Truth In A Mask

High above the city, a young guardian searches for the enemy...and finds love. In a city rife with evil, masked protectors secretly watch over the inhabitants, keeping the citizens safe while hiding their own identity. One young Sentinel, however, violates her oath and loses her heart to the woman she is charged to protect. By day, Pagan Osborne is a shy security specialist working in the family business. By night, as a Sentinel, she fulfils a greater family legacy and battles the criminals who threaten Chastilian's peace. Erith Baylor, a fiery young woman with her own secrets to hide, is drawn to Pagan's quiet charm and silent strength. But with so many secrets between them, their attraction could break the ties of family and finally reveal the truth behind the mask.

The Truth of Masks is an essay written by Oscar Wilde, first publisched in 1886. This work speaks about the power and necessity of illusion in Shakespeare's plays and the importance of the costumes. He goes on and on about it, and then ends the essay with the following statement: "Not that I agree with everything that I have said in this essay. There is much with which I entirely disagree. The essay simply represents an artistic standpoint, and in aesthetic criticism attitude is everything. For in art there is no such thing as a universal truth. A Truth in art is that whose contradictory is also true. And just as it is only in art- criticism, and through it, that we can apprehend the Platonic theory of ideas, so it is only in art-criticism, and through it, that we can realise Hegel's system of contraries. The truths of metaphysics are the truths of masks." Oscar Wilde (1854-1900) was an Irish poet and dramatist, famous for The Importance of Being Earnest and The Picture of Dorian Gray. His controversial, open lifestyle was the reason he was charged and eventually convicted for the crime of sodomy.

No study of modern theater is complete without a thorough understanding of the enormous influence of visionary genius Edward Gordon Craig. Born in England in 1872, Craig went on to become famous world-wide as an actor, manager, director, playwright, designer, and most importantly an author and theorist, whose books were translated into German, Russian, Japanese, Dutch, Hungarian, and Danish. Although an essential parallel to the European avant-garde, Craig was often read as "exceptional" and highly innovative in his native Britain, thus, The Mask not only appears as Craig's main cosmopolitan project but also at times functions as a surrogate stage for his experiments in theater practice. The book has a comprehensive chronology, extensive notes and a bibliography making it an essential text for undergraduates, postgraduates, actors, theatre professionals, designers, directors, researchers and writers in the fields of theatre studies (especially theater set and lighting) and theater history.

"I believe that the world is waiting for Christians to stand up and be the sons of God we profess to be and that it wants to know that our God is God." - Janice Stricklin Romans 8:19 says: "For the creation waits in eager expectation for the children of God to be revealed." Now more than ever, Christians must daily, live out who we really are. We represent Jesus, who is the only hope in this time of worldwide chaos. He holds the answers to the questions the world is asking, we know the truth that brings freedom, but before we can lead others to this truth, we must be walking in it ourselves. Take off the Mask and Live is a door to walking in that truth. Using Scripture and principles from the Bible, Take off the Mask and Live helps you to identify and remove blocks or hindrances to living in the freedom and power that God intended for you by peeling back the layers and revealing who you really are.

Oscar Wilde is more than a name, more than an author. From precocious Oxford undergraduate to cause celebre of the West End of the 1890s, to infamous criminal, the proper name Wilde has become an event in the history of literature and culture. Taking Wilde seriously as a philosopher in his own right, Whiteley's groundbreaking book places his texts into their philosophical context in order to show how Wilde broke from his peers, and in particular from idealism, and challenges recent neo-historicist readings of Wilde which seem content to limit his irruptive power. Using the paradoxical concept of the simulacrum to resituate Wilde's work in relation to both his precursors and his contemporaries, Whiteley's study reads Wilde through Deleuze and postmodern philosophical commentary on the simulacrum. In a series of striking juxtapositions, Whiteley challenges us to rethink both Oscar Wilde's aesthetics and his philosophy, to take seriously both the man and the mask. His philosophy of masks is revealed to figure a truth of a different kind - the simulacra through which Wilde begins to develop and formulate a mature philosophy that constitutes an ethics of joy.

This third book in the trilogy, The Meanaing of Three: Under the Mask focuses on the mystical, magical, mysterious essence that resides in each of us, but few of us ever know is there. Through her personal story, she communicates transpersonal truths that support the reader in releasing the mask, which is our false identity and what is behind the mask, which is what we, too often, are afraid we are. And through this book, she supports the reader in discovering the amazing being that we are Under the Mask