Tough Ain T Enough

Throughout his lengthy career as both an actor and a director, Clint Eastwood has appeared in virtually every major film genre and, at this point in his career, has emerged as one of America’s most popular, recognizable, and respected filmmakers. He also remains a controversial figure in the political landscape, often characterized as the most prominent conservative voice in mostly liberal Hollywood. At Eastwood’s late age, his critical success as actor and director, his combative willingness to confront serious cultural issues in his films, and his undeniable talent behind the camera all call for a new and comprehensive study that considers and contextualizes his multiple roles, both on and off screen. Tough Ain’t Enough offers readers a series of original essays by prominent cinema scholars that explore the actor-director’s extensive career. The result is a far-reaching and nuanced portrait of one of America’s most prolific and thoughtful filmmakers.

Performing Identities and Utopias of Belonging consists of sixteen essays, reflecting the current conflicted debate on the ontology, constructiveness and affect of categories of ascribed social identity such as gender, ethnicity, race and nation, in the context of British, Irish and North American cultural landscapes. They address the many ways in which these communities of belonging are imagined, iterated, performed, questioned, and deconstructed in literature, cinema and visual culture; they also support or counter claims about the enhanced value of social identity in the expression of the self in the light of the present debates that surround the contested post-identity turn in cultural studies. Significantly, they also address the role of social identity in the field of utopian and dystopian thought, focusing on the projection of imagined futures where alternative means of conceiving ascribed identity are conceptualized. The contributions are shaped by a plurality of approaches and theoretical discourses, and come from both established and emerging scholars and researchers from Europe and beyond. The collection is structured in three sections – the politics of (un)belonging, deconstructing utopian and cultural paradigms, and performing identities in the visual arts – which organize the multidisciplinary discussions around specific nuclei of interrogations.

In this groundbreaking work, Kamal Sadiq reveals that most of the world's illegal immigrants are not migrating directly to the US, but to countries in the vast developing world, where they are able to obtain citizenship papers fairly easily. Sadiq introduces "documentary citizenship" to explain how paperwork--often falsely obtained--confers citizenship on illegal immigrants. Across the globe, there are literally tens of millions of such illegal immigrants who have assumed the guise of "citizens." Who, then, is really a citizen? And what does citizenship mean for most of the world's peoples? Rendered in vivid detail, Paper Citizens not only shows how illegal immigrants acquire false papers, but also sheds light on the consequences this will have for global security in the post 9/11 world.

Shot down over the jungle with a planeload of marijuana, Vietnam War hero Joe Murphy gets caught up in the brutal Guatemalan Civil War when he witnesses an attack on a Mayan village by the Guatemalan Army and its CIA "advisors". Badly injured, he escapes on a nightmare trek through the jungle, hunted by the Army, the CIA, and death squads. Healed by guerrilla doctor Dona Villalobos, he falls in love with her and tries to save her from the War's widening horror of insanity, tragedy, and death. Caught in the crucible of violence and love, he learns the peaks and depths the human heart can reach, and what humans will do for, and to, each other.Based on the author's own experiences as one of the last foreign correspondents left alive in Guatemala after over 100 journalists had been killed by Army death squads."A riveting thriller of murder, politics, and lies." -- London Broadcasting"An extraordinary story that speaks from and to the heart. And a terrifying depiction of one man's battle against the CIA and Latin American death squads." -- BBC"A riveting story where even the good guys are bad guys, set in the politically corrupt and drug infested world of present-day Central America." -- Middlesborough Evening Gazette"The climax is among the most horrifying I have ever read." -- Liverpool Daily Post"An ideal thriller for the beach, but be prepared to be there when the sun goes down."-- Herald Express

Growing numbers of church leaders are discovering that many films are able to impact viewers with gospel truths almost as well as a good sermon. Ed McNulty, a former pastor and longtime reviewer of films, offers this guide to help church leaders enter into dialogue with contemporary films. McNulty carefully crafts a theology of movies and then provides practical suggestions for creating and leading movie discussions with groups. In addition, he provides people from all across the theological spectrum with a framework to understand whether the overall message of a film outweighs concerns over profanity, violence, or sex in the film. He concludes by introducing twenty-seven films and including provocative questions about each that will prepare leaders to assemble and facilitate a group. Popular films explored include The Color Purple; Crash; Hotel Rwanda; The Matrix; Million Dollar Baby; O Brother, Where Art Thou? and The Shawshank Redemption.

