Unveiling Spartan Women

Ancient Sparta is best known today for its military orientation, the rigorous training of its youth to serve in Greece's most truly "professional" army, and the suppression of its neighbours that made its focus on war both possible and necessary. Among ancient authors, however, Sparta's women proved equally fascinating and were believed to possess far greater sexual, economic, and political power than their counterparts in the rest of ancient Greece. The image of the liberated or licentious Spartan woman has continued to intrigue modern scholars, who have hoped to find in Sparta the exception to the general rule of Greek patriarchy and misogyny. This volume seeks to demystify the Spartan female experience and to assess the reality behind the mirage of the empowered Spartan female. It analyzes both the ancient sources on Spartan women and the modern scholarly use of such sources. It examines the roles that women played in particular areas of Spartan society: religious activity, the economy, politics, and warfare.

The author examines Spartan women from all social classes covering over a thousand years, by analyzing ancient texts and archeological evidence to construct the world of these females. Proceeding through the archaic, classical, Hellenistic and Roman periods discussions of education, family life, reproduction, religion and athletics are included.

As the author of this book, I invited you to go through the maze of my changing views on a variety of topics. And the topics may seem random and unrelated to each other, but the discussion is surely valuable. The conclusions given by me are not the statement of ultimate truths, but rather expressions of the changing nature of thought process. You'll find my thoughts on topics ranging from the deep to the natural, from the personal to the global. It's important to understand that these mindsets are not fixed opinions, but rather samples of what I believe is true about various aspects of various topics. They are pieces developed by the different aspects of each issue that have crossed my mind, a complex mix created through instances, interactions, and thoughts. Consider this an invitation for discussion rather than a declaration of definitive facts as we progress through these chapters. Perspectives are flexible to change with evolution. What you'll read here aren't principles, but rather the changing boundaries of my thought process. I request you, dear reader, to approach my ideas with an open mind in an attitude of learning and inquiry. Just as landscapes change as we travel, I hope so can our viewpoints as we relate with a variety of views. May this book serve as an opportunity for your own thoughts, bringing about discussions, and maybe analyzing your own views. So, let us begin on this logical exploration together.

This is the 7th volume from the International Sparta Seminar, in the series begun in 1989 by Anton Powell with Stephen Hodkinson. The volume is both thematic and eclectic. Ephraim David and Yoann Le Tallec treat respectively the politics of nudity at Sparta and the role of athletes in forming the Spartan state. Nicolas Richer examines the significance of animals depicted in Lakonian art; Andrew Scott asks what Lakonian figured pottery reveals of local consumerism. Nino Luraghi and Paul Christesen deal respectively with the way in which Sparta was viewed by Messenians and by Ephorus. Jean Ducat treats 'the ghost of the Lakedaimonian state', a major study of formal relations between Spartiate and perioikic communities. Thomas Figueira considers how Spartan women policed masculine behaviour. Anton Powell traces the development of Spartan reactions to political divination in the classical period.

The two-volume A Companion to Sparta presents the first comprehensive, multi-authored series of essays to address all aspects of Spartan history and society from its origins in the Greek Dark Ages to the late Roman Empire. Offers a lucid, comprehensive introduction to all aspects of Sparta, a community recognised by contemporary cities as the greatest power in classical Greece Features in-depth coverage of Sparta history and culture contributed by an international cast including almost every noted specialist and scholar in the field Provides over a dozen images of Spartan art that reveal the evolution of everyday life in Sparta Sheds new light on a modern controversy relating to changes in Spartan society from the Archaic to Classical periods

"The story of Helen of Troy has its origins in ancient Greek epic and didactic poetry, more than 2500 years ago, but it remains one of the world's most galvanizing myths about the destructive power of beauty. Much like the ancient Greeks, our own relationship to female beauty is deeply ambivalent, fraught with both desire and danger. We worship and fear it, advertise it everywhere yet try desperately to control and contain it. No other myth evocatively captures this ambivalence better than that of Helen, daughter of Zeus and Leda, and wife of the Spartan leader Menelaus. Her elopement with (or abduction by) the Trojan prince Paris "launched a thousand ships" and started the most famous war in antiquity. For ancient Greek poets and philosophers, the Helen myth provided a means to explore the paradoxical nature of female beauty, which is at once an awe-inspiring, supremely desirable gift from the gods, essential to the perpetuation of a man's name through reproduction, yet also grants women terrifying power over men, posing a threat inseparable from its allure. Many ancients simply vilified Helen for her role in the Trojan War but there is much more to her story than that: the kidnapping of Helen by the Athenian hero Theseus, her sibling-like relationship with Achilles, the religious cult in which she was worshipped by maidens and newlyweds, and the variant tradition which claims she never went to Troy at all but was whisked away to Egypt and replaced with a phantom. In this book, author Ruby Blondell offers a fresh look at the paradoxes and ambiguities that Helen embodies. Moving from Homer and Hesiod to Sappho, Aeschylus, Euripides, and others, Helen of Troy shows how this powerful myth was continuously reshaped and revisited by the Greeks. By focusing on this key figure from ancient Greece, the book both extends our understanding of that culture and provides a fascinating perspective on our own." - Besedilo s knjižnega zavihka.

Xenophon of Athens was a pupil of Socrates and a philosopher in his own right. He wrote two of the texts included in this volume, the Hiero (On Tyranny) and the Constitution of the Spartans. The third, the Constitution of the Athenians, is found under Xenophon's name alongside the other two in the manuscripts. The works represent three distinct types of government (the rule of one man in tyranny and kingship, the rule of law in the mixed constitution of the Spartans, and the rule of the masses in the Athenian democracy), but there are common features throughout. This volume presents an introduction discussing Xenophon's views on government in the context of his general political thought, drawing particularly on his Socratic work Memorabilia, and a commentary on the Greek text of each work aimed primarily at advanced undergraduates and graduate students.

Greek women routinely wore the veil. That is the unexpected finding of this meticulous study, one with interesting implications for the origins of Western civilisation. The Greeks, popularly (and rightly) credited with the invention of civic openness, are revealed as also part of a more Eastern tradition of seclusion. Llewellyn-Jones' work proceeds from literary and, notably, from iconographic evidence. In sculpture and vase painting it demonstrates the presence of the veil, often covering the head, but also more unobtrusively folded back onto the shoulders. This discreet fashion not only gave a priviledged view of the face to the ancient art consumer, but also, incidentally, allowed the veil to escape the notice of traditional modern scholarship. From Greek literary sources, the author shows that full veiling of the head and face was commonplace. He analyses the elaborate Greek vocabulary for veiling and explores what the veil meant to achieve. He shows that the veil was a conscious extension of the house and was often referred to as `tegidion', literally `a little roof'. Veiling was thus an ingeneous compromise; it allowed women to circulate in public while mainting the ideal of a house-bound existence. Alert to the different types of veil used, the author uses Greek and more modern evidence (mostly from the Arab world) to show how women could exploit and subvert the veil as a means of eloquent, sometimes emotional, communication. First published in 2003 and reissued as a paperback in 2010, Llewellyn-Jones' book has established itself as a central - and inspiring - text for the study of ancient women.