To Right These Wrongs

When Governor Terry Sanford established the North Carolina Fund in 1963, he saw it as a way to provide a better life for the "tens of thousands whose family income is so low that daily subsistence is always in doubt." Illustrated with evocative photograph

When Governor Terry Sanford established the North Carolina Fund in 1963, he saw it as a way to provide a better life for the "tens of thousands whose family income is so low that daily subsistence is always in doubt." Illustrated with evocative photographs by Billy Barnes, To Right These Wrongs offers a lively account of this pioneering effort in America's War on Poverty. Robert Korstad and James Leloudis describe how the Fund's initial successes grew out of its reliance on private philanthropy and federal dollars and its commitment to the democratic mobilization of the poor. Both were calculated tactics designed to outflank conservative state lawmakers and entrenched local interests that nourished Jim Crow, perpetuated one-party politics, and protected an economy built on cheap labor. By late 1968, when the Fund closed its doors, a resurgent politics of race had gained the advantage, led by a Republican Party that had reorganized itself around opposition to civil rights and aid to the poor. The North Carolina Fund came up short in its battle against poverty, but its story continues to be a source of inspiration and instruction for new generations of Americans.

Give Your Songwriting a Competitive Edge This book takes you on the songwriter's journey from the first inspiration for a song to the collection of worldwide royalties. Experienced songwriters Pat and Pete Luboff point out the stumbling blocks you'll encounter along the way, and how to turn them into stepping stones to songwriting success. In 101 fun and easy-to-read chapters, you'll find tips on: • building solid, marketable song structures • creating the perfect lyrics accompanied by moving melodies • forming productive and profitable collaboration ventures • producing effective demos that you can pitch • tracking your royalty collection You'll also discover how new technology is changing songwriting and how to use that to your advantage. Plus, you'll get insider tips on traveling to and living in the songwriting centers of the country–Los Angeles, New York City, and Nashville. Everything you need to live and succeed at the songwriter's life can be found in this great resource.

Sheryl Scarborough continues the adventures of teen amateur sleuth and aspiring forensic scientist Erin Blake in To Right the Wrongs, the sequel to To Catch a Killer. Barely three weeks after catching the killer of Erin’s mother and their biology teacher, Erin and her crew are back, up to their elbows in forensics projects. But this time it’s with the full approval of their parents. With Uncle Victor at the helm, Erin and her best friends, Spam and Lysa, are prepping a new classroom for CSI summer camp, where they will serve as camp counselors. Meanwhile, Erin's super-hot new boyfriend, Journey, is graduating, just in time for him to take a position as Victor’s intern in the new CSI lab on campus. Journey and Victor are going to take another look at the evidence in the murder trial that sent Journey’s father to prison. The girls are under strict orders not to meddle with the murder case, but that's easier said than done... At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

NATIONAL BESTSELLER "An absolutely unforgettable novel."—Ian Williams A masterwork from one of the country’s most critically acclaimed and beloved writers that grapples with male violence, sexual abuse, and madness. Complusively readable and heartstopping. Wade Jackson, a young man from a Newfoundland outport, wants to be a writer. In the university library in St. John’s, where he goes every day to absorb the great books of the world, he en­counters the fascinating, South African-born Rachel van Hout, and soon they are lovers. Rachel is the youngest of four van Hout daugh­ters, each in their own way a wounded soul. The old­est, Gloria, has a string of broken marriages behind her. Carmen is addicted to every drug her Afrikaner dealer husband can lay his hands on. Betha­ny, the most sardonic of the sisters, is fighting a los­ing battle with anorexia. And then there is Rachel, who reads The Diary of Anne Frank obsessively, and diarizes her days in a secret language of her own invention, writing to the point of breakdown and beyond—an obsession that has deeper and more dis­turbing roots than Wade could ever have imagined. Confronting the central mystery of his character Rachel’s life—and his own—Wayne Johnston has created a brilliant and searing tour de force that pulls the reader toward a conclusion both inevitable and impossible to fore­see.

An unforgettable account of a quietly remarkable life, Robert Brown's memoir takes readers behind the scenes of pivotal moments from the 20th century, where the lessons he learned at his grandmother's knee helped him shape America as we know it today. Called "a world-class power broker" by the Washington Post, Robert Brown has been a sought-after counselor for an impressive array of the famous and powerful, including every American president since John F. Kennedy. But as a child born into poverty in the 1930s, Robert was raised by his grandmother to think differently about success. For example, "The best way to influence others is to be helpful," she told him. And, "You can’t go wrong by doing right." Fueled by these lessons on humble, principled service, Brown went on to play a pivotal, mostly unseen role alongside the great and the powerful of our time: trailing the mob in 1950s Harlem with a young Robert F. Kennedy; helping the white corporate leadership at Woolworth integrate their lunch counters; channeling money from American businesses to the Civil Rights movement; accompanying Coretta Scott King, at her request, to Memphis the day after her husband had been shot; advising Richard Nixon on how to support black entrepreneurship; becoming the only person allowed to visit Nelson Mandela in Pollsmoor prison in Cape Town. Full of unbelievable moments and reminders that the path to influence runs through a life of generosity, YOU CAN'T GO WRONG DOING RIGHT blends a heartwarming, historically fascinating account with memorable lessons that will speak to the dreamer in all of us.

I Am Right, You Are Wrong is THE classic work about choice in business and in life from world-renowned writer and philosopher Edward de Bono. Most of our everyday decision-making tends to be confrontational. Whether in large meetings, one-to-one or even in our own heads, opposite view points are pitted against each other. Ultimately, there must be a winner and a loser. In I Am Right,You Are Wrong, lateral-thinking guru Edward de Bono challenges this 'rock logic' of rigid categories and point-scoring arguments which is both destructive and exhausting. Instead he reveals how we can all be winners. Clearer perception is the key to constructive thinking and more open-minded creativity. In overturning conventional wisdom, Edward de Bono will help you to become a better thinker and decision maker. 'An inspiring man with brilliant ideas. De Bono never ceases to amaze with his clarity of thought' Sir Richard Branson

The law sometimes permits what ordinary morality, or widely-shared notions of right and wrong, reproaches. Rights to Do Grave Wrong explores the relationship between law and common morality to clarify law's reliance on society's broad presumption that people will exercise their rights responsibly. More concretely, he argues that certain legal rights rest on tacit sociological assumptions as to who will exercise them, under what circumstances, and how frequently. Further, he argues that we depend on stigma and shame to reduce and circumscribe the law's use. Some examples: though reneging on a debt is considered wrong, the law allows you to declare personal bankruptcy; international law allows museums to retain some masterworks looted from their rightful owners; in many countries abortion is permitted as a means of birth control. Using these examples and more, Osiel presents a "social scientific" analysis of law's interaction with social mores and the extent to which they limit our exercising rights to do wrong. The paradox he intends to elucidate is when and why it is appropriate for societies to champion de jure entitlements even as they successfully limit their de facto usage.--