Time To Be In Earnest

In 1997, P. D. James, the much loved and internationally acclaimed author of mysteries, turned seventy-seven. Taking to heart Dr. Johnson's advice that at seventy-seven it is "time to be in earnest," she decided to undertake a book unlike any she had written before: a personal memoir in the form of a diary. This enchanting and highly original volume is the result. Structured as the diary of a single year, it roams back and forth through time, illuminating James's extraordinary, sometimes painful and sometimes joyful life. Here, interwoven with reflections on her writing career and the craft of crime novels, are vivid accounts of episodes in her own past — of school days in 1920s and 1930s Cambridge . . . of the war and the tragedy of her husband's madness . . . of her determined struggle to support a family alone. She tells about the birth of her second daughter in the midst of a German buzz-bomb attack; about becoming a civil servant (and laying the groundwork for her writing career by working in the criminal justice system); about her years of public service on such bodies as the Arts Council and the BBC's Board of Governors, culminating in entry to the House of Lords. Along the way, with warmth and authority, she offers views on everything from author tours to the problems of television adaptations, from book reviewing to her obsession with Jane Austen. Written with exceptional grace, this "fragment of autobiography" has already been received with enthusiasm by British reviewers and readers. The thousands of Americans who have enjoyed P. D. James's novels will be equally charmed. Diary or memoir or both, Time to Be in Earnest is a delight.

Winner, Agnes Lynch Starrett Poetry Prize Finalist, 2021 Eric Hoffer Award Silver Medal, 2020 Florida Book Award In Earnest, Earnest?, the speaker, Eleanor, writes postcards to her on-again-off-again lover, Earnest. The fact that her lover’s name is Earnest and that their relationship is fraught, raises questions of sincerity and irony, and whether both can be present at the same time. While Earnest can be read literally as Eleanor’s lover, he is best understood as another side of the poet’s self. The ambiguity at play in Earnest, Earnest? is embodied in the form of the “Earnest Postcards” that structure the book—these postcards are experimental in their use of images and formal in their dialogue with the sonnet. Thus, Earnest, Earnest? is a question of tone, address, and form.

Jack Worthing gets antsy living at his country estate. As an excuse, he spins tales of his rowdy brother Earnest living in London. When Jack rushes to the city to confront his "brother," he's free to become Earnest and live a different lifestyle. In London, his best friend, Algernon, begins to suspect Earnest is leading a double life. Earnest confesses that his real name is Jack and admits the ruse has become tricky as two women have become enchanted with the idea of marrying Earnest. On a whim, Algernon also pretends to be Earnest and encounters the two women as they meet at the estate. With two Earnests who aren't really earnest and two women in love with little more than a name, this play is a classic comedy of errors. This is an unabridged version of Oscar Wilde's English play, first published in 1899.

An Earnest Ministry : The Want of the Times by John Angell James, first published in 1848, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.

Features selections from the sketchbooks of forty artists, illustrators, and designers that capture their travels around the world in drawings and paintings.

The Importance of Being Earnest is one of the most enduringly popular of British comic dramas, and a mainstay of English literature and drama courses at college and university level. This is an ideal edition for students with on-page notes to help clarify meaning, and a completely new introduction. In the new introduction, Francesca Coppa explores recent critical approaches to the play, including queer and postcolonial readings, as well as giving the context in which the play was written and how it relates to Wilde's personal life and public persona. The introduction also discusses the play's stage history, providing students with an ideal overview of the play and its resonances for contemporary audiences.