Tuscan Sculpture Of The Fifteenth Century

Reproduction of the original: Tuscan Sculpture of the Fifteenth Century by Estelle M. Hurll

"Tuscan Sculpture of the Fifteenth Century" by Estelle M. Hurll. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

Tuscan sculpture of the fifteenth century From Estelle M Hurll

"[...]1868; and finally the volume which unites and revises the material of both earlier works, "Historical Handbook of Italian Sculpture," New York, 1883. The recent work of Marcel Reymond, "La Sculpture Florentine," Florence, 1898, has been heartily welcomed by students of all nationalities. It consists of four volumes, all well illustrated, devoted respectively to: [...]."

This is an art book that presents a collection of sixteen pictures of Tuscan sculptures from the fifteenth century. The book includes works by famous artists such as Donatello, the della Robbia, and Mina da Fiesole. Each picture is accompanied by a brief description and analysis of the sculpture's style, history, and significance. The book is a must-have for art lovers and historians alike. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from Tuscan Sculpture of the Fifteenth Century: A Collection of Sixteen Pictures, Reproducing Works by Donatello, the Della Robbia, Mino Da Fiesole, and Others, With Introduction and Interpretation This little collection is intended as a companion volume to "Greek Sculpture," a previous issue of the Riverside Art Series. The two sets of pictures, studied side by side, illustrate clearly the difference in the spirit animating the two art periods represented. The Tuscan sculpture of the Renaissance was developed under a variety of forms, of which as many as possible are included in the limits of our book: the equestrian statue, the sepulchral monument, the ideal statue of saint and hero, as well as various forms of decorative art applied to the beautifying of churches and public buildings both without and within. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

"Tuscan Sculpture of the Fifteenth Century" from Estelle May Hurll. Student of aesthetics, wrote a series of popular aesthetic analyses of art in the early twentieth century (1863-1924).

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.