Tong War

A mesmerizing true story of money, murder, gambling, prostitution, and opium in a "wild ramble around Chinatown in its darkest days." (The New Yorker) Nothing had worked. Not threats or negotiations, not shutting down the betting parlors or opium dens, not house-to-house searches or throwing Chinese offenders into prison. Not even executing them. The New York DA was running out of ideas and more people were dying every day as the weapons of choice evolved from hatchets and meat cleavers to pistols, automatic weapons, and even bombs. Welcome to New York City’s Chinatown in 1925. The Chinese in turn-of-the-last-century New York were mostly immigrant peasants and shopkeepers who worked as laundrymen, cigar makers, and domestics. They gravitated to lower Manhattan and lived as Chinese an existence as possible, their few diversions—gambling, opium, and prostitution—available but, sadly, illegal. It didn’t take long before one resourceful merchant saw a golden opportunity to feather his nest by positioning himself squarely between the vice dens and the police charged with shutting them down. Tong Wars is historical true crime set against the perfect landscape: Tammany-era New York City. Representatives of rival tongs (secret societies) corner the various markets of sin using admirably creative strategies. The city government was already corrupt from top to bottom, so once one tong began taxing the gambling dens and paying off the authorities, a rival, jealously eyeing its lucrative franchise, co-opted a local reformist group to help eliminate it. Pretty soon Chinese were slaughtering one another in the streets, inaugurating a succession of wars that raged for the next thirty years. Scott D. Seligman’s account roars through three decades of turmoil, with characters ranging from gangsters and drug lords to reformers and do-gooders to judges, prosecutors, cops, and pols of every stripe and color. A true story set in Prohibition-era Manhattan a generation after Gangs of New York, but fought on the very same turf.

Tong War describes feuds between Chinese gangs that ended in the 1920s. However, one threatens to break out in Portland, Maine, and PI Melodie Chang is dragged into the middle of it. It doesn't help that she's five months pregnant and that her husband, Brad, is one of the targets of this new feud. Mike Wei is beating up people around town. Melodie will discover that every preconceived notion she has about tong wars will be wrong. She will discover things about her husband that might threaten her marriage. Mostly, she will need to discover the true reason that war has broken out in Portland before it threatens the life of her unborn baby. Into Melodie's world comes a girl named Sylvia and her baby, Johnny. Can Melodie save them before Wei kills both of them? Who is she and what does she have to do with everything that is happening? And why does she insist that Melodie's friend, Candy Howard, needs her? The case will end only when Melodie can answer all these questions. Still, one of them will die before she does and that death will transform not just Melodie but all of them.

Story of a handful of well organized Chinese criminals who ruled Chinatown from the 1880's until the earthquake of 1906.

Criminalization/Assimilation traces how Classical Hollywood films constructed America’s image of Chinese Americans from their criminalization as unwanted immigrants to their eventual acceptance when assimilated citizens, exploiting both America’s yellow peril fears about Chinese immigration and its fascination with Chinatowns. Philippa Gates examines Hollywood’s responses to social issues in Chinatown communities, primarily immigration, racism, drug trafficking, and prostitution, as well as the impact of industry factors including the Production Code and star system on the treatment of those subjects. Looking at over 200 films, Gates reveals the variety of racial representations within American film in the first half of the twentieth century and brings to light not only lost and forgotten films but also the contributions of Asian American actors whose presence onscreen offered important alternatives to Hollywood’s yellowface fabrications of Chinese identity and a resistance to Hollywood’s Orientalist narratives.

Hours after attacking Pearl Harbor on December 7, 1941, Japanese bombers stormed across the Philippine city of Baguio, where seven-year-old Curt Tong, the son of American missionaries, hid with his classmates in the woods near his school. Three weeks later, Curt, his mother, and two sisters were among the nearly five hundred Americans who surrendered to the Japanese army in Baguio. Child of War is Tong’s touching story of the next three years of his childhood as he endured fear, starvation, sickness, and separation from his father while interned in three different Japanese prison camps on the island of Luzon. Written by the adult Tong looking back on his wartime ordeal, it offers a rich trove of memories about internment life and camp experiences. Relegated first to the men’s barracks at Camp John Hay, Curt is taken under the wing of a close family friend who is also the camp’s civilian leader. From this vantage point, he is able to observe the running of the camp firsthand as the war continues and increasing numbers of Americans are imprisoned. Curt’s days are occupied with work detail, baseball, and childhood adventures. Along with his mother and sisters, he experiences daily life under a series of camp commandants, some ruling with intimidation and cruelty but one, memorably, with compassion. In the last months of the war the entire family is finally reunited, and their ordeal ends when they are liberated from Manila’s Bilibid Prison by American troops. Child of War is an engaging and thoughtful memoir that presents an unusual view of life as a World War II internee—that of a young boy. It is a valuable addition to existing wartime autobiographies and diaries and contributes significantly to a greater understanding of the Pacific War and its impact on American civilians in Asia.

Ethnic organized crime is a phenomenon that has been largely ignored by social scientists and historians. "The Crooked Ladder" represents a groundbreaking attempt to describe how some members of ethnic minorities have utilized organized crime as one vehicle of upward mobility, advancing from lower-class status to middle-class power and respectability.