Twenty One Days To Baghdad

"Reuters, the international news agency, provides a historic and invaluable account of how the war against Saddam Hussein unfolded in its latest book, Twenty-One Days to Baghdad: A Chronicle of the Iraq War. A day-by-day chronicle assembles more than 100 pictures - from the decks of the American aircraft carriers in the Gulf to the heat of battle in the Iraqi desert, and finally to the streets of Baghdad and Saddam's collapse."--BOOK JACKET.

Over time the impression has grown that the 2003 invasion of Iraq met with little resistance and that, with few exceptions, the Iraqi army simply melted away. As this book clearly shows, nothing could be further from the truth. In its drive to capture Baghdad, the U.S. Army's 3rd Infantry Division was in nearly constant combat for twenty-one days. While Americans were watching Saddam's statue being torn down on TV, a brigade of the 3rd ID was on the verge of being overrun by Iraqi Republican Guard units trying to escape north. Told to hold two bridges in his sector, a brigade commander had to blow up one of them because he did not have the combat power to hold it. The company commander holding the other bridge was so hard pressed that he called on the artillery to fire their final protective fires a command made only when a unit is in mortal danger and one that had not been given since Vietnam. Every one of the division's armored vehicles was hit by rockets some taking more than a dozen hits and the fighting was so fierce at times that entire battalions ran out of ammunition. Nevertheless, when the fighting was finally over, the 3rd ID had destroyed two Iraqi Regular Army divisions and three divisions of the much vaunted Republican Guard. Takedown tells the little-known story of what happened to the 3rd ID during its struggle to win Baghdad, a campaign that some call one of the most vicious in American military history. To offer this firsthand account, Jim Lacey, a former Time magazine reporter embedded with the 1st Brigade of the 101st Airborne Division, draws on extensive interviews that he conducted with the American soldiers involved as well as access to personal papers and war memoirs. This story is also enriched through his extensive use of interview transcripts of senior Iraqi army officers along with their personal written recollections. From the Kuwaiti border to the streets of Baghdad, these dramatic eyewitness descriptions of what went on give readers an accurate look at the brutal engagements in which the division fought for its life. In making use of such a wealth of primary source material, Lacey has succeeded in writing a fast paced narrative of the conflict, backed up by verifiable facts, that shows how modern wars are really fought.

Chronicles the twenty-one day push of U.S. and British forces from the Kuwait-Iraq border to the streets of Baghdad through photographs of battlefields, coalition forces, and Iraqi civilians.

An on-the-ground commander describes his brigade's first year in Iraq after the U.S. forces seized Baghdad in the spring of 2003, and explains what went right and wrong as the U.S. military confronted an insurgency, in a firsthand analysis of success and failure in Iraq.

"The best book to have been written about the Vietnam War" (The New York Times Book Review); an instant classic straight from the front lines. From its terrifying opening pages to its final eloquent words, Dispatches makes us see, in unforgettable and unflinching detail, the chaos and fervor of the war and the surreal insanity of life in that singular combat zone. Michael Herr’s unsparing, unorthodox retellings of the day-to-day events in Vietnam take on the force of poetry, rendering clarity from one of the most incomprehensible and nightmarish events of our time. Dispatches is among the most blistering and compassionate accounts of war in our literature.

In January 2003 Åsne Seierstad entered Baghdad on a ten-day visa. She was to stay for over three months, reporting on the war and its aftermath. A Hundred and One Days is her compelling account of a city under siege, and a fascinating insight into the life of a foreign correspondent. An award-winning writer, Seierstad brilliantly details the frustrations and dangers journalists faced trying to uncover the truth behind the all-pervasive propaganda. She also offers a unique portrait of Baghdad and its people, trying to go about their daily business under the constant threat of attack. Seierstad's passionate and erudite book conveys both the drama and the tragedy of her one hundred and one days in a city at war.

Since the fall of Bagdad, women’s voices have been largely erased, but four months after Saddam Hussein’s statue fell, a 24 year-old woman from Baghdad began blogging. In 2003, a twenty-four-year-old woman from Baghdad began blogging about life in the city under the pseudonym Riverbend. Her passion, honesty, and wry idiomatic English made her work a vital contribution to our understanding of post-war Iraq—and won her a large following. Baghdad Burning is a quotidian chronicle of Riverbend’s life with her family between April 2003 and September of 2004. She describes rolling blackouts, intermittent water access, daily explosions, gas shortages and travel restrictions. She also expresses a strong stance against the interim government, the Bush administration, and Islamic fundamentalists like Al Sadr and his followers. Her book “offers quick takes on events as they occur, from a perspective too often overlooked, ignored or suppressed” (Publishers Weekly). “Riverbend is bright and opinionated, true, but like all voices of dissent worth remembering, she provides an urgent reminder that, whichever governments we struggle under, we are all the same.” —Booklist “Feisty and learned: first-rate reading for any American who suspects that Fox News may not be telling the whole story.” —Kirkus

'A Hundred and One Days' is a fascinating and insightful account of the Iraq War. The author details the frustrations and dangers journalists faced trying to uncover the truth behind the all-pervasive propaganda, as well as a portrait of Baghdad and its people.