Utopia S Debris

Gary Indiana is one of America's leading cultural critics -- a public intellectual who has written key essays on every aspect of American culture. Utopia's Debris comprises selections of his very best work, revealing him to be an enormously acute, frequently scabrous, and always brilliant observer of the best and worst America has to offer. His writings range from popular culture -- trash novels, architectural wonders and horrors -- to appreciations of the best of modern literature, art, and cinema. They include his convincing (and highly entertaining) debunking of fashionable conspiracy theories, a spirited and contrarian defense of Bill Clinton's autobiography, a Mencken-like examination of the rise of Arnold Schwarzenegger and the politics of celebrity in what Indiana calls the Age of Contempt. A postmodern Emerson, Indiana wields scalpel-sharp wit and a fealty to logic on issues in which, all too often, irrationalism and emotionalism hold sway. At times rigorously serious, at other times whimsical, Indiana's most conspicuous feature is skepticism -- his wildly satirical contempt for conventional wisdom.

This book explores those who long for “bygone utopias,” times before rapid, culturally destructive social change stripped individuals of their perceived agency. The case of the wave of foreclosure protests that swept through the rural American Midwest during the 1930s illustrates these themes. These actions embodied a utopian understanding of agrarian society that had largely disappeared by the late 19th century: hundreds to thousands of people fixed public auctions of foreclosed farms, returning owners’ property and giving them a second chance to save their farm. Comparisons to later movements, including the National Farmers’ Organization and the protests surrounding the 1980s Farm Crisis highlight the importance of culturally catastrophic social change occurring at a breakneck pace in fomenting these types of bygone utopian actions. These activists and movements should cause scholars to re-think what it means to be conservative and how we view conservatism, helping us better understand why we’re seeing a contemporary resurgence in nationalist and reactionary movements across the globe.

Environmentalism has relentlessly warned about the dire consequences of abusing and exploiting the planet's natural resources, imagining future wastelands of ecological depletion and social chaos. But it has also generated rich new ideas about how humans might live better with nature. Green Utopias explores these ideas of environmental hope in the post-war period, from the environmental crisis to the end of nature. Using a broad definition of Utopia as it exists in Western policy, theory and literature, Lisa Garforth explains how its developing entanglement with popular culture and mainstream politics has shaped successive green future visions and initiatives. In the face of apocalyptic, despairing or indifferent responses to contemporary ecological dilemmas, utopias and the utopian method seem more necessary than ever. This distinctive reading of green political thought and culture will appeal across the social sciences and humanities to all interested in why green utopias continue to matter in the cultivation of ecological values and the emergence of new forms of human and non-human well-being.

Through a curated selection of papers written over four decades by one of Australia’s leading philosophers, this collection demonstrates the impact of Continental philosophy on philosophical thought in Australia. The development of specific philosophical problems, over a period of more than forty years by a philosopher whose first training was ‘pre-continental’, shows that it is possible to achieve interaction between ‘continental’ and ‘pre-continental’ methods in philosophy, even while recognizing their distinctiveness. These essays ‘work towards’ continental philosophy in the ways they pay attention to language, to how we experience things and are experienced by others, and to the structures of language and power that frame what it is possible to say and to hear, to write and to read.

Forges a new understanding of how these two Lusophone nations are connected. The closely entwined histories of Portugal and Brazil remain key references for understanding developments--past and present--in either country. Accordingly, Fernando Arenas considers Portugal and Brazil in relation to one another in this exploration of changing definitions of nationhood, subjectivity, and utopias in both cultures. Examining the two nations' shared language and histories as well as their cultural, social, and political points of divergence, Arenas pursues these definitive changes through the realms of literature, intellectual thought, popular culture, and political discourse. Both Brazil and Portugal are subject to the economic, political, and cultural forces of postmodern globalization. Arenas analyzes responses to these trends in contemporary writers including Jose Saramago, Caio Fernando Abreu, Maria Isabel Barreno, Vergilio Ferreira, Clarice Lispector, and Maria Gabriela Llansol. Ultimately, Utopias of Otherness shows how these writers have redefined the concept of nationhood, not only through their investment in utopian or emancipatory causes such as Marxist revolution, women's liberation, or sexual revolution but also by shifting their attention to alternative modes of conceiving the ethical and political realms.

This collection deals with utopias in the Greek and Roman worlds. Plato is the first and foremost name that comes to mind and, accordingly, 3 chapters (J. Annas; D. El Murr; A. Hazistavrou) are devoted to his various approaches to utopia in the Republic, Timaeus and Laws. But this volume's central vocation and originality comes from our taking on that theme in many other philosophical authors and literary genres. The philosophers include Aristotle (Ch. Horn) but also Cynics (S. Husson), Stoics (G. Reydams-Schils) and Cicero (S. McConnell). Other literary genres include comedic works from Aristophanes up to Lucian (G. Sissa; S. Kidd; N.I. Kuin) and history from Herodotus up to Diodorus Siculus (T. Lockwood; C. Atack; I. Sulimani). A last comparative chapter is devoted to utopias in Ancient China (D. Engels).

Revised and restructured, this second edition of Modern Art traces the historical and contemporary contexts for understanding modern art movements, and the theories that influenced and attempted to explain them. Its radical approach foregoes the chronological approach to art movements in favour of looking at the ways in which art has been understood. The editors investigate the main developments in art interpretation and draw examples from a wide range of genres including painting, sculpture, photography, installation and performance art. This second edition has been fully updated to include many more examples of recent art practice, as well as an expanded glossary and comprehensive marginal notes providing definitions of key terms. Extensively illustrated with a wide range of visual examples, Modern Art is the essential textbook for students of art history.

This book offers an innovative examination of the utopian impulse through performance as a proposition of practical engagement in the contemporary Americas. The volume compiles unique multidisciplinary and exploratory texts, applying diverse critical and artistic approaches. Its contributors reconceptualize utopia as a creative and theoretical method based on a commitment to sociopolitical transformation. Chapters are organized around notions of mapping utopias, indigenizing practices, political manifestations, and the construction of social identities.