creating each type of vessel, accompanied by illustrated step-by-step instructions, which demonstrate the techniques described. It also profiles the work of contemporary potters for whom throwing is a vital part of their practice. Throwing is an essential companion for anyone attempting to master the art of forming pots on the wheel.