Time Present And Time Past

The last major verse written by Nobel laureate T. S. Eliot, considered by Eliot himself to be his finest work Four Quartets is a rich composition that expands the spiritual vision introduced in “The Waste Land.” Here, in four linked poems (“Burnt Norton,” “East Coker,” “The Dry Salvages,” and “Little Gidding”), spiritual, philosophical, and personal themes emerge through symbolic allusions and literary and religious references from both Eastern and Western thought. It is the culminating achievement by a man considered the greatest poet of the twentieth century and one of the seminal figures in the evolution of modernism.

This Orange Prize Finalist novel is both a meditation on time and memory and “a deeply moving portrait of domestic and family life” in Ireland (The Sunday Telegraph). Ireland, 2006. The economic miracle known as the Celtic Tiger has swept the country into a euphoria of wealth and transformation. But for forty-seven-year-old Dubliner Fintan Buckley, the race toward progress is also a troubling purge of the past. His young daughter, Lucy, and teenage son, Niall, are growing up in an Ireland that is changing as fast as they are. More and more, Fintan feels the rush of time “like a kind of unholy wind”—so much so that he begins to experience strange, dreamlike visions. Is that his own face he sees on another man? Is that his sister staring back at him from a late-Victorian photograph? A resonant portrait of a middle-class family in pre-crash Ireland, Deirdre Madden’s latest novel “is a reminder that we’d do best . . . to savor what we can of those passing moments Eliot called the ‘still point of the turning world’” (The New York Times Sunday Book Review). “An outstanding book.” —Irish Independent

During his terms in the U.S. Senate, Bill Bradley won a national reputation for thoughtfulness, decency, and a willingness to take controversial positions on issues ranging from tax reform to the rights of Native Americans. All these qualities inform this best-selling memoir, in which Bradley assesses his political career and the experiences that shaped his convictions, and looks beyond them to consider the state of the American union on the eve of the 21st century. Time Present, Time Past offers an intimate portrait of the day-to-day working of the Senate: how legislation gets passed and sometimes thwarted; how money is raised and at what cost. But Bradley also writes about deeper questions: What does it means to be an American in an ago of dwindling opportunities and increasing inequality? How much can we expect from our public servants? What do we owe our fellow citizens? The result is a genuinely revelatory book, informed by intelligence, compassion, and unprecedented candor. "Strikingly reflects the realities of modern politics, what it looks like, feels like, from the inside."--New York Times Book Review

John Everett Millais (1829-1896) is undoubtedly among the most important of Victorian artists. In his day, and our own, he remains also the most controversial. While, during his lifetime, controversy centred around his early Pre-Raphaelite paintings, in particular Christ in the house of his Parents (1850), during the twentieth century the most intense criticism has been directed towards Millais's later works, such as Bubbles (1886), which has been widely condemned as sentimental 'kitsch'. These later paintings have been held up as the epitome of the degradation of art, against which avant-garde and Modernist pioneers struggled. None of the existing literature on Millais addresses the fundamental problem that this double-identity reveals. While there is extensive material on the Pre-Raphaelite movement in general, Millais's own work after the 1850s is rarely discussed in detail, despite the fact that he lived and worked for another 30 years after his abandonment of the Pre-Raphaelite style. Time Present and Time Past: The Art of John Everett Millais presents the first comprehensive account of Millais's artistic career from beginning to end. The book considers the question of 'high' and 'low' cultural status in debates during Millais's own day, and in subsequent critical thinking, situating Millais's art as a whole within this cultural framework.

This title includes full-color photographs and facts on how time relates to the past, present and future as well as what people have done, are doing and will do.

Drawing on Japanese and Western-language sources, this work presents an overview of Toyohara Kunichika's life and his prints of beautiful women and actors. Over 135 of Kunichika's prints are illustrated. The appendices contain carvers' seals and Kunichika's representative signature forms.

Thirteen expert historians and philosophers address basic questions on historical time and on the distinctions between past, present and future. Their contributions are organised around four themes: the relation between time and modernity; the issue of ruptures in time and the influence of catastrophic events such as revolutions and wars on temporal distinctions; the philosophical analysis of historical time and temporal distinctions; and the construction of time outside Europe through processes of colonialism, imperialism, and globalisation.