Unburied Bodies

Title on title page verso and throughout the book is "Unburied Bodies."

Today, almost a generation has passed since the Iran–Iraq war and the memory of it is set to diminish with each passing generation. The following questions emerge. Can we say that the gradual disappearance of war’s memory means that, increasingly, Iranians will see the Iran–Iraq war solely as an historical event? How can we defend or reject this idea? Today, with which elements and values should we look at the Iran–Iraq war memorials and ceremonies? To what extent will war museums and materials culture be influenced by these new values? In the period during and immediately after the Iran–Iraq war (1980-88), national bereavement and commemoration of martyrs was neither apparent in common state policy nor a social need. Even at the turn of the 21st century, anyone walking through Iranian cities, many of which had been the main scene of the bloody massacre and direct targets of the Iraqi Republican Guard, will have found traces of the terrible, almost unimaginable, human losses. However, today’s Iranians can see modern war memorials and monuments in many parts of the urban and rural landscape. Yet, at the same time, the changing landscape has separated Iranians from such remnants of the violence. It can be argued that many people, in their wish to look forward to a more hopeful future, do not wish to be reminded of this period in Iranian history. This book was originally published as a special issue of Visual Anthropology.

The human body is the locus of meaning, personhood, and our sense of the possibility of sanctity. The desecration of the human corpse is a matter of universal revulsion, taboo in virtually all human cultures. Not least for this reason, the unburied corpse quickly becomes a focal point of political salience, on the one hand seeming to express the contempt of state power toward the basic claims of human dignity—while on the other hand simultaneously bringing into question the very legitimacy of that power. In Unburied Bodies: Subversive Corpses and the Authority of the Dead, James Martel surveys the power of the body left unburied to motivate resistance, to bring forth a radically new form of agency, and to undercut the authority claims made by state power. Ranging across time and space from the battlefields of ancient Thebes to the streets of Ferguson, Missouri, and taking in perspectives from such writers as Sophocles, Machiavelli, Walter Benjamin, Hannah Arendt, James Baldwin, Judith Butler, Thomas Lacqueur, and Bonnie Honig, Martel asks why the presence of the abandoned corpse can be seen by both authorities and protesters as a source of power, and how those who have been abandoned or marginalized by structures of authority can find in a lifeless body fellow accomplices in their aspirations for dignity and humanity.

The murder of a small-time Scottish hoodlum makes big trouble for two Glasgow detectives in a thriller that’ll “wake up crime fiction readers everywhere” (Val McDermid). When a neighborhood heroin dealer turns up dead one fine morning in Scotland, no one is too surprised. Sleeping with a major drug trafficker’s girlfriend can bring around plenty of enemies. It’s no wonder that Detective Superintendent Catherine McLeod has plenty of early leads. If only out-of-work actress Jasmine Sharp could get a lead. With a career in nosedive, she’s learning the ropes at her uncle Jim’s PI business. But when Jim goes missing, Sharp is thrown into the deep end. To find him she’ll have to solve his most recent case—and do it solo. Following the trail quickly leads Sharp into the crosshairs of an unknown assailant—and headed down the same road as McLeod. When their investigations become intertwined, “Glasgow’s mean streets come alive . . . [in] one of the best novels of the year” (John Lutz, New York Times–bestselling and Edgar award–winning author). “[For] fans of Lynda La Plante’s Prime Suspect series and HBO’s The Wire.” —Library Journal “Tough Scottish humor . . . leavened with Elmore Leonard-like flourishes . . . finely controlled yet exuberant mayhem.” —The Christian Science Monitor

Fox Hollow Farm, a lush million-dolar suburban Indianapolis estate, had 18 acres of lawns, a fabulous swimming pool...and thousands of human bones buried in the yard. The piles of dismembered skeletons belonged to young men who has disappeared from the gay bars and cruising sites of this Midwest city. Their killer was Herb Baumeister, a beloved father and successful businessman who led a deadly double life. And until the day his son dug up a buried skull, Herb's pretty wife Julie never dreamed he was Indian's worst serial killer. She didn't know about the bizarre sexual encounters Herb held at the house when she went away with their kids...or about the brutal cravings that led him to kill. In this riveting account, two veteran journalists tell the uncensored story of Herb Baumeister--taking you into a psychopath's dark obsession to meet his victims, to witness the rituals of sex and death he forced his victims to perform, and to find out how this gruesome killing sprees finally--shockingly--came to an end...

The first full study of corpse mistreatment and funeral violation in Greco-Roman epic poetry, illuminating many major texts.

The New York Times bestselling author of The Westies and Paddy Whacked offers a front-row seat at the trial of Whitey Bulger, and an intimate view of the world of organized crime—and law enforcement—that made him the defining Irish American gangster. For sixteen years, Whitey Bulger eluded the long reach of the law. For decades one of the most dangerous men in America, Bulger—the brother of influential Massachusetts senator Billy Bulger—was often romanticized as a Robin Hood-like thief and protector. While he was functioning as the de facto mob boss of New England, Bulger was also serving as a Top Echelon informant for the FBI, covertly feeding local prosecutors information about other mob figures—while using their cover to cleverly eliminate his rivals, reinforce his own power, and protect himself from prosecution. Then, in 2011, he was arrested in southern California and returned to Boston, where he was tried and convicted of racketeering and murder. Our greatest chronicler of the Irish mob in America, T. J. English covered the trial at close range—by day in the courtroom, but also, on nights and weekends, interviewing Bulger’s associates as well as lawyers, former federal agents, and even members of the jury in the backyards and barrooms of Whitey’s world. In Where the Bodies Were Buried, he offers a startlingly revisionist account of Bulger’s story—and of the decades-long culture of collusion between the Feds and the Irish and Italian mob factions that have ruled New England since the 1970s, when a fateful deal left the FBI fatally compromised. English offers an authoritative look at Bulger’s own understanding of his relationship with the FBI and his alleged immunity deal, and illuminates how gangsterism, politics, and law enforcement have continued to be intertwined in Boston. As complex, harrowing, and human as a Scorsese film, Where the Bodies Were Buried is the last word on a reign of terror that many feared would never end.