Unnatural Phenomena

Organized geographically, Unnatural Phenomena: A Guide to the Bizarre Wonders of North America explores the history of natural phenomena in virtually every U.S. state. Can the sky quake? Can sand play music? Have UFOs been sighted in your town? Unnatural Phenomena crosses the centuries and travels America to chronicle the strangest natural phenomena, the most bizarre scientific findings, and events from history that defy rational explanation. Conveniently organized by region, state, and locality, this one-volume, illustrated encyclopedia maps a landscape straight out of The Twilight Zone. From apparitions in the sky to inhuman skeletons rising from the earth—and everything in between—Jerome Clark, expert on strange phenomena and author of ABC-CLIO's Extraordinary Encounters: An Encyclopedia of Extraterrestrials and Otherworldly Beings, sifts through the legends, the hoaxes, and the science. Authoritatively researched, the entries in Unnatural Phenomena will expand the most skeptical reader's sense of the possible. The truth is out there ... the evidence is in here.

A talking body part, a character that is simultaneously alive and dead, a shape-changing setting, or time travel: although impossible in the real world, such narrative elements do appear in the storyworlds of novels, short stories, and plays. Impossibilities of narrator, character, time, and space are not only common in today’s world of postmodernist literature but can also be found throughout the history of literature. Examples include the beast fable, the heroic epic, the romance, the eighteenth-century circulation novel, the Gothic novel, the ghost play, the fantasy narrative, and the science-fiction novel, among others. Unnatural Narrative looks at the startling and persistent presence of the impossible or “the unnatural” throughout British and American literary history. Layering the lenses of cognitive narratology, frame theory, and possible-worlds theory, Unnatural Narrative offers a rigorous and engaging new characterization of the unnatural and what it yields for individual readers as well as literary culture. Jan Alber demonstrates compelling interpretations of the unnatural in literature and shows the ways in which such unnatural phenomena become conventional in readers’ minds, altogether expanding our sense of the imaginable and informing new structures and genres of narrative engagement.

Sharks Are Flying at Your Head at 300 mph. How Will You Survive? In the apocalyptic world we live in, Mother Nature is angry. Danger waits at every turn, and catastrophes like the Los Angeles sharknados have taught us that we need to be ready for anything. Too many lives have already been lost. But fear not. How to Survive a Sharknado and Other Unnatural Disasters is the first and only comprehensive guide to surviving the very worst that Mother Nature can throw our way. Inside this life-saving reference, you’ll find: • Vital information about dozens of unnatural disasters and ungodly monsters that can injure, maim, or kill you, from arachnoquakes and ice twisters to piranhacondas and mega pythons; • Easy-to-understand survival tips for avoiding a bloody demise; • Inspirational words of wisdom from survivors, including Fin Shepard and April Wexler; • Useful resources, such as the Shepard Survival Assessment Test (S.S.A.T), and much more. With this essential book in hand, you too can be a hero who laughs in the face of calamity while saving friends and family. Or you can just avoid getting savagely ripped apart by a robocroc. Either way, you’ve been warned. Now be prepared. Sharknado 2: The Second One premieres July 30 at 9/8c on Syfy!

Seeing Is Believing. Or Is It? The mysteries of the unexplained examined with a critical eye of a highly-respected, prize-winning paranormal investigator. Weird stuff happens. Spontaneous human combustion, hairy bipeds, the massive Tunguska event, green fireballs, UFOs, cattle mutilation, crop circles, the Bermuda Triangle, Martian lore, Roswell, Loch Ness, weather phenomena, fairies, living dinosaurs, ghosts, pterodactyl sightings, flying humanoids, the hollow earth, and more than 200 other absorbing puzzles. What really happened? What is the truth? Should you dismiss what you can't explain? Or should you pay attention to the startling evidence and frightening personal accounts of those involved? Decide for yourself with Unexplained! Strange Sightings, Incredible Occurrences, and Puzzling Physical Phenomena. An authoritative, intelligent, and well-reasoned examination of strange artifacts and events that have long perplexed scientists, Unexplained! is an award-winning exposition of the strange and mysterious. Journey to the outer limits of science and nature and explore a wide range of unknown and enigmatic phenomena. The truth is out there, and looking for it is the real fun. Learn of hoaxes, witness the creation of various modern myths, and learn of frightening personal accounts and startling historical documents. Documenting the evidence and hearing witnesses out, Jerome Clark brings an engaging narrative to the stories, objectively presents their many possible explanations, and lets the reader make his or her own judgment in this one-of-a-kind book. Unique in the depth of examinations, Unexplained! delivers the possible truths of over 200 unexplained mysteries, including Area 51, Hangar 18, Ancient Astronaut Society, Objects from the Sky, Ball Lightning, Cattle Mutilations, Crop Circles, Devil’s Footprints, Wheels of Light, Giant Octopus, Loch Ness Monsters, Sasquatch, Bigfoot, Yeti, Wildman, Alligators in Sewers, White River Monster, Black Dogs, Chupacabras, Fairies, Hairy Dwarfs, Little Green Men, Mad Gassers, Merfolk, Mothman, Thunderbirds, Werewolves, Yowie, Bermuda Triangle, Cottingley Fairy Photographs, Devil’s Sea, Hollow Earth, Jersey Devil, Martian Mummies, Noah’s Ark, Spontaneous Human Combustion, and more!!

The last few years has, within museums, witnessed nothing short of a revolution. Worried that the very institution was itself in danger of becoming a dusty, forgotten, culturally irrelevant exhibit, vigorous efforts have been made to reshape the museum mission. Fearing that history was coming to be ignored by modern society, many institutions have instead marketed a de-intellectualised heritage, overly relying on computer technology to captivate a contemporary audience. The theme of this work is that we can do much to reassess the rationale that inspires contemporary collections through a study of seventeenth century museums. England's first museums were quite literally wonderful; founded that is on the disciplined application of the faculty of wonder. The type of wonder employed was not that post-Romantic idea of disbelief, but rather an active form of curiosity developed during the Renaissance, particularly by the individuals who set about gathering objects and founding museums to further their enquiries. The argument put forward in this book is that this museological practice of using objects actually to create, as well as disseminate knowledge makes just as much sense today as it did in the seventeenth century and, further, that the best way of reinvigorating contemporary museums, is to return to that form of wonder. By taking such a comparative approach, this book works both as a scholarly historical text, and as an historically informed analysis of the key issues facing today's museums. As such, it will prove essential reading both for historians of collecting and museums, and for anyone interested in the philosophies of modern museum management.

This collection of papers by an international group of authors honors Jonathan Kaye's contributions to phonology by expanding some of Kaye's ideas to a variety of theoretical topics and languages. The set of ideas discussed or used in this collection includes: empty categories, licensing relationships and constraints, a restrictive two-levelled approach to phonology (without rule ordering or constraint ranking), a restrictive theory of syllabic representation (without the codas constituent and with exclusively binary branching), theories of the phonology-phonetics interface in which phonology is motivated independently of phonetics, and the metatheoretical flaws in a number of widely accepted but rarely questioned views on phonology.

Rewriting the Self is an exploration of ideas of the self in the western cultural tradition from the Renaissance to the Present. The contributors analyse differing religious, philosophical, psychological, political, psychoanalytical and literary models of personal identity. They examine these models from a number of viewpoints, including the history of ideas, contemporary gender politics, and post-modernist literary theory. Rewriting the Self offers a challenge to the received version of the 'ascent of western man'. Lively and controversial, the book broaches big questions in an accessible way. Rewriting the Self arises from a seminar series held at the Institute of Contemporary Arts in London. The contributors include prominent academics from a range of disciplines.