Unti Rosenberg Memoir

An unforgettable World War II memoir set in Nazi-occupied France and filled with romance and adventure: a former Eastern European Jew remembers his flight from the Holocaust and his extraordinary four years in the French underground. Justus Rosenberg, now 98, has taught literature at Bard College for the past fifty years. In 1937, as the Nazis gained control and anti-Semitism spread in the Free City of Danzig, a majority German city on the Baltic Sea, sixteen-year-old Justus Rosenberg was sent to Paris to finish his education in safety. Three years later, France fell to the Germans. Alone and in danger, penniless, and cut off from contact with his family in Poland, Justus fled south. A chance meeting led him to Varian Fry, an American journalist in Marseille helping thousands of men and women, including many artists and intellectuals--among them Hannah Arendt, Marc Chagall, Andre Breton, and Max Ernst--escape the Nazis. With his German background, understanding of French culture, and fluency in several languages, including English, Justus became an invaluable member of Fry's refugee network as a spy and scout. The spry blond who looked even younger than his age flourished in the underground, handling counterfeit documents, secret passwords, black market currency, surveying escape routes, and dealing with avaricious gangsters. But when Fry was eventually forced to leave France, Gussie, as he was affectionately known, could not get out. For the next four years, Justus relied on his wits and skills to escape captivity, survive several close calls with death, and continue his fight against the Nazis, working with the French Resistance and later, becoming attached with the United States Army. At the war's end, Justus emigrated to America, and built a new life. Justus' story is a powerful saga of bravery, daring, adventure, and survival with the soul of a spy thriller. Reflecting on his past, Justus sees his life as a confluence of circumstances. As he writes, "I survived the war through a rare combination of good fortune, resourcefulness, optimism, and, most important, the kindness of many good people."

Thirty-seven chapters, written by leading literary critics from across the world, describe the latest thinking about twentieth-century war poetry. The book maps both the uniqueness of each war and the continuities between poets of different wars, while the interconnections between the literatures of war and peacetime, and between combatant and civilian poets, are fully considered. The focus is on Britain and Ireland, but links are drawn with the poetry of the United States and continental Europe. The Oxford Handbook feeds a growing interest in war poetry and offers, in toto, a definitive survey of the terrain. It is intended for a broad audience, made up of specialists and also graduates and undergraduates, and is an essential resource for both scholars of particular poets and for those interested in wider debates about modern poetry. This scholarly and readable assessment of the field will provide an important point of reference for decades to come.

No dictator can effectively govern a nation on his own. This was certainly the case with Adolf Hitler, who had little time for or interest in the day-to-day regional administration of the Nazi Party. For that purpose, he appointed his most loyal, charismatic, and brutal subordinates: The Little Hitlers , officially known as Gauleiters. In this third volume of a series begun in 2012, Michael Miller and Andreas Schulz present, in meticulous detail, the lives, careers, and crimes of 37 such men. Included are several whose wartime career paths took them outside of their home provinces and led to widespread oppression and terror outside the borders of the Reich. Among these were Fritz Sauckel, who presided over the roundup of millions for slave labor in the Reich, Josef Terboven who oppressed the people of Norway with uncompromising brutality for five years, and Gustav Simon who ruthlessly Germanized Luxembourg. Perhaps most notorious of all was Julius Streicher, whose virulent attacks- in writing and at the podium- made him the unofficial face of anti-Semitism in Nazi Germany.

A singular man in the history of modern art, betrayed by Vichy, is the subject of this riveting family memoir On September 20, 1940, one of the most famous European art dealers disembarked in New York, one of hundreds of Jewish refugees fleeing Vichy France. Leaving behind his beloved Paris gallery, Paul Rosenberg had managed to save his family, but his paintings—modern masterpieces by Cézanne, Monet, Sisley, and others—were not so fortunate. As he fled, dozens of works were seized by Nazi forces and the art dealer's own legacy was eradicated. More than half a century later, Anne Sinclair uncovered a box filled with letters. "Curious in spite of myself," she writes, "I plunged into these archives, in search of the story of my family. To find out who my mother's father really was . . . a man hailed as a pioneer in the world of modern art, who then became a pariah in his own country during the Second World War. I was overcome with a desire to fit together the pieces of this French story of art and war." Drawing on her grandfather's intimate correspondence with Picasso, Matisse, Braque, and others, Sinclair takes us on a personal journey through the life of a legendary member of the Parisian art scene in My Grandfather's Gallery. Rosenberg's story is emblematic of millions of Jews, rich and poor, whose lives were indelibly altered by World War II. Sinclair's journey to reclaim her family history paints a picture of modern art on both sides of the Atlantic between the 1920s and 1950s that reframes twentieth-century art history.

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An unprecedented, page-turning narrative of the Nazi rise to power, the Holocaust, and Hitler's post-invasion plans for Russia told through the recently discovered lost diary of Alfred Rosenberg - Hitler's 'philosopher' and architect of Nazi ideology. A groundbreaking historical work, The Devil's Diary offers a chilling window into the mind of Adolf Hitler's "chief social philosopher," Alfred Rosenberg, who formulated some of the guiding principles behind the Third Reich's genocidal crusade. It also chronicles the thrilling detective hunt for Rosenberg's diary, which disappeared after the Nuremburg Trials and remained lost for almost three quarters of a century, until author Robert Wittman, a former FBI special agent who founded the Bureau's Art Crimes Team, played an important role and tells the story now for the first time. The authors expertly and deftly contextualize more than 400 pages of diary entries stretching from 1936 through 1944, in which the loyal Hitler advisor recounts internal meetings with the Fürher and his close associates Hermann Göring and Heinrich Himmler; details jealousy and rivalries within the Nazi leadership - particularly with Goebbels; describes the post-invasion occupation of the Soviet Union; considers the "solution" to the "Jewish question;" and discusses his overseeing of the mass seizure and cataloguing of books and artwork from homes, libraries, and museums across occupied Europe. An eyewitness to events, this narrative of Rosenberg's diary offers provocative and intimate insights into pivotal moments in the war and the notorious Nazi who laid the philosophical foundations of the Third Reich.

Only collection of this fine war poet's work in print. Isaac Rosenberg (1890-1918) has long been regarded as one of the most important artistic figures of the First World War. His poems, such as "Dead Man's Dump" and "Break of Day in the Trenches," have been included in every war anthology and have earned him a place in England's Poet's Corner. He studied at the Slade School of Art, showing promise as a painter. His poverty, education, and background made him an outsider, yet it was just that experience that equipped him to cope with the unforeseen horror of war in the trenches: "I am determined that this war, with all its powers for devastation, shall not master my poeting." Enlisting in the Army in October 1915 he served on the Western Front until his death on night patrol in April 1918. Inexplicably for such a major poet, Rosenberg's work has been out of print for many years. In this collection his biographer Jean Liddiard has made a substantial selection of his finest poems and most revealing letters, providing also an authoritative introduction and a detailed chronology.