Tuesday Nights In 1980

Welcome to SoHo at the onset of the eighties: a gritty, not-yet-gentrified playground for artists and writers looking to make it in the big city. Among them: James Bennett, a synaesthetic art critic for The New York Times whose unlikely condition enables him to describe art in profound, magical ways, and Raul Engales, an exiled Argentinian painter running from his past and the Dirty War that has enveloped his country. As the two men ascend in the downtown arts scene, dual tragedies strike, and each is faced with a loss that acutely affects his relationship to life and to art. It is not until they are inadvertently brought together by Lucy Olliason?a small town beauty and Raul's muse?and a young orphan boy sent mysteriously from Buenos Aires, that James and Raul are able to rediscover some semblance of what they've lost.

“An intoxicating Manhattan fairy tale…As affecting as it is absorbing. A thrilling debut.” —Kirkus Reviews (starred review) “A vital, sensuous, edgy, and suspenseful tale of longing, rage, fear, compulsion, and love.” —Booklist (starred review) A transcendent debut novel that follows a critic, an artist, and a desirous, determined young woman as they find their way—and ultimately collide—amid the ever-evolving New York City art scene of the 1980s. Welcome to SoHo at the onset of the eighties: a gritty, not-yet-gentrified playground for artists and writers looking to make it in the big city. Among them: James Bennett, a synesthetic art critic for the New York Times whose unlikely condition enables him to describe art in profound, magical ways, and Raul Engales, an exiled Argentinian painter running from his past and the Dirty War that has enveloped his country. As the two men ascend in the downtown arts scene, dual tragedies strike, and each is faced with a loss that acutely affects his relationship to life and to art. It is not until they are inadvertently brought together by Lucy Olliason—a small town beauty and Raul’s muse—and a young orphan boy sent mysteriously from Buenos Aires, that James and Raul are able to rediscover some semblance of what they’ve lost. As inventive as Jennifer Egan's A Visit From The Goon Squad and as sweeping as Meg Wolitzer's The Interestings, Tuesday Nights in 1980 boldly renders a complex moment when the meaning and nature of art is being all but upended, and New York City as a whole is reinventing itself. In risk-taking prose that is as powerful as it is playful, Molly Prentiss deftly explores the need for beauty, community, creation, and love in an ever-changing urban landscape.

This “enthralling” (The New York Times Book Review) and “introspective, energetic novel” (Booklist) explores what it means to be a woman in her many forms—daughter, friend, partner, lover, and mother—from the acclaimed author of Tuesday Nights in 1980. Emily writes for women’s catalogs for a living, but she’d rather be writing books. She has a handsome photographer boyfriend, but she actively wonders how and when they will eventually hurt each other. Her best work friend was abruptly laid off. When her world is further upended by an unplanned pregnancy, Emily is forced to make tough decisions that will change her life forever. What will she sacrifice from her old life to make room for a new one? What fires will she be forced to extinguish, and which will keep burning? Old Flame is an essential, “warmhearted, and luminous page-turner about desire, time, love, parenthood, work, and art in women’s lives” (Sophie McManus, author of The Unfortunates).

Robert Parrish’s childhood obsession with series books like the Hardy Boys and Tom Swift inspired him to become an author. Just as his debut novel becomes a bestseller, his relationship with his girlfriend, Rebecca, begins to fall apart. Robert realizes he must confront his secret demons by fulfilling a youthful promise to solve a mystery surrounding his favorite series—the Tremendous Trio. Guided by twelve tattered books and an unidentified but tantalizing fragment of a story, Robert journeys into the history of the books that changed his life, hoping they can help him once again. His odyssey takes him to 1906 Manhattan, a time of steamboats, boot blacks, and Fifth Avenue mansions, but every discovery he makes only leads to more questions. Robert’s quest intertwines with the stories of three young people trying to define their places in the world at the dawn of a new and exciting century. Magda, Gene, and Tom not only write the children’s books that Robert will one day love, together they explore the vibrant city on their doorstep, from the Polo Grounds to Coney Island’s Dreamland, drawing the reader into the Gilded Age as their own friendships deepen. The connections between the authors, their creations, and Robert’s redemptive journey make for a beautifully crafted novel that is an ode to the children’s series books of our past, to New York City, and above all, to the power of love and friendship.

