Two Cities

From acclaimed poet and New Yorker writer Cynthia Zarin comes a deeply personal meditation on two cities, Venice and Rome—each a work of art, both a monument to the past—and on how love and loss shape places and spaces. Here we encounter a writer deeply engaged with narrative in situ—a traveler moving through beloved streets, sometimes accompanied, sometimes solo. With her, we see, anew, the Venice Biennale, the Lagoon, and San Michele, the island of the dead; the Piazza di Spagna, the Tiber, the view from the Gianicolo; the pigeons at San Marco and the parrots in the Doria Pamphili. As a poet first and foremost, Zarin’s attention to the smallest details, the loveliest gesture, brings Venice and Rome vividly to life for the reader. The sixteenth book in the expanding, renowned ekphrasis series, Two Cities creates space for these two historic cities to become characters themselves, their relationship to the writer as real as any love affair.

A Tale of Two Cities (1859) is the second historical novel by Charles Dickens, set in London and Paris before and during the French Revolution. It depicts the plight of the French proletariat under the brutal oppression of t+E3he French aristocracy in the years leading up to the revolution, and the corresponding savage brutality demonstrated by the revolutionaries toward the former aristocrats in the early years of the revolution. It follows the lives of several protagonists through these events, most notably Charles Darnay, a French once-aristocrat who falls victim to the indiscriminate wrath of the revolution despite his virtuous nature, and Sydney Carton, a dissipated English barrister who endeavours to redeem his ill-spent life out of love for Darnay's wife, Lucie Manette.

Strong-willed Firian Kess can create reality from his imagination, which earns him a spot in the elite Tanyuin Academy. His path collides with Kiria Arioc, spirited heir to a throne of the Western Kingdom, who, despite having abilities of her own, doubts her ability to lead. To succeed, they must navigate enemies, intrigue, and their own demons.

The prevailing narrative of human history, given to us as children and reinforced constantly through our culture, is the plot of progress. As the narrative goes, we progressed from tyranny to freedom, from superstition to science, from poverty to wealth, from darkness to enlightenment. This is modernity’s origin myth. Out of it, a consensus has emerged: part of human progress is the overcoming of religion, in particular Christianity, and that the world itself is fundamentally secular. In The Two Cities: A History of Christian Politics, Andrew Willard Jones rewrites the political history of the West with a new plot, a plot in which Christianity is true, in which human history is Church history. The Two Cities moves through the rise and fall of empires; cycles of corruption and reform; the rise and fall of Christendom; the emergence of new political forms, such as the modern state, and new political ideologies, such as liberalism and socialism; through the horrible destruction of modern warfare; and on to the plight of contemporary Christians. These movements of history are all considered in light of their orientation toward or away from God. The Two Cities advances a theory of Christian politics that is both an explanation of secular politics and a proposal for Christians seeking to navigate today’s most urgent political questions.

While Quebec is well known for its provincial-level party politics and thriving nationalism, voting behaviour and electoral campaigning at the municipal level have failed to gain much attention to date. Voting in Quebec Municipal Elections seeks to transform the state of municipal elections research in Quebec through a systematic study of the 2017 Montreal and Quebec City elections. Drawing upon data from the Canadian Municipal Election Study, the authors demonstrate not only the importance of Quebec municipal politics, but the many ways that municipal elections research can inform our broader understanding of voting behaviour in the province. This volume considers the features particular to the Quebec local context, such as the importance of language and nationalism, the effects of local party labels for down-ballot races, and the role of ideology. Voting in Quebec Municipal Elections represents the largest-ever collection of work on local elections in the province’s history, making a significant contribution to our understanding of the municipal voter in Quebec.

In his 1989 book on Balthus—the storied and controversial artist who worked in Paris throughout the twentieth century—Guy Davenport gives one of the most nuanced, literary, and compelling readings of the work of this master. Reading it today highlights the change in perspectives on sexuality and nudity in art in the past thirty years. Written over several years in his notebooks, Davenport’s distinct reflections on Balthus’s paintings try to explain why his work is so radical, and why it has so often come under scrutiny for its depiction of girls and women. Davenport throws the lens back on the viewer and asks: is it us or Balthus who reads sexuality into these paintings? For Davenport, the answer is clear: Balthus may indeed show us periods in adolescent development that are uncomfortable to view, but the eroticization exists primarily on the part of the viewer. Arguing that Balthus’s figures are erotic only if we make them so, and that their innocence is more present than anything pornographic in them, Davenport posits that the paintings hold up a mirror to our own perversities and force us, difficultly, to confront them. He writes, “The nearer an artist works to the erotic politics of his own culture, the more he gets its concerned attention. Gauguin’s naked Polynesian girls, brown and remote, escape the scandal of Balthus’s, although a Martian observer would not see the distinction.” Davenport’s critique helps us understand Balthus in our times—something we need more than ever as we crucially confront sexual politics in visual art.

The Hyksos drive south into the Nile Valley, sweeping all resistance aside. Bebi and Sobekhotep, grandsons of Harrubaal, assume command of the loyal Egyptian army and strive to stem the flood of Hyksos conquest. But even the cities of the south are divided against themselves. Abdju, an old capital city of Egypt reasserts itself, putting forward a line of kings of its own, and soon the city is at war with Waset, the southern capital of the Nile Valley, as the two cities fight for supremacy in the face of the advancing northern enemy. Caught up in the turmoil of warring nations, the ordinary people of Egypt must fight for their own survival as well as that of their kingdom.

Refusing to cast gangs in solely criminal terms, Robert J. Durán, a former gang member turned scholar, recasts such groups as an adaptation to the racial oppression of colonization in the American Southwest. Developing a paradigm rooted in ethnographic research and almost two decades of direct experience with gangs, Durán completes the first-ever study to follow so many marginalized groups so intensely for so long, revealing their core characteristics, behavior, and activities within two unlikely American cities. Durán spent five years in Denver, Colorado, and Ogden, Utah, conducting 145 interviews with gang members, law enforcement officers, prosecutors, and other related individuals. From his research, he constructs a comparative outline of the emergence and criminalization of Latino youth groups, the ideals and worlds they create, and the reasons for their persistence. He also underscores the failures of violent gang suppression tactics, which have only further entrenched these groups within the barrio. Encouraging cultural activists and current and former gang members to pursue grassroots empowerment, Durán proposes new solutions to racial oppression that challenge and truly alter the conditions of gang life.