Treasures Of Use And Beauty An Epitome Of The Choicest Gems Of Wisdom History Reference And Recreation

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Treasures of Use and Beauty - an epitome of the choicest gems of wisdom, history, reference and recreation is an unchanged, high-quality reprint of the original edition of 1883. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

Excerpt from Treasures of Use and Beauty: An Epitome of the Choicest Gems of Wisdom, History, Reference and Recreation N 0 other branch of study is so sadly neglected in our schools and colleges as that of Letter Writing, and even the best edu cated are often obliged to consult some authority as to the proper wording, beginning, ending or form of a note, invitation, acceptance, regret, etc. In the chapter on The Science of Letter Writing, most of the materials employed are gathered from original sources, and now appear in print for the first time. The specimen letters are from many of the most eminent persons of the world, including some of its most noted authors, and the Presidents of the United States, which, besides being valuable from a historical point of View, furnish sample letters that no one individual could presume to supply. How often do we hear it said: I wish I could find a bookthat would illustrate all kinds of household ornamental work, and one that would furnish information regarding the decoration of my home. There will never be an end to the subject of home comforts. Where can there be a more appreciable and encouraging field than in the careful devotion to the pleasures and recreations of the household? It is within the delightful precincts of home that love finds its greatest scope. Its beauties and attractions can be none too pleasant and tasteful; and in presenting this volume the chief aim of the publishers has been to combine a manual that will prove useful and practical to the wife, mother or daughter, and such as will prove of infinite value to the father, husband or son, whether he seeks for historical, political or business information. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The history of women and art in Canada has often been celebrated as a story of progress from amateur to professional practice. Rethinking Professionalism challenges this narrative by questioning the assumptions that underlie the category of artistic professionalism, a construct as influential for artistic practice as it has been for art historical understanding. Through a series of in-depth studies, contributors examine changes to the infrastructure of the art world that resulted from a powerful discourse of professionalization that emerged in the late- nineteenth century. While many women embraced this new model, others fell by the wayside, barred from professional status by virtue of their class, their ethnicity, or the very nature of the artworks they produced. The richly illustrated essays in this collection depict the changing nature of the professional paradigm as it was experienced by women painters, photographers, craftspeople, architects, curators, gallery directors, and art teachers. In so doing, they demonstrate the ongoing power of feminist art history to disrupt patterns of thought that have become naturalized and, accordingly, invisible. Going beyond the narratives of recovery or exclusion that the category of professionalism has traditionally encouraged, Rethinking Professionalism explores the very consequences of telling the history of women's art in Canada through that lens. Contributors include Annmarie Adams (McGill University), Alena Buis (Queen's University), Sherry Farrell Racette (University of Manitoba), Cynthia Hammond (Concordia University), Kristina Huneault (Concordia University), Loren Lerner (Concordia University), Lianne McTavish (University of Alberta), Kirk Niergarth (Mount Royal University), Mary O'Connor (McMaster University), Sandra Paikowsky (Concordia University), Ruth B. Phillips (Carleton University), Jennifer Salahub (Alberta College of Art & Design), and Anne Whitelaw (Concordia University).