Twilight Of The Godlings

A bold and field-defining exploration of the cultural and religious origins of Britain's small gods, fairies and other supernatural beings.

Throughout the recorded history of Britain, belief in earthbound spirits presiding over nature, the home and human destiny has been a feature of successive cultures. From the localised deities of Britannia to the Anglo-Saxons' elves and the fairies of late medieval England, Britain's godlings have populated a shadowy, secretive realm of ritual and belief running parallel to authorised religion. Twilight of the Godlings delves deep into the elusive history of these supernatural beings, tracing their evolution from the pre-Roman Iron Age to the end of the Middle Ages. Arguing that accreted cultural assumptions must be cast aside in order to understand the godlings – including the cherished idea that these folkloric creatures are the decayed remnants of pagan gods and goddesses – this bold, revisionist book traces Britain's 'small gods' to a popular religiosity influenced by classical learning. It offers an exciting new way of grasping the island's most mysterious mythical inhabitants.

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Across America today, conservatism is being hotly debated both across the political spectrum and within the conservative movement itself. Much of the public debate is without definition or historical context. This history of conservatism by renowned historian, social critic, and poet Peter Viereck aims to meet the need for a concise, balanced picture of conservative thought in all its different shadings and cultural contexts.The analytical portion of the book provides a succinct but thorough critical overview of conservatism's most representative figures. Viereck begins with chapters defining conservatism itself, its special technical terms, and its changing historical circumstances. The rest deals with its actual thinkers and statesmen. After each main conservative thesis, the anti-conservative rebuttal is summarized, and the reader is allowed to reach his own conclusions. Though the first stress is on conservative political philosophy (from John Adams to Churchill), key sections also stress non-political conservatism: in religion (Cardinal Newman) and in the primarily cultural protest against material progress (Coleridge, Dostoyevsky, Melville, Henry Adams).Every major point is concretely illustrated by an appended cross-reference to a primary source in the second half, a well-chosen anthology of key conservative documents. Criteria for inclusion are three, representativeness, depth of perception, importance of influence. The result is not uniformity but a gamut: from extreme intolerant reaction to an evolutionary moderate spirit. The former passes imperceptibly into authoritarianism; the latter, into liberalism.

Rachel only wants to spend time with her best friend and enjoy the rest of her high school days. But despite her efforts, she keeps running into trouble that is linked to Liam, the new transfer student from out of town. When a series of life-threatening tragedies occur around the two of them, but they somehow survive, Rachel learns that all isn’t quite as it seems in her life and the world. And when two mysterious men start chasing after her and Liam, Rachel cannot deny the truth any longer. Something is different with her and either she needs to face that she’s had a mental break or that she’s stumbled upon innate abilities that’s given her god-like powers. Unable to run from the truth any longer, Rachel’s awakening will change her world forever.

Dangerous Characters is about people of all kinds, stuck with their unique personalities and trying to negotiate their ways through lifes bramble strewn path. As intellectual historians, psychologists of love, and psychotherapists, Elaine Hatfield and Richard L. Rapson bring to bear their sharp and wry observations upon a constellation of vivid characters.

The saga of the Choosers of the Slain continues. Battle-lord Odin is amassing all his divine power against rebellious Brynhild and Thora, his former Valkyries. He has done everything he can to drive a wedge between the two friends and battle mates: He encouraged Thora's children to murder Brynhild's lover Siegfried and vengeance is due-if Brynhild can bring herself to live through her own grief. Working to save their children from the War Lord's hands brings them together, as does a new threat from the east: Attila and his Huns. Can old crones' wisdom and magic stand against the Gods and renew the world?