Trespassing On The Mount Of Olives

These poems explore freely the familiar ground of the Gospels in the New Testament, often from an odd angle or unexpected point of view. Some are grounded in the author's sense of the biblical present, others in the author's or an imagined speaker's present; all are accompanied by a triggering Scripture reference to provide background for the curious or a focus for further reflection. As stated in the author's preface, "These are poems, not doctrinal or evangelistic treatises. Their task . . . is to work and wear well as poems."

Pandemic at full tilt, the diagnosis came--cancer. Maybe you've known crisis or are walking a loved one through the terrible unknown. The heart plummets. The mind shrills. We blame genetics. Toxins. Lifestyle. How can we not blame ourselves? Can this be thrown on God? If we listen to the emptiness behind every unanswered why, what will we hear? While life and death circle overhead, heckle and intimidate, exhausting faith, these poems talk with touchstones around us. Eavesdrop on whispers for answers. These poems explore what we have--and what's left. Who made the hawk? And the lionhearted songbird? What do they tell us about courage? What else is present?

In Ponds, Jane Clark Scharl explores the mysterious relationship between change and repetition: seemingly contradictory, these two weave together so tightly in human existence that they cannot be separated. Speaking in a variety of voices—from a young mother mourning her own mother to Penelope, wife of Ulysses, Persephone, and Theoderic the Ostrogoth—Ponds is a polyphonous meditation on loss and gain, activity and stillness, and the nature of God, both hidden and revealed.

O’Neill’s Original Grace provides a fresh analysis of biblical texts and explores the rich tradition and development of Marian devotion, liturgical prayer, artwork, and dogma. It invites the reader to discover how our capacity for biblical and theological understanding matures over time, correcting our perception of Mary, the second Eve and the mother of Jesus the Christ, and of the place and role of women in church and society. This exhilarating book reveals the benefit that courageous questioning can bring to the church’s self-understanding and to the vital relationships between women and men. In it we gently discover that a wise and good God is our Creator, affirming us in our gendered humanity, still slowly teaching us what went on in Eden, in Nazareth, and on Calvary.

Fowler House, with its odd nooks, dicey wiring, and vast, unfinished attic playroom, shelters preteen Larkin. And yet, the house speaks of secrets no one else will. Wild creatures weigh in: a muskrat, fireflies, snails, a vesper bat. The menacing garfish. Troubled parents take on repairs: clanking radiators, crumbling plaster, and beloved Uncle Dunkel, finally home from the war in Korea, his mind splintering. Over three years, lived in the moment by Larkin—and relived in hindsight by Eldergirl—doors open and truth, long-stifled, emerges.

Two excerpts from spirituals, offered as epigraphs, foreshadow themes in Soon Done with the Crosses. The first song, "One of These Days," suggests inevitable burdens that all of us must bear at some point, while the second song, "Do Lord," supposes a glorious reward for those who faithfully endure. The poems in this book form a catalog of varied trials--both historical and contemporary--drawn from art, imaginings, the natural world, and aspects of the human condition, coupled with questions about eternity. Though while the collection begins with pleas for some bright assurance, it concludes in yet another vigil through dark, lonely hours, longing for morning's clarifying light.

Duress is a collection of devotional poems for souls in search of spiritual restoration—its contemporary psalms, lamentations, meditations, and praises were composed during the “anthropause” when the world paused. A poetry of resiliency, lyric in pulse and contemplative in spirit, it will encourage and uplift weary hearts of wayfarers in a season of duress.

Marjorie Stelmach’s new collection, The Angel of Absolute Zero, seeks to engage its readers in thoughtful reflection on our difficult times. The opening section of the book, entitled Canticle of Want, introduces the collection’s governing characteristic: these poems want a lot. They ask us to view our damaged planet and acknowledge our complicity; to question “how it is we have come to this” and take heart in our wish to be more worthy; to accept suffering and loss and yet feel gratitude, expect joy. In short, these poems aspire to “teach us to number our days that we may gain a heart of wisdom.”