Velvet

Orphaned before she was seventeen, aspiring designer Caitlin Holte is saved from a supernatural force by Adrian, her "bad-boy" neighbor who, she learns, is a half-demon vampire willing to serve as her bodyguard, but unable to protect her heart when Caitlin falls in love with him.

The timeless tale of 14-year-old Velvet Brown's participation in the Grand National Steeplechase has thrilled generations of readers. The story provides a positive role model for girls and remains ever popular with young horse lovers.

From the oyster huts of Whitstable to the music halls of Victorian London, Tipping the Velvet is the glorious first novel from this much-loved author 'Piercing the shadows of the naked stage was a single shaft of rosy limelight, and in the centre of this was a girl: the most marvellous girl - I knew it at once! - that I had ever seen.' A saucy, sensuous and multi-layered historical romance, Tipping the Velvet follows the glittering career of Nan King - oyster girl turned music-hall star turned rent boy turned East End 'tom'. 'Erotic and absorbing... Written with startling power' New York Times Book Review 'An unstoppable read, a sexy and picaresque romp through the lesbian and queer demi-monde of the roaries Nineties' Independent on Sunday 'Waters is an extremely confident writer, combining precise, sensuous descriptions with irony and wit' Observer

Velvet is a laundress in a Victorian steam laundry. With both her mother and father dead, she has to rely upon her own wits to make a living. The laundry is scalding, back-breaking work and Velvet is desperate to create a better life for herself. Then Velvet is noticed by Madame Savoya, a famed medium, who asks Velvet to come work for her. Velvet is dazzled at first by the young yet beautifully dressed and bejewelled Madame. But Velvet soon realizes that Madame Savoya is not all that she says she is, and Velvet's very life is in danger . . . A romantic and thrillingly exciting new novel from an acclaimed and much loved historical writer for teens

Velvet is odd. Instead of dolls that talk and cry, Velvet brings a milkweed pod for show and tell. She wins the class art contest using only an eight-pack of crayons. She likes to collect rocks. Even her name is strange-Velvet! But as the school year unfolds, the things Velvet does and the things that Velvet says slowly begin to make sense. And, in the end, Velvet's classmates discover that being different is what makes Velvet so much fun.

Jesus, matadors, panthers, bandits, Indians, movie stars, waifs, and, of course, Elvis are recognized icons of the oft-despised, uber-kitsch art form of black velvet painting. In Black Velvet Art author Eric A. Eliason and photographer Scott Squire present a comprehensive overview of this covertly-loved and overtly-reviled tradition. In cooperation with a network of artists, collectors, importers, and gallery owners in Tijuana, Los Angeles, Seattle, and Calgary, this book draws from the largest survey of velvet painting ever undertaken. The book traces velvet's historical development as a folk art shaped by both indigenous traditions as well as Western consumer expectations in such markets as the South Pacific, Southeast Asia, and particularly the U.S./Mexico border and the black velvet capital of Tijuana. In black velvet, class and taste challenge art as a consumer phenomenon, democratic spirit faces down elitism, reproduction questions originality, and sexuality seduces and provokes religiosity. What is most significant about black velvet art to many Americans is its signaling of the nadir of bad taste. Black velvet is the "anti-art" in many ways. Eliason seeks to explore how and why black velvet serves this function and to examine ways it deserves a glowing redemption.

Though The Velvet Underground were critically and commercially unsuccessful in their time, in ensuing decades they have become a constant touchstone in art rock, punk, post-punk, indie, avant pop and alternative rock. In the 1970s and 80s Lou Reed, John Cale and Nico produced a number of works that traveled a path between art and pop. In 1993 the original band members of Reed, Cale, Morrison and Tucker briefly reunited for live appearances, and afterwards Reed, Cale and briefly Tucker, continued to produce music that travelled the idiosyncratic path begun in New York in the mid-1960s. The influence of the band and band members, mediated and promoted through famous fans such as David Bowie and Brian Eno, seems only to have expanded since the late 1960s. In 1996 the Velvet Underground were in inducted into the Rock and Roll Hall of Fame, demonstrating how far the band had traveled in 30 years from an avant-garde cult to the mainstream recognition of their key contributions to popular music. In these collected essays, Pattie and Albiez present the first academic book-length collection on The Velvet Underground. The book covers a range of topics including the band's relationship to US literature, to youth and cultural movements of the 1960s and beyond and to European culture - and examines these contexts from the 1960s through to the present day.

In order to find an authentic understanding of the Christian faith, Bell frees readers to consider God beyond the picture someone else painted.