Tragic Beauty

Tragic Beauty is a book about the beautiful journey of a broken heart. I have seen so many things that have brought me to many tears. But I have also experienced moments that have uplifted my heart into the heaven of God. Emotions run through my heart like a river,expressing myself to the world and revealing the beauty within myself.

The present volume endeavors to make a contribution to contemporary Whitehead studies by clarifying his axiological process metaphysics, including his theory of values, concept of aesthetic experience, and doctrine of beauty, along with his philosophy of art, literature and poetry. Moreover, it establishes an east-west dialogue focusing on how Alfred North Whitehead’s process aesthetics can be clarified by the traditional Japanese Buddhist sense of evanescent beauty. As this east-west dialogue unfolds it is shown that there are many striking points of convergence between Whitehead’s process aesthetics and the traditional Japanese sense of beauty. However, the work especially focuses on two of Whitehead’s aesthetic categories, including the penumbral beauty of darkness and the tragic beauty of perishability, while further demonstrating parallels with the two Japanese aesthetic categories of yûgen and aware. It is clarified how both Whitehead and the Japanese tradition have articulated a poetics of evanescence that celebrates the transience of aesthetic experience and the ephemerality of beauty. Finally it is argued that both Whitehead and Japanese tradition develop an aesthetics of beauty as perishability culminating in a religio-aesthetic vision of tragic beauty and its reconciliation in the supreme ecstasy of peace or nirvana.

Aphrodite women always stand out. Go to any public venue and wait for the moment of recognition: There she is―the "it" girl. Tall and slim, or short and slim, blond or raven or red-haired, it matters not. Whether she dresses like a princess or a prostitute, she has the unmistakable spark that is the touch of Aphrodite. Aphrodite is the golden goddess of love and beauty in Greek mythology. Women who embody the Aphrodite archetype have much less choice in how they behave or react than they, or others, imagine. The myths tell us that Aphrodite qualities are essential for the joy of life, but the shadow side of Aphrodite manifests when a woman is completely identified with Aphrodite's powers, when other archetypal qualities of the feminine are unimportant to her. The tragedies that result from this are the subject of numerous well-known novels and films and exemplified in the lives of certain actresses and other celebrities, all considered here. The dark side of the pursuit of beauty is especially apparent with aging, when the Aphrodite woman must become something other than a source of beauty or dwindle to a bitter and lonely end. Those whose lives have been wounded by the shadow side of Aphrodite―or those who do not have enough of Aphrodite's joy in their personal makeup―may find understanding and rebirth through the consciousness gained in this real-life exploration of an ideal that has ballooned into a distortion. In these times, when the idolization of Aphrodite―and the tragedy that ensues―are perhaps more widespread than ever, the crucial key for women is consciousness.

It's 1895, and after the death of her mother, 16-year-old Gemma Doyle is shipped off from the life she knows in India to Spence, a proper boarding school in England. Lonely, guilt-ridden, and prone to visions of the future that have an uncomfortable habit of coming true, Gemma's reception there is a chilly one. To make things worse, she's being followed by a mysterious young Indian man, a man sent to watch her. But why? What is her destiny? And what will her entanglement with Spence's most powerful girls - and their foray into the spiritual world - lead to?

The 1914 memoirs of Evelyn Nesbit, the beautiful chorus girl and model whose association with architect Stanford White would later lead to his sensational murder at Madison Square Garden. In June 1906, Pittsburgh playboy Harry K. Thaw shot and murdered Stanford White, one of America's most famous architects, over a deadly dispute involving White's seduction of Thaw's wife, Evelyn Nesbit. Known as "the girl on the red velvet swing," Evelyn earned this moniker when she described swinging naked on a red velvet swing in Stanford White's New York studio apartment. Stanford White had supposedly drugged and raped the sixteen-year-old Evelyn in the autumn of 1901. The scandal rocked the nation with its lurid details of sex, power, drugs, and insanity. The newspapers and tabloids had a field day with the story and labeled the murder "The Crime of the Century."

This groundbreaking collection provokes a major reassessment of the significance of tragedy and the tragic in late modernity. A distinguished group of scholars and theorists extends the discussion of tragedy beyond its usual parameters to include film, popular culture, and contemporary politics. Seven new essays—as well as eight essays originally published in a New Literary History special issue on tragedy—address important, previously neglected areas of tragedy and postcolonial criticism. The new material explores the tragic dimensions of popular culture, the relationship between tragedy and pity, and feminism's avoidance of the tragic, and includes an incisive history of tragic theory. Classic and cutting-edge, this collection offers a provocative, accessible, and comprehensive treatment of tragedy and tragic theory. Contributors: Elisabeth Bronfen, University of Zurich; Stanley Corngold, Princeton University; Simon Critchley, University of Essex; Joshua Foa Dienstag, University of California, Los Angeles; Wai Chee Dimock, Yale University; Page duBois, University of California, San Diego; Terry Eagleton, University of Manchester; Rita Felski, University of Virginia; Simon Goldhill, Cambridge University; Heather K. Love, University of Pennsylvania; Michel Maffesoli, University of Paris (V); Martha C. Nussbaum, University of Chicago; Timothy J. Reiss, New York University; Kathleen M. Sands, University of Massachusetts, Boston; David Scott, Columbia University; George Steiner, University of Geneva; Olga Taxidou, University of Edinburgh

A groundbreaking scholarly work, Deep Religious Pluralism is based on the conviction that the philosophy articulated by Alfred North Whitehead encourages not only religious diversity but deep religious pluralism. Arising from a 2003 Center for Process Studies conference at Claremont Graduate University, this book offers an alternative to the version of religious pluralism that has dominated the recent discussion, especially among Christian thinkers in the West, which has evoked a growing call to reject pluralism as such. Renowned contributors of a diversity of faiths include: Steve Odin, John Shunji Yakota, Sandra B. Lubarsky, Jeffery D. Long, Mustafa Ruzgar, Christopher Ives, Michael Lodahl, Chung-ying Cheng, Wang Shik Jang, and John B. Cobb Jr.

"No one does magical realism quite like McLemore, and this third novel, laced with slow-burning suspense, folklore, romance, and spun together with exquisite, luxuriant prose, proves it.,,, Sheer magic: fierce, bright, and blazing with possibility."— Booklist (starred) Love grows such strange things. Anna-Marie McLemore's debut novel The Weight of Feathers garnered fabulous reviews and was a finalist for the prestigious YALSA Morris Award, and her second novel, When the Moon was Ours, was longlisted for the 2016 National Book Award for Young People's Literature. Now, in Wild Beauty, McLemore introduces a spellbinding setting and two characters who are drawn together by fate—and pulled apart by reality. For nearly a century, the Nomeolvides women have tended the grounds of La Pradera, the lush estate gardens that enchant guests from around the world. They’ve also hidden a tragic legacy: if they fall in love too deeply, their lovers vanish. But then, after generations of vanishings, a strange boy appears in the gardens. The boy is a mystery to Estrella, the Nomeolvides girl who finds him, and to her family, but he’s even more a mystery to himself; he knows nothing more about who he is or where he came from than his first name. As Estrella tries to help Fel piece together his unknown past, La Pradera leads them to secrets as dangerous as they are magical in this stunning exploration of love, loss, and family.