Venetian English English Venetian

Hard not to be florid about this book Devoured in snippets or read straight through. It presents amazing experiences and skills. Because Marc-Charles Nicolas has a brilliantly delicate appreciation for the idea of a sentence in a poem, the juxtapositions of segments in these pages appear essentially to construct entire topics for mediation. Examined along and the dawnings increase and multipy--- inspirations, love, feelings, locations, events hitherto isolated are now all hooks-and-eyes into each other. And because Marc-Charles gets his inspiration from the muse, you feel the exquisiteness and beauty buried in shattered phrases about the "universality of poetry." As a poet he belongs to a life larger than his own. The life of genuine things. And (One more performance worth a word): the poems in his book "Perfumed Paradise" are filled with aboutness'. Put together as they are, they're seen to abound with roots: their laughter or melancholy or ire has discernible reasons. The humanness of poem-writing as a hobby, the splendid unavoidability of it ---that is what this compilation brings together. But floridity was to be kept away. One cloudless day---pace the anti-sentimentalists: life is short I sat in the sun and by a Brook with a friend and passed pages of this manuscript from side to side, reading fragments aloud, laughing quietly or looking grave, occasionally thrilled and bemused. A while back, this was, yet I remember no happier afternoon. The poems were written originally in French 13 years ago in the year 1993, delicious remembrance - fantastic book! Virgo A. Bernice

Venetian art connoisseur, interior designer, and hotelier Francesca Bortolotto Possati knows the intricacies of Venice. To have her as a guide is to experience firsthand her passion for the private side of the mythic city whose daily visitors outnumber its population. Join her to visit artists’ studios, elegant Venetian friends, and palaces’ secrets. Everywhere one wanders, a sense of history saturates the buildings and landscapes, harking back to the artists of the Renaissance and the chic masquerade balls of centuries past.The discerning eye of photographer Robyn Lea makes this book a revelation of the Venice of dreams, which will surely allow readers to see this iconic destination through new eyes.A sentimental foreword by Jeremy Irons perfectly complements this stunning volume.

Half a millennium of English and American fantasies of Venice: this collection of essays by leading critics in the field explores the continued and continuing fascination of travellers, writers, artists, theatre workers and film makers with the amphibious and ambiguous city in the lagoon. There is hardly another place in Europe that has become so much of a palimpsest, inscribed with the fantasies, the dreams and nightmares of generations of foreigners, and this turns Venetian Views, Venetian Blinds into a particularly pertinent case study of the ways cultural difference within Europe is experienced, enacted and constructed. The essays range across five centuries - from the Renaissance to our postmodern present, from Shakespeare and his contemporary Coryate to recent novels, detective fiction and films - and, in contrast to previous studies focussing on the Grand Tour, they emphasise more recent developments and how they continue or disrupt traditional ways of perceiving - or being blind to! - Venice.

'Norwich has loved and understood Venice as well as any other Englishman has ever done' Sunday Times 'Will become the standard English work of Venetian history' Financial Times ___________________ Renowned historian, and author of A Short History of Byzantium, John Julius Norwich's classic history of Venice A History of Venice tells the story of this most remarkable of cities from its founding in the fifth century, through its unrivalled status for over a thousand years as one of the world's busiest and most powerful city states, until its fall at the hands of Napoleon in 1797. Rich in fascinating historical detail, populated by extraordinary characters and packed with a wealth of incident and intrigue, this is a brilliant testament to a great city - and a great and gripping read. ___________________ 'The standard Venetian history in English' The Times 'Norwich has the gift of historical perspective, as well as clarity and wit. Few can tell a good story better than he' Spectator

'An unputdownable thriller' Gregory Dowling 'It is no surprise to find that Philip Gwynne Jones lives in Venice... art and architecture interweave into a story that builds to an almost surreal climax' Daily Mail ***** A game of cross and double-cross in Venice, one of the most beautiful cities on earth. From his office on the Street of the Assassins, Nathan Sutherland enjoys a steady but unexciting life translating Italian DIY manuals. All this changes dramatically when he is offered a large sum of money to look after a small package containing an extremely valuable antique prayer book illustrated by a Venetian master. But is it a stolen masterpiece - or a brilliant fake? Unknown to Nathan, from a vast mansion on the Grand Canal twin brothers Domenico and Arcangelo Moro, motivated by nothing more than mutual hatred, have been playing out a complex game of art theft for twenty years. And now Nathan finds himself unwittingly drawn into their deadly business . . . ***** Praise for Philip Gwynne Jones 'Superb - always gripping, beautifully constructed and vivid' Stephen Glover 'Sinister and shimmering, The Venetian Game is as haunting and darkly elegant as Venice itself' L.S. Hilton, bestselling author of Maestra 'Clever and great fun' The Times 'The Venetian setting is vividly described... good, fluid writing makes for easy reading' Literary Review 'Un-put-downable . . . If you love Venice, you'll love this because you'll be transported there in an instant. If you've not been to Venice, read this book and then go. If you like intrigue, and a clever plot, you'll love this book' Amazon reviewer, 5***** ***** Vengeance in Venice, the second book in Philip Gwynne Jones' sensational Venice series, is available now

Pirate welfare played a prominent part in Mediterranean life during the late sixteenth and early seventeenth centuries. Its influence was significant both in the decline of Venice and in the shift of the economic hegemony of Europe. Professor Tenenti maintains that Venice is a fitting focus for study of this period, for the mediterranean became and increasingly a centre of European activity. On one side was Venice which, in spite of a huge navy and a still sizable merchant fleet, observed the strictest neutrality and sought only to protect her trade. On the other were potentially or openly hostile navies, which clashed with one another and frequently also with Venetian shipping. english and Dutch navies forced their way into the area by a combination of trade and piracy and established themselves in positions of great strength. Professor Tenenti analyzes the impact of northern piracy on the trade of the Venetian republic and her failure to resist this threat. During the early seventeenth century Venetian prosperity was irreparably damaged, not only by competition from the north, but also by a severe shipbuilding crisis. He suggests that Venice wa unable to adapt the organization, equipment and discipline of her navy to the changed conditions; for these were spheres in which her pride was particularly strong and tradition enduring. He describes the different types of pirates from the Barbary pirates, the Knights of Malta and the English corsairs to the Uscocchi, whom even sophisticated Venetians regarded as necromancers. The translation of this important work fo Venetian economic history makes a valuable addition to the books on the period available to English readers. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1961.

Since the extensive floods of 1966, inhabitants of Venice's laguna areas have come to share in, and reflect upon, concerns over pressing environmental problems. Evidence of damage caused by industrial pollution has contributed to the need to recover a common culture and establish a sense of continuity with "truly Venetian traditions." Based on ethnographic and archival data, this in-depth study of the Venetian island of Burano shows how its inhabitants develop their sense of a distinct identity on the basis of their notions of gender, honor and kinship relations, their common memories, their knowledge and love of their environment and their special skills in fishing and lace making.