NOW A NATIONAL INDIE BESTSELLER “Transporting...witty, poignant and sparkling.” —People (People Picks Book of the Week) “Prescient and quick....A perfect fusing of subject and writer, idea and ideal.” —Chicago Tribune “Extraordinary...hilarious...Elegantly written, Rooney creates a glorious paean to a distant literary life and time—and an unabashed celebration of human connections that bridge past and future. —Publishers Weekly (starred and boxed) "Rooney's delectably theatrical fictionalization is laced with strands of tart poetry and emulates the dark sparkle of Dorothy Parker, Edna St. Vincent Millay, and Truman Capote. Effervescent with verve, wit, and heart, Rooney’s nimble novel celebrates insouciance, creativity, chance, and valor." —Booklist (starred review) “In my reckless and undiscouraged youth,” Lillian Boxfish writes, “I worked in a walnut-paneled office thirteen floors above West Thirty-Fifth Street...” She took 1930s New York by storm, working her way up writing copy for R.H. Macy’s to become the highest paid advertising woman in the country. It was a job that, she says, “in some ways saved my life, and in other ways ruined it.” Now it’s the last night of 1984 and Lillian, 85 years old but just as sharp and savvy as ever, is on her way to a party. It’s chilly enough out for her mink coat and Manhattan is grittier now—her son keeps warning her about a subway vigilante on the prowl—but the quick-tongued poetess has never been one to scare easily. On a walk that takes her over 10 miles around the city, she meets bartenders, bodega clerks, security guards, criminals, children, parents, and parents-to-be, while reviewing a life of excitement and adversity, passion and heartbreak, illuminating all the ways New York has changed—and has not. A love letter to city life in all its guts and grandeur, Lillian Boxfish Takes a Walk by Kathleen Rooney paints a portrait of a remarkable woman across the canvas of a changing America: from the Jazz Age to the onset of the AIDS epidemic; the Great Depression to the birth of hip-hop. Lillian figures she might as well take her time. For now, after all, the night is still young.

From the undisputed master of modern American horror: His first collection of short stories showcases the darkest depths of his brilliant imagination and will "chill the cockles of many a heart" (Chicago Tribune). • INCLUDES THE STORY “THE BOOGEYMAN” – NOW A MAJOR MOTION PICTURE FROM 20th CENTURY STUDIOS Originally published in 1978, Night Shift is the inspiration for over a dozen acclaimed horror movies and television series, including Children of the Corn, Chapelwaite, and Lawnmower Man. Here we see mutated rats gone bad (“Graveyard Shift”); a cataclysmic virus that threatens humanity (“Night Surf,” the basis for The Stand); a possessed, evil lawnmower (“The Lawnmower Man”); unsettling children from the heartland (“Children of the Corn”); a smoker who will try anything to stop (“Quitters, Inc.”); a reclusive alcoholic who begins a gruesome transformation (“Gray Matter”); a man convinced that a crack in the closet is responsible for the murder of his children ("The Boogeyman"); and many more shadows and visions that will haunt you long after the last page is turned.

As the 1970s gave way to the 80s, New York's party scene entered a ferociously inventive period characterized by its creativity, intensity, and hybridity. Life and Death on the New York Dance Floor chronicles this tumultuous time, charting the sonic and social eruptions that took place in the city’s subterranean party venues as well as the way they cultivated breakthrough movements in art, performance, video, and film. Interviewing DJs, party hosts, producers, musicians, artists, and dancers, Tim Lawrence illustrates how the relatively discrete post-disco, post-punk, and hip hop scenes became marked by their level of plurality, interaction, and convergence. He also explains how the shifting urban landscape of New York supported the cultural renaissance before gentrification, Reaganomics, corporate intrusion, and the spread of AIDS brought this gritty and protean time and place in American culture to a troubled denouement.