Trusting The Actor

This revolutionary book is more than just a dry theoretical study of acting techniques. Against a background of Apartheid South Africa it tells the story – both humorous and moving – of how teacher/director Brian Astbury - founder of South Africa's legendary Space Theatre - and hundreds of actors and acting students both in production and at Britain's top drama schools developed a set of exercises over two decades to help actors overcome problems not addressed in other methods.These teach how to be 'in the moment';to gain access to the inexhaustible storehouse of the imagination;to access, integrate and properly use the emotions of the character;to overcome difficulties with learning lines;to recreate performance without conscious thought.“An idiosyncratic, challenging and practical guide to the craft of acting, crammed with anecdotes and humorous insights”Richard E. Grant Actor/director/writer (Withnail and I, The Player, Wah-Wah and many others)“A truly inspirational teacher”Julie Hesmondhalgh Actor (Hayley, Coronation Street)“A unique figure in British theatre. Provocative, controversial, doggedly inspiring. He has been the pivotal teacher, enabler and mentor for me and countless others.Rufus Norris Director (Festen, Cabaret, Market Boy, Tintin, Vernon God Little, Blood Wedding)“I cannot recommend it highly enough”Stephen Moyer Actor (True Blood, NY-LON, Prince Valiant, the RSC)“A conversational (almost chatty) love story, a tale of a theatre company's struggle against Apartheid, an irreverent look at life”Alexander Siddig Actor/director (Deep Space Nine, Syriana, Un Homme Perdu, 24, Primeval, Hannibal)“Brian Astbury was, without a doubt, the biggest influence on me. His teachings are still what I go to in trouble”Jason Flemyng Actor (Lock, Stock and Two Smoking Barrels, Snatch, The League of Extraordinary Gentlemen, The Quatermass Experiment, Drum, the RSC)

TRUST embraces a philosophy that shows actors how to work with creative energy and come from absolute truth. Learn how to stay present in each moment through the power of focus. Become the authentic, passionate, and fearless actor you know you can be. TRUST, the ultimate in truthful acting and living.

In The Power of the Actor, a Los Angeles Times bestseller, premier acting teacher and coach Ivana Chubbuck reveals her cutting-edge technique, which has launched some of the most successful acting careers in Hollywood. The first book from the instructor who has taught Charlize Theron, Brad Pitt, Elisabeth Shue, Djimon Hounsou, and Halle Berry, The Power of the Actor guides you to dynamic and effective results. For many of today’s major talents, the Chubbuck Technique is the leading edge of acting for the twenty-first century. Ivana Chubbuck has developed a curriculum that takes the theories of the acting masters, such as Stanislavski, Meisner, and Hagen, to the next step by utilizing inner pain and emotions, not as an end in itself, but rather as a way to drive and win a goal. In addition to the powerful twelve-step process, the book takes well-known scripts, both classic and contemporary, and demonstrates how to precisely apply Chubbuck’s script-analysis process. The Power of the Actor is filled with fascinating and inspiring behind-the-scenes accounts of how noted actors have mastered their craft and have accomplished success in such a difficult and competitive field.

In Mythic Imagination and the Actor, Marissa Chibás draws on over three decades of experience as a Latinx actor, writer, filmmaker, and teacher to offer an approach to acting that embraces collective imagination, archetypal work, and the mythic. The book begins with a comparative analysis between method acting and mythic acting, encouraging actors to push past the limits of singular life experience and move to a realm where imagination and metaphor thrive. In the context of mythic acting, the book explores awareness work, solo performance creation, the power of archetypes, character building exercises, creating a body/text connection, and how to be the detective of your own process. Through this inclusive guide for a new age of diverse performers traversing gender, ability, culture, and race, readers are able to move beyond their limits to a deep engagement with the infinite possibilities of rich imagination. The final chapter empowers and motivates artists to live healthfully within the practice and create a personal artistic vision plan. Written for actors and students of acting, American Drama, and film and theatre studies, Mythic Imagination and the Actor provides practical exercises and prompts to unlock and interpret an actor’s deepest creative sources.

"The Improvisation Technique is then applied to exercises with scripted lines, developing sophisticated improvisation skills for enhancing character, emotions, conflict, and agreement as well as improving the actor's audition process. Also included is a unique process for breaking down scripted scenes into improvisation choices."--BOOK JACKET.

The Oxford Handbook of Organizational Citizenship Behavior provides a broad and interdisciplinary review of state-of-the-art research on organizational citizenship behaviors (OCBs), and related constructs such as contextual performance, spontaneous organizational behavior, prosocial behavior, and proactive behavior in the workplace. Contributors address the conceptualization and measurement of OCBs; the antecedents, correlates, and consequences of these behaviors; and the methodological issues that are common when studying OCBs. In addition, this handbook pushes future scholarship in this and related areas by identifying substantive questions, methods, and issues for future research. The result is a single resource that will inform and inspire scholars, students, and practitioners of the origins of this construct, the current state of research on this topic, and potentially exciting avenues for future exploration. This handbook is designed to meet the needs of a broad spectrum of researchers and advanced undergraduate and graduate students in a variety of disciplines including management, organizational behavior, human resources management, and industrial and organizational psychology, as well as those interested in studying citizenship behavior in a variety of organizational contexts including marketing, nursing, engineering, sports, and education.

“A refreshing and enlightening new perspective on what it means to be powerful.”—Susan Cain, bestselling author of Quiet We all know what it looks like to use power badly. But how much do we really know about how to use power well? There is so much we get wrong about power: who has it, what it looks like, and the role it plays in our lives. Grounded in over two decades’ worth of scientific research and inspired by the popular class of the same name at Stanford’s Graduate School of Business, Acting with Power offers a new and eye-opening paradigm that overturns everything we thought we knew about the nature of power. Although we all feel powerless sometimes, we have more power than we tend to believe. Power exists in every relationship, not just at the top of big institutions. It isn’t merely a function of status or hierarchy, either. It’s about how much we are needed and how well we take care of other people. We often assume that power flows to those with the loudest voice or the most commanding presence. But, in fact, true power is often much quieter and more deferential than we realize. Moreover, it’s not just how much power we have but how we use it that determines how powerful we actually are. Actors aren’t the only ones who play roles for a living. We all make choices about how to use the power that comes with our given circumstances. We aren’t always cast in the roles we desire—or the ones we feel prepared to play. Some of us struggle to step up and be taken more seriously, while others have trouble standing back and ceding the spotlight. In Acting with Power, Deborah Gruenfeld shows how we can get more comfortable with power by adopting an actor’s mindset. Because power isn’t a personal attribute. It’s a part we play in someone else’s story.