Urbino

The city of Urbino is encircled by walls, it rises in layers - Roman, then medieval, and then the crowning achievement of the Renaissance. This work considers many of its qualities, from its evolution, through the Golden Age, leading to a consideration of its position since the Renaissance.

Following the Glorious Revolution the court of the exiled Stuarts was for many years based in France, until after the failure of the Jacobite rising of 1715, it was forced to move, eventually to be established in Rome. This book provides the first study of the court in transition, when exiled King James III lived in the Palazzo Ducale at Urbino.

James Dennistoun of Dennistoun, the author of this work, was born on the 17th March, 1803, in Dumbartonshire, and spent the greater part of his youth with his grandfather, George Oswald of Scotston, to whom he owed, as he said, his first impulse towards letters. About the year 1814 he and his brother George were placed under the care of a tutor, the Rev. Alexander Lochore, later minister of Drymen parish. He then proceeded to Glasgow College, and later read for the Bar, though with no intention of practising. He passed advocate in 1824, but seems by then and for long after to have been gathering information regarding the old families of Dumbartonshire, which he placed at the disposal of Mr. Irving, who acknowledges his indebtedness to him. It was in 1825 that he went to Italy, spending Christmas in Rome with a few friends, and meeting there Isabella Katherina, eldest daughter of James Wolfe Murray, Lord Cringletie, whom he married in 1835. In 1836 he sold the family estates, including Colgrain and Camis-Eskan, and purchased Dennistoun Mains in Renfrewshire, the property which gave name to his house. His visits to Italy then became frequent, their most important result being the Memoirs of the Dukes of Urbino, which he published in 1851. He died some four years later, on February 13th, 1855, and was buried at his own desire in the Greyfriars churchyard, Edinburgh, not in the family vault at Cardross.

Memoirs of the Dukes of Urbino, Volume I (of 3) But Dennistoun's Dukes of Urbino is not merely a history of the houses of Montefeltro and Della Rovere, of-viii- their famous and most brilliant Court, and of that part of Italy over which they held dominion, but really a work in belles-lettres too, discursive and amusing, as well as instructive. It deals not merely with history, as it seems we have come to understand the word, a thing of politics—in this case the futile and childish politics of the fifteenth and sixteenth centuries in Italy—but illustrates "the arms, arts, and literature of Italy from 1440 to 1630." And indeed this programme was carried out as well as it could be carried out at the time these volumes were written. The book, which has long been almost unprocurable, is full, as it were, of a great leisure, crammed with all sorts of out-of-the-way learning and curious tales and adventures. Sometimes failing in art, and often we may think in judgment, Dennistoun never fails in this, that he is always interested in the people he writes of, interested in their quarrels and love affairs, their hair-breadth escapes and good fortunes. How eagerly he sides with Duke Guidobaldo, chased out of his city of Urbino by Cesare Borgia! It is as though he were assisting at that sudden flight at midnight, and, whole-heartedly the Duke's man as he was, almost fails to understand what Cesare was aiming at, and quite fails to see what Cesare saw too well—the helplessness of Italy, at the mercy, really, of the unconscious nations of the modern world. Such failures as this make his work, indispensable as it is, less valuable than it might have been, but they by no means detract from the general interest of the story. That is a quarry from which much has been hewn, and a good many of those enduring blocks which go to make up so popular and charming a work as John Inglesant came in the first instance from Dennistoun's volumes.