Where The Bodies Were Buried

The New York Times bestselling author of The Westies and Paddy Whacked offers a front-row seat at the trial of Whitey Bulger, and an intimate view of the world of organized crime—and law enforcement—that made him the defining Irish American gangster. For sixteen years, Whitey Bulger eluded the long reach of the law. For decades one of the most dangerous men in America, Bulger—the brother of influential Massachusetts senator Billy Bulger—was often romanticized as a Robin Hood-like thief and protector. While he was functioning as the de facto mob boss of New England, Bulger was also serving as a Top Echelon informant for the FBI, covertly feeding local prosecutors information about other mob figures—while using their cover to cleverly eliminate his rivals, reinforce his own power, and protect himself from prosecution. Then, in 2011, he was arrested in southern California and returned to Boston, where he was tried and convicted of racketeering and murder. Our greatest chronicler of the Irish mob in America, T. J. English covered the trial at close range—by day in the courtroom, but also, on nights and weekends, interviewing Bulger’s associates as well as lawyers, former federal agents, and even members of the jury in the backyards and barrooms of Whitey’s world. In Where the Bodies Were Buried, he offers a startlingly revisionist account of Bulger’s story—and of the decades-long culture of collusion between the Feds and the Irish and Italian mob factions that have ruled New England since the 1970s, when a fateful deal left the FBI fatally compromised. English offers an authoritative look at Bulger’s own understanding of his relationship with the FBI and his alleged immunity deal, and illuminates how gangsterism, politics, and law enforcement have continued to be intertwined in Boston. As complex, harrowing, and human as a Scorsese film, Where the Bodies Were Buried is the last word on a reign of terror that many feared would never end.

The murder of a small-time Scottish hoodlum makes big trouble for two Glasgow detectives in a thriller that’ll “wake up crime fiction readers everywhere” (Val McDermid). When a neighborhood heroin dealer turns up dead one fine morning in Scotland, no one is too surprised. Sleeping with a major drug trafficker’s girlfriend can bring around plenty of enemies. It’s no wonder that Detective Superintendent Catherine McLeod has plenty of early leads. If only out-of-work actress Jasmine Sharp could get a lead. With a career in nosedive, she’s learning the ropes at her uncle Jim’s PI business. But when Jim goes missing, Sharp is thrown into the deep end. To find him she’ll have to solve his most recent case—and do it solo. Following the trail quickly leads Sharp into the crosshairs of an unknown assailant—and headed down the same road as McLeod. When their investigations become intertwined, “Glasgow’s mean streets come alive . . . [in] one of the best novels of the year” (John Lutz, New York Times–bestselling and Edgar award–winning author). “[For] fans of Lynda La Plante’s Prime Suspect series and HBO’s The Wire.” —Library Journal “Tough Scottish humor . . . leavened with Elmore Leonard-like flourishes . . . finely controlled yet exuberant mayhem.” —The Christian Science Monitor

Fox Hollow Farm, a lush million-dolar suburban Indianapolis estate, had 18 acres of lawns, a fabulous swimming pool...and thousands of human bones buried in the yard. The piles of dismembered skeletons belonged to young men who has disappeared from the gay bars and cruising sites of this Midwest city. Their killer was Herb Baumeister, a beloved father and successful businessman who led a deadly double life. And until the day his son dug up a buried skull, Herb's pretty wife Julie never dreamed he was Indian's worst serial killer. She didn't know about the bizarre sexual encounters Herb held at the house when she went away with their kids...or about the brutal cravings that led him to kill. In this riveting account, two veteran journalists tell the uncensored story of Herb Baumeister--taking you into a psychopath's dark obsession to meet his victims, to witness the rituals of sex and death he forced his victims to perform, and to find out how this gruesome killing sprees finally--shockingly--came to an end...

Two National Forensic Science Institute administrators invite readers into what the Washington Post calls "the Harvard of hellish violence"-the only hands-on CSI school of its kind where students are trained in burial recovery with actual human remains. With exclusive access to a world normally off-limits to the public, this is the first book to go behind the scenes of the ten-week course that discloses the uncensored realities of burial exhumations and the fascinating art of forensic investigation.

The first book in the Jasmine Sharp series, from author Christopher Brookmyre. A 'tense, moving, and gloriously twisted' (Mark Billingham) top ten Sunday Times bestseller from the award-winning author of Quite Ugly One Morning Detective Catherine McLeod was always taught that in Glasgow, they don't do whodunit. They do score-settling, vendettas and petty revenge. And however she looks at it, the discovery of a dead drug-dealer in a back alley means she's going to be busy. Meanwhile, aspiring actress Jasmine Sharp is reluctantly - and incompetently - working for her uncle Jim's private investigation business. When Jim goes missing, Jasmine has to take on the investigator mantle for real, and her only lead points to a professional assassin who has been dead for twenty years. Soon Jasmine stumbles into a web of corruption and secrets that leaves her running for her life. '[A] smartly written mainstream detective story . . . Brookymre deftly twists one case around the other' Marilyn Stasio, New York Times Book Review 'A brainy, barbed noir, this book takes its time setting the scene and establishing its characters. Most of its violence occurs off the page. But with its contrasting characters . . . and skillfully orchestrated sense of bad things to come, the novel maintains a solid grip on the reader. Brookmyre isn't as well-known in the States as fellow Scottish mystery writers Ian Rankin, Val McDermid and Denise Mina, but this first-rate effort may change that' Kirkus Reviews (starred review)

17-year-old Carson believes his former “boyfriend,” Billy, didn’t commit suicide by jumping off a cliff and into the ocean. Billy’s sweater and suicide note might’ve been found, yet a body was never discovered. So, Carson befriends, and “dates” his classmate, Dean, on the possibility that Dean knows something about Billy’s death. Dean and Billy both belonged to the same community service club (Charity Now) where Billy devoted his time to. Clues soon unravel, though. Like an eyewitness seeing members of Charity Now in the woods near the cliff before Billy’s suicide, a diary entry, proving Billy lied about his father being homophobic, and a hazing incident involving a student’s death—that Billy might or might not have been responsible for. However, Carson doesn’t only have to grapple with Billy’s duplicity. Genuine romantic feelings for Dean emerge. Except Carson will have to finish his sleuthing if he wants closure about Billy’s death. Even if that means choosing between stringing Dean along or being honest with him. ​ * * * ​ "A fast-paced and captivating murder mystery." - Silencio Marquez, Soul of a Vampire

Death in Medieval Europe: Death Scripted and Death Choreographed explores new cultural research into death and funeral practices in medieval Europe and demonstrates the important relationship between death and the world of the living in the Middle Ages. Across ten chapters, the articles in this volume survey the cultural effects of death. This volume explores overarching topics such as burials, commemorations, revenants, mourning practices and funerals, capital punishment, suspiscious death, and death registrations using case studies from across Europe including England, Iceland, and Spain. Together these chapters discuss how death was ritualised and choreographed, but also how it was expressed in writing throughout various documentary sources including wills and death registries. In each instance, records are analysed through a cultural framework to better understand the importance of the authors of death and their audience. Drawing together and building upon the latest scholarship, this book is essential reading for all students and academics of death in the medieval period.