Translating Nature Into Art

"Explores how the Renaissance artist Hans Holbein the Younger came to develop his mature artistic styles through the key historical contexts framing his work: the controversies of the Reformation and Renaissance debates about rhetoric"--Provided by publisher.

Translating Nature recasts the era of early modern science as an age not of discovery but of translation. As Iberian and Protestant empires expanded across the Americas, colonial travelers encountered, translated, and reinterpreted Amerindian traditions of knowledge—knowledge that was later translated by the British, reading from Spanish and Portuguese texts. Translations of natural and ethnographic knowledge therefore took place across multiple boundaries—linguistic, cultural, and geographical—and produced, through their transmissions, the discoveries that characterize the early modern era. In the process, however, the identities of many of the original bearers of knowledge were lost or hidden in translation. The essays in Translating Nature explore the crucial role that the translation of philosophical and epistemological ideas played in European scientific exchanges with American Indians; the ethnographic practices and methods that facilitated appropriation of Amerindian knowledge; the ideas and practices used to record, organize, translate, and conceptualize Amerindian naturalist knowledge; and the persistent presence and influence of Amerindian and Iberian naturalist and medical knowledge in the development of early modern natural history. Contributors highlight the global nature of the history of science, the mobility of knowledge in the early modern era, and the foundational roles that Native Americans, Africans, and European Catholics played in this age of translation. Contributors: Ralph Bauer, Daniela Bleichmar, William Eamon, Ruth Hill, Jaime Marroquín Arredondo, Sara Miglietti, Luis Millones Figueroa, Marcy Norton, Christopher Parsons, Juan Pimentel, Sarah Rivett, John Slater.

Immensely skillful and inventive, Hans Holbein molded his approach to art-making during a period of dramatic transformation in European society and culture: the emergence of humanism, the impact of the Reformation on religious life, and the effects of new scientific discoveries. Most people have encountered Holbein’s work—think of King Henry VIII and Holbein’s memorable portrait springs to mind, forever defining the Tudor king for posterity—but little is widely known about the artist himself. This overview of Holbein looks at his art through the changes in the world around him. Offering insightful and often surprising new interpretations of visual and historical sources that have rarely been addressed, Jeanne Nuechterlein reconstructs what we know of the life of this elusive figure, illuminating the complexity of his world and the images he generated.

A timely and important collection of essays examining Merleau-Ponty's interrogation of the limits of philosophy.

This new edition features 100 of the finest examples of English landscape watercolour paintings, by 70 artists, taken from the British Museum's own collection. A wide variety of landscapes range in date from the earliest topographical works to those of Cozens, Girtin, Turner and Constable.

Dramatic changes during the Reformation era in Northern Europe, such as witchcraft and new global discoveries, are examined through visual culture, both prints and paintings.

DIV Paintings by Renaissance masters Cranach, Dürer, and Holbein are among the highlights featured in the first comprehensive study of the largest collection of early German paintings in America. /div

Translating Nature Terminology hopes to fill a vacuum in the market, combining practical advice for translators with aspects of linguistics and natural sciences. It is a response to the growing popularity of bilingual (Polish-English) publications on nature in Poland, which, however, abound in mistranslated nature terminology. Using cognitivism-based analysis, it traces the vagaries of categorisation of the natural world within one language as well as interlingually, with a view to helping translators find suitable equivalents of concepts and terms representing them. Translators can learn, for instance, when overspecification, underspecification or domestication are justified and when they become a translation error, what to do with the names of cultivars, or in what context one should render turzycowisko as “tall sedge swamp” and where as “sedge fen.” The book also demonstrates that terminological correctness is not only a must for informative texts but it is often indispensable to ensure the coherence of literary works. It pays particular attention to the penetration of folk terms into specialist texts and vice versa. The reliability of dictionaries, both general and specialist, is called into question and keeping in touch with up-to-date professional sources is recommended instead. All the above claims are thoroughly researched and amply exemplified.