www, mikebondbooks.com MIKE BOND BOUND is the e-Book bundling of three Mike Bond thrillers: HOLY WAR - HOUSE OF JAGUAR - THE LAST SAVANNA HOLY WAR The Battle of Beirut is worse than Hell, an irrational maelstrom of implacable hatreds and inconceivable suffering, of screaming bombs and exploding shells, crashing buildings, sniper battles, and deadly ambushes. Neill, a war correspondent on a secret mission for Britain's MI6 intelligence agency, is trying to find Mohammed, a Hezbollah terrorist leader who may be willing to stop the slaughter and destruction. Andre, a French commando, is also looking for Mohammed, to kill him in revenge for the death of his brother, blown up with over 400 US Marines and French paratroopers by Hezbollah. For Rosa, a remorseless and passionate Palestinian guerrilla, Mohammed is one of the few hopes left for her people, and she will give her life to protect him. And for lovely Anne-Marie, Andre is the only one who can rescue her from Hell. Based on Bond's own experiences in Lebanon, Syria and the Middle East, Holy War has been praised for its portrayal of battle and its journalistic and political realism, and for its evocative descriptions of men and women caught in a deadly crossfire. "Bond does it again - A gripping tale of passion, hostage-taking and war, set against a war-ravaged Beirut." Evening News "A profound tale of war...Literally impossible to stop reading." British Armed Forces Broadcasting HOUSE OF JAGUAR Shot down over the jungle with a planeload of marijuana, Vietnam War hero Joe Murphy gets caught up in the brutal Guatemalan Civil War when he witnesses an attack on a Mayan village by the Guatemalan Army and its CIA "advisors." Badly injured, he escapes on a nightmare trek through the jungle, hunted by the Army, the CIA, and death squads. Healed by guerrilla doctor Dona Villalobos, he falls in love with her and tries to save her from the War's widening horror of insanity, tragedy, and death. Caught in the crucible of violence and love, he learns the peaks and depths the human heart can reach, and what humans will do for, and to, each other. Based on the author's own experiences as one of the last foreign correspondents left alive in Guatemala after over 100 journalists had been killed by Army death squads. THE LAST SAVANNA With Africa's last elephants dying under the poachers' guns, Kenya rancher and former SAS officer Ian MacAdam leads a commando squad against them. Pursuing the poachers through jungled mountains and searing deserts he battles thirst, solitude, terror and lethal animals, only to find that the poachers have kidnapped a young archaeologist, Rebecca Hecht, whom he once loved and bitterly lost. McAdam embarks upon a desperate trek to save not only Rebecca but his own soul in an Africa torn apart by wars, overpopulation, and the slaughter of its last wildlife. Based on the author's experiences pursuing elephant poachers in the wilds of East Africa. "Mike Bond's THE LAST SAVANNA is shot through with images of the natural world at its most fearsome and most merciful. With his weapons, man is a conqueror - without them he is a fugitive in an alien land. Bond touches on the vast and eerie depths that lie under the thin crust of civilization and the base instinct within man to survive - instincts that surpass materialism. A thoroughly enjoyable read that comes highly recommended." (Nottingham Observer)

This book offers 25 profiles of some of the most popular female action heroes throughout the history of film, television, comic books, and video games. Female action heroes, like other fictional characters, not only reveal a lot about society, but greatly influence individuals in society. It is no surprise that the gradual development and increase in the number of female action heroes coincides with societal changes and social movements, such as feminism. Nor is it a surprise that characteristics of female action heroes echo the progressive toughening of women and young girls in the media. Female Action Heroes: A Guide to Women in Comics, Video Games, Film, and Television brings to the forefront the historical representation of women and girls in film, television, comic books, and video games. The book includes profiles of 25 of the most popular female action heroes, arranged in alphabetical order for easy reference. Each chapter includes sections on the hero's origins, her power suit, weapons, abilities, and the villains with whom she grapples. Most significantly, each profile offers an analysis of the hero's story—and her impact on popular culture.

It's hard to find females in leading roles as athletes, coaches and owners in sports film story lines. With an abundance of male-focused stories, Hollywood continues to reinforce the association of athleticism with masculinity. Portrayals of women in prominent roles indicate social attitudes and values and--when looked at over time--also show what influence the women's movement has had on cinematic representation and social understandings. This discussion of sports film heroines begins with National Velvet (1944) and ends with Secretariat (2010). It addresses the question of whether these story lines do or do not empower women as characters and role models, while offering alternative cinematic choices that reflect the true and ever-growing history of women in sports.