Time And The Ancestors

Time and the Ancestors: Aztec and Mixtec Ritual Art combines iconographical analysis with archaeological, historical and ethnographic studies and offers new interpretations of enigmatic masterpieces from ancient Mexico, focusing specifically on the symbols and values of the religious heritage of indigenous peoples.

Voices from the Ancestors brings together the reflective writings and spiritual practices of Xicanx, Latinx, and Afro-Latinx womxn and male allies in the United States who seek to heal from the historical traumas of colonization by returning to ancestral traditions and knowledge. This wisdom is based on the authors’ oral traditions, research, intuitions, and lived experiences—wisdom inspired by, and created from, personal trajectories on the path to spiritual conocimiento, or inner spiritual inquiry. This conocimiento has reemerged over the last fifty years as efforts to decolonize lives, minds, spirits, and bodies have advanced. Yet this knowledge goes back many generations to the time when the ancestors understood their interconnectedness with each other, with nature, and with the sacred cosmic forces—a time when the human body was a microcosm of the universe. Reclaiming and reconstructing spirituality based on non-Western epistemologies is central to the process of decolonization, particularly in these fraught times. The wisdom offered here appears in a variety of forms—in reflective essays, poetry, prayers, specific guidelines for healing practices, communal rituals, and visual art, all meant to address life transitions and how to live holistically and with a spiritual consciousness for the challenges of the twenty-first century.

An extraordinary exploration of the ancestry of Britain through seven burial sites. By using new advances in genetics and taking us through important archaeological discoveries, Professor Alice Roberts helps us better understand life today. ‘This is a terrific, timely and transporting book - taking us heart, body and mind beyond history, to the fascinating truth of the prehistoric past and the present’ Bettany Hughes We often think of Britain springing from nowhere with the arrival of the Romans. But in Ancestors, pre-eminent archaeologist, broadcaster and academic Professor Alice Roberts explores what we can learn about the very earliest Britons, from burial sites and by using new technology to analyse ancient DNA. Told through seven fascinating burial sites, this groundbreaking prehistory of Britain teaches us more about ourselves and our history: how people came and went and how we came to be on this island. It explores forgotten journeys and memories of migrations long ago, written into genes and preserved in the ground for thousands of years. This is a book about belonging: about walking in ancient places, in the footsteps of the ancestors. It explores our interconnected global ancestry, and the human experience that binds us all together. It’s about reaching back in time, to find ourselves, and our place in the world. PRE-ORDER CRYPT, THE FINAL BOOK IN ALICE ROBERTS' BRILLIANT TRILOGY – OUT FEBRUARY 2024.

A renowned biologist provides a sweeping chronicle of more than four billion years of life on Earth, shedding new light on evolutionary theory and history, sexual selection, speciation, extinction, and genetics.

About the book: The short book describes that how human ancestors have their great times and have beautiful earth to live, the inventions which were already exists in the human body and some other unknown and lost history of human and earth. The short chapters reminds us which history we forget and do not want to look at, the most important history we have lost somehow due to some reason and we do not take serious, the ancestors was ready to face any problem and researchers which are gives us example to look forward to their research and humans are complete their work perhaps somethings the humans are forget.

In 2010, five magnificent Blackfoot shirts, now owned by the University of Oxford’s Pitt Rivers Museum, were brought to Alberta to be exhibited at the Glenbow Museum, in Calgary, and the Galt Museum, in Lethbridge. The shirts had not returned to Blackfoot territory since 1841, when officers of the Hudson’s Bay Company acquired them. The shirts were later transported to England, where they had remained ever since. Exhibiting the shirts at the museums was, however, only one part of the project undertaken by Laura Peers and Alison Brown. Prior to the installation of the exhibits, groups of Blackfoot people—hundreds altogether—participated in special “handling sessions,” in which they were able to touch the shirts and examine them up close. The shirts, some painted with mineral pigments and adorned with porcupine quillwork, others decorated with locks of human and horse hair, took the breath away of those who saw, smelled, and touched them. Long-dormant memories were awakened, and many of the participants described a powerful sense of connection and familiarity with the shirts, which still house the spirit of the ancestors who wore them. In the pages of this beautifully illustrated volume is the story of an effort to build a bridge between museums and source communities, in hopes of establishing stronger, more sustaining relationships between the two and spurring change in prevailing museum policies. Negotiating the tension between a museum’s institutional protocol and Blackfoot cultural protocol was challenging, but the experience described both by the authors and by Blackfoot contributors to the volume was transformative. Museums seek to preserve objects for posterity. This volume demonstrates that the emotional and spiritual power of objects does not vanish with the death of those who created them. For Blackfoot people today, these shirts are a living presence, one that evokes a sense of continuity and inspires pride in Blackfoot cultural heritage.

From leading philosopher Roman Krznaric, an urgent call to save ourselves and our planet by getting to the root of the current crisis—society’s extreme short-sightedness As heard on NPR’s TED Radio Hour When Jonas Salk developed the polio vaccine, he refused to patent it—forgoing profit so that more lives could be saved. His radical generosity to future generations should inspire us, but leading philosopher Roman Krznaric sees the opposite happening: Our short-term, exploitative mindsets have “colonized the future,” leaving an inexcusable chasm between the haves and have-nots—and mounting existential threats—that have brought our species to the precipice of disaster. Yet Krznaric sees reason to hope. The urgent struggle for intergenerational justice calls for hugely ambitious solutions, from rewiring our growth-at-all-costs economy to giving voters of future generations a voice in our democracies. But at the heart of all these changes is one we can enact within ourselves: We must trade shortsightedness for long-term thinking. In The Good Ancestor, Krznaric reveals six practical ways we can retrain our brains to think of the long view and to shift our allegiance from this generation to all humanity—to save our planet and our future.

Dead. Some evils are so great that they transcend death. In Brandon Massey's "The Patriarch," a young writer travels to the hushed backwoods of Mississippi, where dangerous secrets surface as a generations-old feud comes to bone-chilling new life. . . Buried. The souls of the mistreated always find a way to be heard. In L.A. Banks's "Ev'ry Shut Eye Ain't Sleep," violent visions haunt a man--until he's handed an opportunity to right the wrongs of the past and prevent unspeakable acts from occurring once again. . . Forgotten. When horrors are covered up and lost, our ancestors must find a way--even in death--to tell their tales. In Tananarive Due's "Ghost Summer," ancestors haunt the nights of two children. And when a grisly discovery is made, these ancestors will make their mark on both the dead and the living. . . "Massey ventures into areas unexplored by most other black novelists. The result is artful and stunning." --Chicago Tribune "Tananarive Due is creating classics." --Tina McElroy Ansa "Banks's writing is lush and detailed, fully bringing her characters to life (or unlife), weaving a complex world of Good vs. Evil with its own intricate hierarchy." --Fangoria Magazine