Vendel Period Bracteates On Gotland

Written by a team of experts and presenting the results of the most up-to-date research, The Handbook of Anglo-Saxon Archaeology will both stimulate and support further investigation into a society poised at the interface between prehistory and history.

In this book contributions by archaeologists and numismatists from six countries address different aspects of how silver was used in both Scandinavia and the wider Viking world during the 8th to 11th centuries AD. The volume brings together a combination of recent summaries and new work on silver and gold coinage, rings and bullion, which allow a better appreciation of the broader socioeconomic conditions of the Viking world. This is an indispensable source for all archaeologists, historians and numismatists involved in Viking Studies.

37 studies of the adoption of Christianity across northern Europe over1000 years, and the diverse reasons that drove the process. In Europe, the cross went north and east as the centuries unrolled: from the Dingle Peninsula to Estonia, and from the Alps to Lapland, ranging in time from Roman Britain and Gaul in the third and fourth centuries to the conversion of peoples in the Baltic area a thousand years later. These episodes of conversion form the basic narrative here. History encourages the belief that the adoption of Christianity was somehow irresistible, but specialists show theunderside of the process by turning the spotlight from the missionaries, who recorded their triumphs, to the converted, exploring their local situations and motives. What were the reactions of the northern peoples to the Christian message? Why would they wish to adopt it for the sake of its alliances? In what way did they adapt the Christian ethos and infrastructure to suit their own community? How did conversion affect the status of farmers, of smiths, of princes and of women? Was society wholly changed, or only in marginal matters of devotion and superstition? These are the issues discussed here by thirty-eight experts from across northern Europe; some answers come from astute re-readings of the texts alone, but most are owed to a combination of history, art history and archaeology working together. MARTIN CARVER is Professor of Archaeology, University of York.

Exploring the relationship between animals and humans in Scandinavia from the Roman Iron Age to the Viking Period, this book interprets Old Norse mythology in which imaginary creatures with strong characters were invented and examines the importance of animals in the human world. According to Old Norse perceptions, real and fantasy animals in Midgard became mouthpieces for human characteristics and reflections of people's social position. With the aid of animals, humans could also show who they really were as well as control higher powers. Combining results from archaeology and Old Norse texts, this account discusses the functional, symbolic, and cognitive meanings of animals and the implications of animal rights.

In this highly illustrated book, David Hinton looks at what possessions meant to people at every level of society in Britain in the middle ages, from elaborate gold jewellery to clay pots, and provides a fascinating window into the society of the middle ages. Gold and Gilt, Pots and Pins is about things worn and used in Britain throughout the Middle Ages, from the great treasure hoards that mark the end of the Roman Empire to the new expressions of ideas promoted by the Renaissance and Reformation.

Iron Age Myth and Materiality: an Archaeology of Scandinavia AD 400-1000 considers the relationship between myth and materiality in Scandinavia from the beginning of the post-Roman era and the European Migrations up until the coming of Christianity. It pursues an interdisciplinary interpretation of text and material culture and examines how the documentation of an oral past relates to its material embodiment. While the material evidence is from the Iron Age, most Old Norse texts were written down in the thirteenth century or even later. With a time lag of 300 to 900 years from the archaeological evidence, the textual material has until recently been ruled out as a usable source for any study of the pagan past. However, Hedeager argues that this is true regarding any study of a society’s short-term history, but it should not be the crucial requirement for defining the sources relevant for studying long-term structures of the longue durée, or their potential contributions to a theoretical understanding of cultural changes and transformation. In Iron Age Scandinavia we are dealing with persistent and slow-changing structures of worldviews and ideologies over a wavelength of nearly a millennium. Furthermore, iconography can often date the arrival of new mythical themes anchoring written narratives in a much older archaeological context. Old Norse myths are explored with particular attention to one of the central mythical narratives of the Old Norse canon, the mythic cycle of Odin, king of the Norse pantheon. In addition, contemporaneous historical sources from late Antiquity and the early European Middle Age - the narratives of Jordanes, Gregory of Tours, and Paul the Deacon in particular - will be explored. No other study provides such a broad ranging and authoritative study of the relationship of myth to the archaeology of Scandinavia.

Old Norse religion is considered as one of the best-known pre-Christian religions in Europe, due to the rich and varied Icelandic literature from the 12th to the 14th century. Since the Icelandic texts are Christian there has been an ongoing debate regarding their value as sources for deeper knowledge about pre-Christian religion in Scandinavia. However, with the help of archaeology it is possible to show that some elements in the texts actually have a pagan origin. Archaeology can also be used to outline a history of Old Norse religion through time. The collection of essays is a thorough study of some fundamental cosmological elements in Old Norse religion, such as the sun, the world-tree and the concept of Midgard (i.e. Middle Earth). Andrén argues that representations of all these elements can be traces through images and material culture during different parts of Scandinavian prehistory. By studying the history of these representations it is possible to outline a long-term perspective on Old Norse religion, including periods of fundamental changes.